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Pop/Rock - Verschenen op 8 maart 2013 | Columbia

Onderscheidingen 3F de Télérama - 5 étoiles Rock and Folk - 5/6 de Magic - Sélection du Mercury Prize
Davie Bowie maakt met The Next Day een onverwachte terugkeer uit zijn een onofficiële pensioen, het is zijn eerste album sinds Reality (2003). Wederom werkt Bowie hier met producer Tony Visconti – de man die aan het roer stond van vele Bowie klassiekers uit de jaren 70, en de twee studioalbums aan het begin van de jaren 2000 – en dit is niet het enige bekende gezicht, met gitarist Earl Slick als meest vooraanstaand van alle terugkerende muzikanten. De eerste single, “Where Are We Now,” is een stemmige overpeinzing ten aanzien van Bowies baanbrekende tijd in Berlijn in de jaren 70, maar de rest van het album is luider en taaier, een van de vele verassingen die The Next Day in petto heeft.
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Pop - Verschenen op 4 juni 2012 | Parlophone UK

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Pop - Verschenen op 25 september 2015 | Parlophone UK

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Rock - Verschenen op 8 januari 2016 | Columbia

Hi-Res Booklet Onderscheidingen Pitchfork: Best New Music
Rumors were rife: Definitive hibernation or even incurable disease - and then no - David Bowie made a blazing comeback in 2013 with the album The Next Day. Hardly time to fully digest this record and Ziggy is back already with the fascinating Blackstar, his 25th studio album published the day of his 69th birthday! 48 hours later, the shock is total as we learned of the death of the artist, carried away by a cancer after struggling against the disease for 18 months ... With Blackstar, once again we are tempted to say, Bowie surprises and amazes with a bold, and rather protean, experimental work (sometimes harking back to the likes of Station To Station/Low). A beautiful musical UFO that he designed with brilliant jazzmen in New York (including Maria Schneider and her orchestra but also guitarist Ben Monder and saxophonist Donny McCaslin) without forgetting the loyal Tony Visconti, ever behind the console to produce this beautiful black star. The star today is Bowie. Up there. Eternal and obviously immortal ... © CM/Qobuz
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Rock - Verschenen op 19 januari 1998 | Parlophone UK

Onderscheidingen The Qobuz Ideal Discography
€ 27,99

Pop - Verschenen op 14 november 2014 | Parlophone UK

Onderscheidingen Pitchfork: Best New Reissue
Nothing Has Changed is een compilatiealbum van David Bowie. Op de plaat uit 2014 is een nieuw nummer te vinden: "Sue (Or in a Season of Crime)". Daarnaast bevat de plaat vele van Bowie's grootste hits. Op de drie cd-versie van het album zijn onder meer songs van het niet uitgebrachte album Toy uit 2001 te vinden
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Rock - Verschenen op 30 juni 2008 | Parlophone UK

Onderscheidingen Sélection Disques de l'année Les Inrocks
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Rock - Verschenen op 1 november 2013 | Columbia

Hi-Res Onderscheidingen Hi-Res Audio
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Rock - Verschenen op 30 november 2018 | Parlophone UK

Hi-Res
Bowie first stepped onto the Glastonbury stage in 1971. “As of 1990 I got through the rest of the 20th century without having to do a big hits show. Yes, yes I know I did four or five hits on the later shows but I held out pretty well I thought…big, well-known songs will litter the field at Glastonbury this year. Well, with a couple of quirks of course”, David Bowie wrote at the time. In the year 2000, the Thin White Duke made an unforgettable impression on the UK’s largest music festival. Indeed, his set-list comprising of 21 tracks is a testament to the extent of his legacy. It includes the favourites: Starman, China Girl, Heroes, The Man Who Sold The World, Let’s Dance, Life On Mars?, Changes, Under Pressure, but also some quirkier gems: Stay, Golden Years, Wild Is The Wind, and the leading track from Station to Station (1975), the unusual, melancholic album that Lester Bangs considered to be his masterpiece.  Performing on stage with his long mane of hair, his ¾ Alexander McQueen coat and his XXL charisma, Bowie is on fire. He is joined by guitarist Earl Slick who replaced Mick Ronson when the Spiders From Mars broke up in 1974 and who at the time was the mastermind behind Diamond Dogs and David Live, Bowie’s first live recording. A true wonder to behold. © Charlotte Saintoin/Qobuz
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Rock - Verschenen op 12 oktober 2018 | Parlophone UK

