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Alternative en Indie - Verschenen op 1 januari 2014 | Capitol Records (CAP)

Hi-Res Onderscheidingen 4 étoiles Rock and Folk - Hi-Res Audio - Grammy Awards
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Alternative en Indie - Verschenen op 1 januari 2002 | Interscope

Hi-Res Onderscheidingen 4F de Télérama - The Qobuz Ideal Discography - Hi-Res Audio
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Alternative en Indie - Verschenen op 18 juni 1996 | Geffen Records

Hi-Res Onderscheidingen The Qobuz Ideal Discography
As crazy as its cover art (a Komondor running hurdles), Odelay confirms Beck’s genius as an assembler. While Mellow Gold and its hit song Loser was defined by its thrifty, lo-fi style, Odelay boasts a more luxurious production. But the founding idea is the same: combining the uncombinable! Sexual funk, psychedelic rock, lewd country blues, old school rap, wonky folk, flashy easy listening, Beck mixes, matches and unmatches! The samples are just as wild with a blend of Van Morrison’s Them, Rare Earth, Mandrill, Mantronix, Sly Stone, Dick Hyman, Edgar Winter, Lee Dorsey, and a few others… Despite these unlikely combinations, Odelay has its own identity. Yet another gem based on a healthy anti-rut philosophy. Indeed, Beck is not only a mad scientist when it comes to sound, but also a genuine songwriter at heart. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 13 oktober 2017 | Capitol Records (CAP)

Hi-Res Onderscheidingen Grammy Awards
Those following Beck Hansen since the dawn of the 90s know that he can play anything. Anything! From rural blues in Son House/Skip James fashion to Prince-like funk, slacker hip hop, Dylan-ian folk and lo-fi electro. If the tinkering ace from California first skyrocketed thanks to a convincing blend of folk and hip hop rhythms (the inevitable hymn Loser from 1993), he will over the years tend towards more classicism with Sea Changes (2002) and Morning Phase (2014). He’s done a complete 180° with Colors. This thirteenth album from Beck certainly isn’t lacking any hues. A vibrant mix of psychedelia à la Beatles, 80s pop, contemporary dancefloor, and funk crossed with hip hop, the stylistic kaleidoscope is complete! The wide variations are incidentally so far apart that they will probably rattle some newcomers. © CM/Qobuz
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Alternative en Indie - Verschenen op 1 januari 2014 | Capitol Records (CAP)

Onderscheidingen 4 étoiles Rock and Folk
Morning Phase (2014) is het twaalfde studioalbum van de Amerikaanse alleskunner Beck. De muzikant die al met zoveel muziekstijlen stoeide, brengt op dit album een ingetogen en introspectieve mix van folkpop en country. Het tempo ligt laag en de instrumentatie is veelal akoestisch. Met Morning Phase haalt Beck in tal van landen, waaronder Nederland en Groot-Brittannië, de top tien van de albumlijsten. © TiVo
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Alternative en Indie - Verschenen op 22 november 2019 | Capitol Records

Hi-Res
When he exploded in 1993 with his brilliant single Loser, Beck was rather ahead of his time with his fusion of acoustic blues/folk and hip-hop beats. In its wake he unveiled an even wider palette with his album Odelay, mixing sexual funk, psychedelic rock, salacious country blues, old school rap and flashy easy-listening, all interspersed with samples from Van Morrison, Mandrill, Mantronix, Sly Stone, Dick Hyman, Edgar Winter and Lee Dorsey. Later, he indulged in a more classical folk-rock style with his beautiful album Sea Change. At 49 years old, Beck is no less innovative, this time sharing the task with a five star co-writer and co-producer: Pharrell Williams. Initially, the duo only planned to release a single, then an EP, then finally eleven tracks. While Beck is an expert in sophistication with bountiful ideas, Pharrell is more of a refined, minimalist type. Beck opts for the second approach here. The result is a stripped-back sound drenched in melancholy, largely due to the beautiful ballads, both delicate (Stratosphere) and electric (Everlasting Nothing). The Californian plays the role of the relaxed hedonist (like on the sugary smooth track See Through), as well as toying around with auto-tune (Uneventful Days) and letting himself be carried away by a pop wave with a light groove. And to keep his fans happy, Beck stays true to himself right from the opening track, Saw Lightning, with a slide guitar, a rap beat and a vintage microphone. The real strength of Hyperspace is that it does not try to turn the album into a hit machine - something that one might have expected from a Beck/Pharrell collaboration. And throughout this crazy pop-soul-rap-folk-rap-R&B-rock record, everything is much more subtle than it seems. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 1 januari 2002 | Interscope

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Alternative en Indie - Verschenen op 1 januari 1994 | DGC

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Rock - Verschenen op 1 januari 2008 | Geffen

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Rock - Verschenen op 16 maart 2005 | Interscope

