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Klassiek - Verschenen op 21 oktober 2013 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica - Choc Classica de l'année - Hi-Res Audio
HI-RES€ 24,99
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Klassiek - Verschenen op 16 oktober 2012 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional Sound Recording - Hi-Res Audio
HI-RES€ 24,99
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Klassiek - Verschenen op 5 november 2013 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Exceptional Sound Recording - Hi-Res Audio
HI-RES€ 31,99
CD€ 22,99

Opera - Verschenen op 22 september 2014 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diamant d'Opéra - Choc de Classica - 5 Sterne Fono Forum Klassik
HI-RES€ 33,78
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Volledige opera's - Verschenen op 25 januari 2011 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason découverte - Choc de Classica - Hi-Res Audio
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 4 november 2010 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Choc Classica de l'année - Hi-Res Audio
HI-RES€ 24,99
CD€ 17,99

Klassiek - Verschenen op 16 oktober 2012 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional Sound Recording - Hi-Res Audio
HI-RES€ 30,78
CD€ 21,98

Klassiek - Verschenen op 7 juni 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
While Mozart was largely overlooked in the French capital, Antonio Salieri took on the reigns of the Académie Royale de Musique (Paris Opera), a fruitful collaboration that was completely broken up by the French Revolution. After the success of his work Les Danaïdes, composed for Paris in 1784, Salieri worked tirelessly with Beaumarchais, spurred on by the success and scandal of his Figaro, on a new project which would become Tarare. Beaumarchais moved himself shamelessly toward stardom, skillfully self-promoting and attending rehearsals so as to assure that the orchestra played pianissimo to emphasize the primacy of his verse during performances. Beaumarchais found that the music was too overwhelming to “embellish the lyrics”.Created one year after Mozart’s The Marriage of Figaro (which was relatively well-received in Vienna before triumphing in Prague), Tarare was an immense success in Paris maintaining the status of the composer’s repertoire despite the political turmoil of the time before disappearing from view around 1826, thereon ceasing to be played. Beaumarchais’ words were immediately adapted into Italian by Lorenzo Da Ponte to be performed and met with equal success in Vienna. Tarare is half lyrical tragedy, half comic opera with a hint of orientalism.After resuscitating Les Danaïdes and Les Horaces, Christophe Rousset finished off his series of recordings dedicated to Salieri’s French operas for the Parisian public. Tarare is very much of its time, that of the Lumières, and used the power of art to challenge despotism in all its forms. Thanks to Christophe Rousset’s excellent delivery and lively direction, this recording enables one to judge the merits of the composition and the chasm that separates an honest and talented musician from a solitary and impassioned one like Mozart. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 31 augustus 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - 5 Sterne Fono Forum Klassik
With these recordings which mark the launch of the Stradivari collection, discover the unique instruments lovingly preserved at the Philharmonie de Paris's Museum of Music: the finest examples of the art of instrument-making which, like the iconic harpsichord crafted in 1652 by Ioannes Couchet, are given a new life thanks to the skill and commitment of its keen conservators. When this 'national treasure' is entrusted into the hands of an expert like Christophe Rousset, the magic is evident. As the sumptuous sonority of Louis Couperin's music is revealed, poetry meets fantasy.
HI-RES€ 26,49
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Volledige opera's - Verschenen op 3 september 2015 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 1 september 2017 | Aparté

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - Choc de Classica - 5 Sterne Fono Forum Jazz
Christophe Rousset and the Talens Lyriques bring us to the stage of the Royal Academy of Music where Pygmalion, an act of ballet by Jean-Philippe Rameau inspired by an episode of Ovid’s Metamorphoses, was created in 1748. Love, showing empathy for Pygmalion’s despair of loving a statue, invigorates the sculpted woman who immediately falls in love with her creator. Very suggestive, the music of this tender and mischievous ballet deploys the grace of 18th century dances. Like Ovid’s Love, Christophe Rousset instils life in this score, one of Rameau’s greatest successes in his day, and offers us, thanks to his sense of drama and his impeccable leadership, a new and essential reading of this ballet. © Aparté
HI-RES€ 23,09
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Volledige opera's - Verschenen op 31 augustus 2018 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik
HI-RES€ 31,99
CD€ 22,99

Opera - Verschenen op 22 september 2014 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diamant d'Opéra - Choc de Classica
HI-RES€ 15,99
CD€ 11,49

Cantates (wereldlijk) - Verschenen op 9 september 2016 | Aparté

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
HI-RES€ 31,49
CD€ 20,99

Klassiek - Verschenen op 23 augustus 2019 | Bru Zane

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
HI-RES€ 23,09
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Volledige opera's - Verschenen op 1 december 2017 | Aparté

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
Everyone thinks that they know Alceste by Lully, and yet this 1674 masterpiece has almost never been recorded in its entirety. Apart from the Malgoire version from 1975 with Bruce Brewer and Felicity Palmer, which is starting to become outdated, the real treat is a second versoin by the same Malgoire twenty years later with Jean-Philippe Lafont and Colette Alliot-Lugaz... And so we can only take our hats off to the new discographical opus from Christophe Rousset's Talens Lyriques, a lively and elegant reading which allows us to rediscover everything that was so innovative about this brilliant, effervescent Florentine, who would become a typical Versaillais, a courtesan and a wheeler-dealer. King Louis XIV - 36 years old, still with all his own teeth and a victorious war leader - could only feel flattered by the piece signed by Quinault: Alcide, who covets the beautiful Alceste (who has been promised to Admetus), is none other than Hercules himself - Louis XIV seeing himself in Hercules saving the beautiful Madame de Montespan from the clutches of her husband. To be sure, in this opera, Admetus/Hercules magnanimously hands Alceste, whom he has saved from hell, to her husband, while the poor Mr Montespan would end his career and his life exiled in Gascony... Honour intact. The Sun King loved the work, to the point that he commanded that rehearsals be held at Versailles. According to Madame de Sévigné, "The King declared that if he found himself in Paris when it was performed, he would go to see it every night." That being said, if Alceste suited the tastes of the court, it didn't do so well in Paris, where Lully's enemies, jealous of the extravagant privileges that he had won (the exclusive right to "have sung any whole piece in France, wither in French verse or in other languages, without the written permission of said Sir Lully, on pain of a ten thousand livre fine, and confiscation of theatres, equipment, decorations, costumes..."), heaped plot upon plot, while the gallant Mercury sang his little couplet: Dieu !  Le bel opéra ! Rien de plus pitoyable ! Cerbère y vient japper d'un aboi lamentable !  Oh ! Quelle musique de chien ! Oh ! Quelle musique du diable ! [Lord!/Fine opera!/There's nothing so pitiable!/Cerberus is yapping, his howls lamentable!/What doggish music!/What devilish music!]. Posterity would decide otherwise, and Rousset proved it triumphantly. © SM/Qobuz
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Volledige opera's - Verschenen op 24 maart 2017 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
HI-RES€ 25,49
CD€ 16,99

Kamermuziek - Verschenen op 23 juni 2010 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
HI-RES€ 24,99
CD€ 17,99

Volledige opera's - Verschenen op 22 oktober 2012 | Aparté

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - Hi-Res Audio
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Volledige opera's - Verschenen op 10 februari 2017 | Ediciones Singulares

Hi-Res Booklet Onderscheidingen Choc de Classica - Choc Classica de l'année