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Klassiek - Verschenen op 3 september 2013 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - 4 étoiles de Classica - Hi-Res Audio
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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 januari 2013 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Hi-Res Audio
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Vocale muziek (wereldlijk en religieus) - Verschenen op 24 februari 2015 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - 4 étoiles de Classica
€ 21,99
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Religieuze vocale muziek - Verschenen op 14 april 2017 | Glossa

Hi-Res Booklet Onderscheidingen Qobuzism - 5 Sterne Fono Forum Klassik
The Vespers for the Blessed Virgin by Monteverdi – Vespro della Beata Vergine – is, so to speak, a work made up of many works. The composer seems to have put everything he had into this piece, which appeared in Venice in 1610. It is as if he wanted to use it as an immense catalogue of all his skills: his facility with ancient and modern styles; with the strict and the flamboyant; with instrumentals, vocals, choruses, solos, parody masses, the magnificat, psalms... Perhaps he wanted to use the work as a CV in Venice, where he would indeed land a job as choirmaster in 1613? The fact that several passages are written for two choirs would seem to support this idea. Elaborate job application or not, in this work Monteverdi has produced one of his most durable masterpieces, which forms a bridge between the late Renaissance - with passages taken from prima practica, the style developed by Palestrina - and the nascent Baroque style, and its seconda practica which was so dear to Monteverda, and which would free the use of dissonance from its old straitjacket. For this recording, Giuseppe Maletto has brought together the rich talents of La Compagnia del Madrigale and the Cantica Symphonia and La Pifarescha ensembles, because it takes a whole lot of talent to give the Vespers the treatment it deserves.
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Wereldlijke vocale muziek - Verschenen op 28 oktober 2016 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica
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Religieuze vocale muziek - Verschenen op 4 maart 2014 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional sound
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Religieuze vocale muziek - Verschenen op 25 maart 2016 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica
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Klassiek - Verschenen op 4 januari 2019 | Glossa

Hi-Res Booklet
With Vieni, dolce Imeneo, La Compagnia del Madrigale make another important halt on their compelling journey across the territory of Italian secular song with a disc devoted to one of the most significant, yet these days somewhat bypassed, composers: Cipriano de Rore. De Rore was a Fleming who enjoyed great success notably in the Italian courts of Ferrara and Parma – but with a prestige which extended up and across Europe. He composed in many genres, but it is the secular madrigal – recorded here – where his skill was most valued, for example in creating extended and expressive melodic lines coupled with innovatory pre-echoes of the “seconda pratica” so triumphantly expressed – albeit amidst great criticism – by Claudio Monteverdi. Recordings – all also on Glossa – of madrigals by Marenzio, Gesualdo and Monteverdi have already demonstrated musical pleasures such as an uncommon vocal blend and delicacy, and a meticulous dynamic control exhibited by the richly experienced members of La Compagnia del Madrigale, and those delights are to be experienced with these 19 madrigals by Cipriano de Rore, composed late in his career. With texts by Petrarch, Ariosto and assorted court poets for these madrigals, essay-writer Marco Bizzarini highlights one of the principal characteristic features of de Rore’s mastery when he points to the disc’s title track, Vieni, dolce Imeneo: the ideal union between poetry and music. © Glossa
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Klassiek - Verschenen op 25 augustus 2011 | Arcana

Booklet