For diehard fans, 1983-88 was neither Bowie’s most fundamental nor most passionate period. It would, however, be his most fruitful, climaxing with the hit Let’s Dance. Three years after the excellent Scary Monsters album, Bowie plunged body and soul into the MTV era with one of his greatest commercial successes, packed with funky pop and new wave disco hits that are hard to grow tired of. Produced by Nile Rodgers from Chic and released in April 1983, Let’s Dance even welcomed on board Stevie Ray Vaughan and includes a few hidden treasures, such as the glamorous cover of China Girl (co-written five years earlier with Iggy Pop for The Idiot) or the energetic opening track, Modern Love. The Thin White Duke croons like he’s never crooned before and his single Let’s Dance got people up on the dance floors all over the world. Once again, the star caught his fans off-guard and released an album that was completely different from his previous ones. Even if some people reproached the genius for indulging in a little commercial or even opportunistic pop soul success, Let’s Dance perfectly embodies its carefree title and ages rather well. Driven by his single Blue Jean and containing an improbable cover of God Only Knows by the Beach Boys, the album Tonight which was released in 1984 climbed its way to the top of the charts in the UK and even went platinum in the States. In April 1987, Bowie carried on down this path of muscular pop rock with Never Let Me Down… This boxset Loving The Alien (1983-1988) includes three remastered studio albums, live recordings from Serious Moonlight (Live'83) and Glass Spider (Live Montreal'87), as well as a compilation called Dance that brings together contemporary remixes of tracks from this period. One of the highlights is a new version of Never Let Me Down with brand-new production and instrumentation, supervised by Mario McNulty. The album is replayed by guitarist Reeves Gabriel, drummer Sterling Campbell, bassist Tim Lefebvre (who also features on Blackstar) and composer Nico Muhly. The idea came from Bowie himself who thought that the work from 1987 had been a "bitter disappointment". This 2018 version features Laurie Anderson's participation on Shining Star (Makin' My Love). As with the three previous volumes of the complete Bowie collection - Five Years (1969-1973), Who Can I Be Now? (1974-1976) and A New Career In A New Town (1977-1982) - this rich album Loving the Alien (1983-1988) also contains a new selection entitled Re:Call 4 as well as singles, remixes and some rare compositions such as Bowie’s contributions to the soundtracks of Labyrinth, The Falcon And The Snowman, Absolute Beginners and When the Wind Blows. © Marc Zisman/Qobuz
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Pop - Verschenen op 11 november 2016 | Rhino

Legacy is een postuum uitgebracht verzamelalbum van David Bowie (1947 - 2016). De tracklist komt grotendeels overeen met die van het verzamelalbum Nothing Has Changed (2014). De nummers "Love Is Lost" en "Sue (Or in a Season of Crime)" zijn op het nieuwe album echter vervangen door de songs "Lazarus", "I Can't Give Everything Away" en "Slow Burn". Ook is op het dubbelabum een niet eerder uitgebrachte versie te vinden van het nummer "Life on Mars?".
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Rock - Verschenen op 21 oktober 2002 | Parlophone UK

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Rock - Verschenen op 29 juni 2018 | Rhino

Hi-Res
Welcome to the Blackout (Live London '78) is een livealbum van wijlen David Bowie. De plaat wordt aanvankelijk in 1978 uitgebracht, maar verschijnt in 2018 opnieuw op vinyl en cd. De opnames voor het album vinden plaats in Earls Court in Londen in de zomer van 1978 tijdens de Isolar II tour.
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Pop - Verschenen op 25 september 2015 | Parlophone UK

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Rock - Verschenen op 15 februari 2019 | Parlophone UK

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Rock - Verschenen op 29 september 2017 | Parlophone UK

