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Klassiek - Verschenen op 3 juni 2016 | Oehms Classics

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 3 juli 2015 | Oehms Classics

Booklet Onderscheidingen 5 de Diapason
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Opera - Verschenen op 4 september 2015 | Oehms Classics

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 4 september 2020 | CapriccioNR

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Hans Rott was a composer from Gustav Mahler’s environment who had been unknown or known only by name even to most pundits. Many people have expressed the opinion, perhaps justifiably, that only his tragic fate prevented him from going down in the annals of music as Mahler’s equal and establishing a permanent position in the repertoire. A member of Bruckner’s circle within the music scene in Vienna, he developed a pronounced antipathy towards Johannes Brahms. In view of many of his works, it is difficult to comprehend that during Rott’s lifetime presumably not one of them was performed in public, but that only presentations took place under the aegis of internal conservatory events. With these recordings Capriccio attend to fill the gap with his (some of them reconstructed) orchestral works and document these fascinating world of music for the eternity. © Capriccio
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Klassiek - Verschenen op 10 mei 2019 | Oehms Classics

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Klassiek - Verschenen op 8 januari 2021 | CapriccioNR

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The premiere of the Symphony No. 1 in E major by Hans Rott, written more than 100 years earlier, in 1989 introduced the international music world to a composer who had been unknown or known only by name even to most pundits. His colleagues and friends included the one or two-year younger composers Gustav Mahler and Hugo Wolf. Besides Wagner, Bruckner was the most important model for Rott’s first symphonic work. The symphony is the summum opus the not quite twenty-year-old left behind. It is his first and final finished major work. It is the synthesis of what he had written to date and a proclamation of what might have come. © Capriccio
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Klassiek - Verschenen op 22 januari 2021 | Oehms Classics

Good music was not enough for him: Alexander Scriabin wanted people with his music to liberate, redeem humanity. Scriabin's ecstatic sound poem leads the romantic Symphony orchestra at its limits. A departure into infinity: “And the universe echoed / From the joyful call / I am!” Says the end of his soaring poem “Poème de l’extase,” which is the inspiration for the symphonic work. With the voices of the WDR Rundfunkchor. A sung ending sounds in this recording, which crowns the bold flight of the soul with an orgiastic ending. As a long-time guest conductor of the Gürzenich-Orchester Köln, Dmitrij Kitajenko proves his particular affinity for the interpretation of Russian music here, as in Scriabin's Second Symphony. Kitjaneko celebrated his 80th birthday in 2020. © Oehms Classics
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Klassiek - Verschenen op 2 oktober 2015 | Oehms Classics

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Klassiek - Verschenen op 27 oktober 2009 | Oehms Classics

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Klassiek - Verschenen op 5 mei 2015 | CapriccioNR

Booklet
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Klassiek - Verschenen op 18 november 2016 | Oehms Classics

Booklet
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Klassiek - Verschenen op 1 januari 2005 | CapriccioNR

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Klassiek - Verschenen op 4 juni 2013 | Oehms Classics

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Symfonische muziek - Verschenen op 8 april 2013 | Acanta

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Klassiek - Verschenen op 1 januari 2016 | Oehms Classics

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Klassiek - Verschenen op 8 juni 2018 | Oehms Classics

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Klassiek - Verschenen op 19 november 2013 | Oehms Classics

Booklet
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Klassiek - Verschenen op 1 januari 2013 | Oehms Classics

Booklet