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Alternative en Indie - Verschenen op 22 november 2019 | Capitol Records

When he exploded in 1993 with his brilliant single Loser, Beck was rather ahead his time with his fusion of acoustic blues/folk and hip-hop beats. In its wake he unveiled an even wider palette with his album Odelay, mixing sexual funk, psychedelic rock, salacious country blues, old school rap and flashy easy-listening, all interspersed with samples from Van Morrison, Mandrill, Mantronix, Sly Stone, Dick Hyman, Edgar Winter and Lee Dorsey. Later, he indulged in a more classical folk-rock style with his beautiful album Sea Change. At 49 years old, Beck is no less innovative, this time sharing the task with a five star co-writer and co-producer: Pharrell Williams. Initially, the duo only planned to release a single, then an EP, then finally eleven tracks. While Beck is an expert in sophistication with bountiful ideas, Pharrell is more of a refined, minimalist type. Beck opts for the second approach here. The result is a stripped-back sound drenched in melancholy, largely due to the beautiful ballads, both delicate (Stratosphere) and electric (Everlasting Nothing). The Californian plays the role of the relaxed hedonist (like on the sugary smooth track See Through), as well as toying around with auto-tune (Uneventful Days) and letting himself be carried away by a pop wave with a light groove. And to keep his fans happy, Beck stays true to himself right from the opening track, Saw Lightning, with a slide guitar, a rap beat and a vintage microphone. The real strength of Hyperspace is that it does not try to turn the album into a hit machine - something that one might have expected from a Beck/Pharrell collaboration. And throughout this crazy pop-soul-rap-folk-rap-R&B-rock record, everything is much more subtle than it seems. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 23 november 1999 | Geffen

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Pop - Verschenen op 1 januari 1994 | DGC

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Alternative en Indie - Verschenen op 1 januari 2006 | Interscope

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Pop - Verschenen op 1 januari 1996 | DGC

As crazy as its cover art (a Komondor running hurdles), Odelay confirms Beck’s genius as an assembler. While Mellow Gold and its hit song Loser was defined by its thrifty, lo-fi style, Odelay boasts a more luxurious production. But the founding idea is the same: combining the uncombinable! Sexual funk, psychedelic rock, lewd country blues, old school rap, wonky folk, flashy easy listening, Beck mixes, matches and unmatches! The samples are just as wild with a blend of Van Morrison’s Them, Rare Earth, Mandrill, Mantronix, Sly Stone, Dick Hyman, Edgar Winter, Lee Dorsey, and a few others… Despite these unlikely combinations, Odelay has its own identity. Yet another gem based on a healthy anti-rut philosophy. Indeed, Beck is not only a mad scientist when it comes to sound, but also a genuine songwriter at heart. © Marc Zisman/Qobuz
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CD€ 1,99

Alternative en Indie - Verschenen op 17 oktober 2019 | Capitol Records

Hi-Res
CD€ 14,99

Alternative en Indie - Verschenen op 13 oktober 2017 | Capitol Records (CAP)

Those following Beck Hansen since the dawn of the 90s know that he can play anything. Anything! From rural blues in Son House/Skip James fashion to Prince-like funk, slacker hip hop, Dylan-ian folk and lo-fi electro. If the tinkering ace from California first skyrocketed thanks to a convincing blend of folk and hip hop rhythms (the inevitable hymn Loser from 1993), he will over the years tend towards more classicism with Sea Changes (2002) and Morning Phase (2014). He’s done a complete 180° with Colors. This thirteenth album from Beck certainly isn’t lacking any hues. A vibrant mix of psychedelia à la Beatles, 80s pop, contemporary dancefloor, and funk crossed with hip hop, the stylistic kaleidoscope is complete! The wide variations are incidentally so far apart that they will probably rattle some newcomers. © CM/Qobuz
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Rock - Verschenen op 1 januari 2005 | Interscope

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Alternative en Indie - Verschenen op 15 april 2019 | Capitol Records

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Rock - Verschenen op 18 juni 1996 | Interscope

As crazy as its cover art (a Komondor running hurdles), Odelay confirms Beck’s genius as an assembler. While Mellow Gold and its hit song Loser was defined by its thrifty, lo-fi style, Odelay boasts a more luxurious production. But the founding idea is the same: combining the uncombinable! Sexual funk, psychedelic rock, lewd country blues, old school rap, wonky folk, flashy easy listening, Beck mixes, matches and unmatches! The samples are just as wild with a blend of Van Morrison’s Them, Rare Earth, Mandrill, Mantronix, Sly Stone, Dick Hyman, Edgar Winter, Lee Dorsey, and a few others… Despite these unlikely combinations, Odelay has its own identity. Yet another gem based on a healthy anti-rut philosophy. Indeed, Beck is not only a mad scientist when it comes to sound, but also a genuine songwriter at heart. © Marc Zisman/Qobuz

Artiest

Beck in het magazine