Hi-Res
After Five Years (1969 – 1973) and Who Can I Be Now ? (1974 – 1976), to dive into the box set A New Career In A New Town (1977 – 1982), is to zoom in on David Bowie's Berlin period. In 1977, Ziggy moored up in the German city, then disfigured by a wall. With Diamond Dogs in 1974 and in particular Young Americans the following year, soul and funk were suffused with a rock’n’roll sound. But this Bowie was to be eclipsed by a colder, more cerebral, experimental Bowie. Always ready to re-invent himself, to follow trends (when he wasn't setting them himself...) and simply to question things, he flew to Berlin, where things were in motion. Alongside Brian Eno, formerly of Roxy Music, he wrote his famous Berlin trilogy, which opened with Low. On this bizarre record, everything begins with a weird baroque soul instrumental, with electronic textures (Speed of Light), then a balanced mix of songs and other instrumental tracks. Capable of delivering futurist soul (Sound And Vision), a sombre and mysterious symphony (Warszawa), new-wave minimalism that sounded like a Sci-Fi soundtrack (Art Decade) or disjointed, cubist rock (Breaking Glass), this was David Bowie revisiting his experiences with Krautrock from groups like Neu!, Can and Faust, playing with Kraftwerk's machines but remaining himself: a genially insane savant still ahead of his time.   Heroes, which stands out from the crowd, essentially follows the same recipe, but in warmer tones. In the still-immured German city, his music recalled the halcyon days of the raging punk movement that was thundering in his native England. Flanked by mad machines (once again piloted by Eno) and weird guitars (by  Robert Fripp, ex-member of King Crimson), Bowie channelled his experiments with electronic flavours (Neuköln) into compositions with more rounded melodies (Heroes, The Beauty And The Beast, Joe The Lion). Heroes is above all the cult album which would mark both new wave and the cold wave that followed…   Released in May 1979, Lodger closes the Berlin period in a more consensual (but less passionate) spirit. Recorded at Montreux and in New York by Tony Visconti, with Brian Eno still to hand, it features a Bowie who is having fun taking a look into world music, and in particular at the work of the group Talking Heads. This is hardly surprising, when we note that David Byrne's group was then working with Eno... Nevertheless, the ensemble remains startling and less homogeneous than the two previous records.   After this avant-garde trilogy, the British artist casts off some of his froideur, but not the madness, of his experiments with genre, with Scary Monsters (And Super Creeps) which came out in 1980. Between self-assured modern funk (Fashion and its angular groove) and a re-visited new wave (Ashes To Ashes), he paints a new rainbow, as dense as ever, and still in step with the many currents of its time. A perfect marriage of the 70s and 80s, this brilliant neo-punk cabaret contains powerful compositions that are classic in content and daring in form. Forever in search of the unexpected, the Thin White Duke takes on board a post-Television song from Tom Verlaine (Kingdom Come), invites The Who's Pete Townshend to play on Because You're Young, and, on half of the tracks, offers Robert Fripp crazy, out-of-control guitar sequences.   Alongside remasters of Low, Heroes, Lodger, Stage and Scary Monsters (And Super Creeps), this box set offers Lodger remixed and co-produced by Visconti, Re:Call 3, a compilation of singles, B-sides and rarities including Heroes sung in German and French. © MZ/Qobuz
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Rock - Verschenen op 24 november 2017 | Parlophone UK

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Pop - Verschenen op 15 april 2013 | Parlophone UK

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Rock - Verschenen op 29 september 2017 | Parlophone UK

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€ 112,49
€ 97,99

Pop - Verschenen op 25 september 2015 | Parlophone UK

Hi-Res Booklet

Artiest

David Bowie in het magazine
  • Glastonbowie 2000
    Glastonbowie 2000 The live Glastonbury 2000 performance is finally available in Hi-Res 24-Bit!
  • Bringing back Bowie
    Bringing back Bowie For diehard fans, 1983-88 was neither Bowie’s most fundamental nor most passionate period. It would, however, be his most fruitful, climaxing with the hit Let’s Dance.
  • Bowie, previously unreleased
    Bowie, previously unreleased After completing Low and Heroes, the first two albums of his Berlin trilogy, David Bowie spent most of 1978 touring the world.
  • The Qobuz Studio: Episode #7
    The Qobuz Studio: Episode #7 This week featuring albums from Breakbot, Rokia Traore, Dion, Bill Frisell, Helene Grimaud...
  • The 1000 lives of Bowie
    The 1000 lives of Bowie Major Tom also known as Ziggy Stardust also known as Aladdin Sane also known as Thin White Duke also known as...
  • David Bowie has died.
    David Bowie has died. A unique star, singular and brilliant, forever etched into the history of rock and pop, was taken from the world by cancer, just a few hours after celebrating his 69th birthday and releasing what w...
  • The Qobuz Studio: Episode #5
    The Qobuz Studio: Episode #5 This week featuring albums from David Bowie, Kevin Gates, Mariss Jansons & Wiener Philharmoniker, Pop ETC, John Moreland, and a retrospective on Mike Oldfield.