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Rock - Verschenen op 1 januari 1996 | Universal Music Mexico

Onderscheidingen The Qobuz Ideal Discography
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Alternative en Indie - Verschenen op 30 oktober 2020 | E Works Records

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Mark Oliver Everett, het muzikale brein achter Eels, is nooit vies van een experiment. Na de koele elektronische klanken van The Deconstruction (2018), slaat hij op de opvolger weer een ander pad in. De songs op Earth to Dora (2020) zijn geheel opgebouwd uit samples, loops en elektronische muziek. Toch klinkt het dertiende album van de Amerikaanse formatie opvallend warm en organisch. © TiVo
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Alternative en Indie - Verschenen op 6 april 2018 | E Works Records

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“D” like deconstruction. “E” like Everett. One might have thought Mark Oliver was blackening the last pages of his twenty-year-old alphabet book with the introspective The Cautionary Tales Of Mark Oliver Everett, released in 2014. Four years have gone by. And unsurprisingly for this twelfth chapter, the hypersensitive artist with a coral voice has composed an absolute gem. A fine and beautiful showpiece. With folk embroideries, arranged pop, hemstitched silences (Premonition) and sensual strings (The Epiphany), The Deconstruction oscillates back and forth between emotional auroras (Be Hurt) and scruffy rock trepidations (Today Is The Day, You're The Shining Light). To top it off, the multi-instrumentalist surrounded himself with great talent and met up with long-time collaborators in the Compound Studios, in California: bassist and keyboarder Koool G Murder (Kelly Logsdon) and P-Boo (Mike Sawitzke), as well as the Deconstruction Orchestra & Choir, and Mickey Petralia, who also worked on Electro-Schock Blues (1998). Seemingly disjointed, the fifteen tracks that make up the album roll out between lavish orchestrations filled with flutes, organs and keyboards, and bare segments for lyrical declamations (Archie Goodnight), arranging the musical space, accommodating instrumental pauses (The Quandary, The Unanswerable). All for a gracious and optimistic result! © Charlotte Saintoin/Qobuz
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Rock - Verschenen op 1 januari 2000 | DreamWorks

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Alternative en Indie - Verschenen op 1 juni 2009 | [PIAS] Cooperative

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Rock - Verschenen op 1 januari 1988 | DreamWorks

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Alternative en Indie - Verschenen op 26 april 2005 | Vagrant Records

Alternative en Indie - Verschenen op 13 april 2015 | E Works Records

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Eels: Royal Albert Hall is een livealbum van de Amerikaanse formatie Eels uit 2015. Zoals de titel al aangeeft bevat de plaat liveopnames van het optreden dat de band rond singer-songwriter Mark Oliver Everett in 2014 in de Royal Albert Hall in Londen gaf. Op het dubbelalbum zijn liveversies van songs als "Where I'm At", "When You Wish Upon A Star" en "The Morning" te vinden. © TiVo
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Rock - Verschenen op 1 januari 2008 | Geffen

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Rock - Verschenen op 1 januari 2007 | Geffen

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Rock - Verschenen op 3 juni 2003 | DreamWorks SKG

Of the legions of artists and characters to emerge in the great alt-rock explosion of the '90s, the man called E is one of the oddest, partially because he's etched a career that is both doggedly obstinate and strangely predictable. Throughout his career, E has followed his muse wherever it takes him -- it just happens to take him to places that seem familiar. Just as the alt-rock circus kicked off in 1992, he released A Man Called (E) to little more than power pop acclaim, but once he formed an ad-hoc band called the Eels in 1996, he gained a hit with "Novocaine for the Soul" and earned a cult following that he sustained into the 21st century when, once again, he was a one-man band, only this time retaining the commercial cache (or at least recognition) that came with the Eels' name. His 2003 effort, Shootenanny!, is the first where he doesn't make much of a pretense of this being a band affair -- the notes say it's "performed by Mark Oliver Everett (you can call him 'E')" -- and it does not seem like a coincidence that it's also his best album since his dark night of the soul, 1998's Electro-Shock Blues. In many ways, it's a lot more listenable, since the doom that hangs over that album makes it a little impenetrable. This has a sour temper and a black humor, as well as a general sense of self-satisfied gloominess, but he's more tongue-in-cheek about it these days, as the impish title suggests. This record isn't folky, the way hootenannies were, but it does have a strong blues and singer/songwriter element to the record. Since he's been saddled with this comparison countless times, it feels both trite and unfair to say he often sounds like Beck on Shootenanny!, but he does -- he sounds like a combination of Beck and Tom Waits, put through a power pop prism. So, even if it isn't entirely original, it is an appealing sound, but E has turned into a good editor, trimming away his excesses, emphasizing both his hooks and his atmosphere, and bringing it all in at 40 minutes. It's not as poppy as some of his other albums, but it is more focused and appealing, and one of the stronger testaments to his ornery talents. © Stephen Thomas Erlewine /TiVo

Alternative en Indie - Verschenen op 21 april 2014 | E Works Records

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Alternative en Indie - Verschenen op 21 februari 2006 | Vagrant Records

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Pop - Verschenen op 1 januari 2001 | DreamWorks

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Rock - Verschenen op 1 januari 2002 | DreamWorks

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Alternative en Indie - Verschenen op 23 augustus 2010 | E Works Records

Alternative en Indie - Verschenen op 4 februari 2013 | [PIAS] Cooperative

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Mark “E” Everett’s tiende album onder de naam Eels, Wonderful,Glorious is het eerste album opgenomen in zijn uitgebreide nieuwe studio en de eerste geschreven in samenwerking met de rest van de band. Dit opener, organischer proces werkt door in de nummers, en levert E en co een verfrissende hoeveelheid creatieve vrijheid op, alhoewel Eels fans gerust kunnen zijn dat E zijn melancholische, neerslachtige tekstdichterij nog steeds intact is. Toch vinden we Everett in een meer gegronde en relatief positieve plek op dit album. Zijn nieuwe manier van muziek maken werkt zowel artistiek als persoonlijk voor hem, en hoewel er genoeg bewijs is dat E nog steeds lijdt voor zijn kunst, lijkt het alsof zijn dagen ietsje minder donker zijn dan gebruikelijk. © Gregory Heaney /TiVo
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Alternative en Indie - Verschenen op 21 april 2014 | E Works Records

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Alternative en Indie - Verschenen op 1 januari 2009 | E Works Records

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Alternative en Indie - Verschenen op 16 september 2020 | E Works Records

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