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Jazz - Verschenen op 1 januari 2010 | Riverside

Onderscheidingen The Qobuz Ideal Discography - Indispensable JAZZ NEWS
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Jazz - Verschenen op 4 maart 1985 | Verve

Onderscheidingen De Muzikale Rariteiten - Qobuz Referentie
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Jazz - Verschenen op 1 januari 1962 | Verve Reissues

Hi-Res Onderscheidingen The Qobuz Ideal Discography
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President, with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day. © Dave Nathan /TiVo
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Jazz - Verschenen op 1 januari 2002 | Blue Note Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 22 april 2016 | Resonance Records

Onderscheidingen Best New Reissue
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Jazz - Verschenen op 1 januari 1997 | Verve

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 9 augustus 1967 | Verve

Hi-Res Onderscheidingen Qobuz Referentie
For Bill Evans' second solo record of unaccompanied but overdubbed piano solos, he decided to simplify the concept used in Conversations with Myself (which had him playing three pianos) by only playing two this time. The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's "Emily" and "Santa Claus Is Coming to Town" are most memorable. A thoughtful and (despite the overdubbing) spontaneous-sounding set of melodic music. © Scott Yanow /TiVo
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Jazz - Verschenen op 1 januari 1962 | Riverside

Onderscheidingen Indispensable JAZZ NEWS
Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. Evans chose the material here, and, possibly, in some unconscious way, revealed on these sessions -- and the two following LaFaro's death (Moonbeams and How My Heart Sings!) -- a different side of his musical personality that had never been displayed on his earlier solo recordings or during his tenures with Miles Davis and George Russell: Evans was an intensely romantic player, flagrantly emotional, and that is revealed here in spades on tunes such as "My Foolish Heart" and "Detour Ahead." There is a kind of impressionistic construction to his harmonic architecture that plays off the middle registers and goes deeper into its sonances in order to set into motion numerous melodic fragments simultaneously. The rhythmic intensity that he displayed as a sideman is evident here in "Milestones," with its muscular shifting time signature and those large, flatted ninths with the right hand. The trio's most impressive interplay is in "My Romance," after Evans' opening moments introducing the changes. Here Motian's brushwork is delicate, flighty and elegant, and LaFaro controls the dynamic of the tune with his light as a feather pizzicato work and makes Evans' deeply emotional statements swing effortlessly. Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio. © Thom Jurek /TiVo
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Jazz - Verschenen op 1 januari 2007 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1992 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 2015 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1987 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1967 | Verve Reissues

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 25 november 1988 | Verve

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1990 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 2007 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1971 | Columbia

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1995 | Concord Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1977 | Fantasy Records

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1989 | Concord Records

Onderscheidingen Qobuz Referentie