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Piano solo - Verschenen op 30 september 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année - Exceptional Sound Recording
  
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Piano solo - Verschenen op 24 maart 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording
Fazil Say, who made his debut on this label with a very, very well-received work on Mozart’s Complete Piano Sonatas, is now turning his attention to Chopin, but a more confidential side of Chopin, much less virtuoso, the Chopin Nocturnes, the almost complete work of which he recorded in the Mozarteum Salzburg in March 2016. An “almost complete work” because the Nocturne in C-Sharp minor Op. 71/1 is missing, most likely due to CD running time restrictions as the total exceeded the limit by just a handful of seconds… Regardless the interpretation is dazzling and almost symphonic, taking these Nocturnes out of the hyper-romantic state of torpor they are so frequently plunged in by musicians. In addition to Chopin’s music, a few of Say’s short-lived grunts can also be heard who, much like Gould (albeit to a lesser extent), sometimes enjoys humming in the background. © SM/Qobuz
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Piano solo - Verschenen op 6 april 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional Sound Recording - 5 étoiles de Classica
The remarkable Turkish pianist Fazıl Say (born 1970) here offers us a suitably remarkable album, recorded in 2016 in the Great Hall of the Salzburg Mozarteum and given over to the Premier Livre of Debussy's Préludes – 1910 – which he sets up in against the six Gnossiennes by Satie (1890 for the first three, 1897 for the latter three) and to the pieces which made him famous, the Gymnopédies of 1888. It's quite stunning to hear these works and to reflect on the fact that Satie's works actually come before Debussy's Préludes – by almost two decades, in fact. It is hardly surprising the Satie has been thought a real avant-gardist both in his day and by minimalists today. Considering how different these two were, it was natural that they should have been friends, especially given Debussy's tendency towards jealousy of his contemporaries... But it is impossible to be jealous of a kind, bubbly soul like Satie. Say brings immense tenderness to these two opposite poles – poles so far removed that they almost join back up. © SM/Qobuz
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Piano solo - Verschenen op 14 november 2011 | naïve classique

Onderscheidingen 5 de Diapason - Choc de Classica
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Concerten voor klavier - Verschenen op 13 januari 2014 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 24 februari 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 17 januari 2020 | Warner Classics

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Klassiek - Verschenen op 17 januari 2020 | Warner Classics

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Klassiek - Verschenen op 6 april 2018 | Warner Classics

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Wereldmuziek - Verschenen op 16 oktober 2020 | ACM Production

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Klassiek - Verschenen op 1 september 1998 | Warner Classics

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Klassiek - Verschenen op 14 september 2004 | naïve classique

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Piano solo - Verschenen op 29 september 2014 | naïve classique

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Klassiek - Verschenen op 15 maart 2019 | Warner Classics

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Klassiek - Verschenen op 20 februari 2007 | naïve classique

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Klassiek - Verschenen op 24 maart 2017 | Warner Classics

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Klassiek - Verschenen op 22 oktober 2012 | naïve classique

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Klassiek - Verschenen op 11 oktober 2005 | naïve classique

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Concertmuziek - Verschenen op 19 november 1999 | Teldec

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Klassiek - Verschenen op 1 januari 1997 | Warner Classics