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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Choc de Classica - Hi-Res Audio
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Klassiek - Verschenen op 1 januari 2008 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique
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Klassiek - Verschenen op 1 januari 2002 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 10 augustus 2018 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
All these Penderecki works have been commissioned by Anne-Sophie Mutter and are duly dedicated to her (as well as to double bass player Roman Patkoló in the case of the 2010 Duo concertante for violin and double bass), this is thus doing them justice to gather them under the same helm. We go crescendo, from La Follia for solo violin from 2013, a series of variations, up to the Violin Sonata No. 2, « Metamorphosen » from 1995—conducted here by the composer himself—to the already mentioned Duo concertante and the Sonata for violin and piano from 1999. As so many composers from his era—let’s remember he was born in 1933—Penderecki has taken the “backward path”, starting as a composer in the path underlined by serialism, before straying away from it to come back to a much more melodic language, almost tonal and even sometimes Post-Romantic. For such a talented violinist as Anne-Sophie Mutter, fed with beauty and virtuosity, these works represent both an endless renewal and a constant challenge, while allowing her to develop her sonority and her passionate lyricism. Let’s note that these Metamorphosen have been recorded in 1997, and the partition’s ink had barely had time to dry. Incidentally, the other recordings have all been close to the writing date, underlining the emotional and artistic closeness of the two characters. © SM/Qobuz
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Klassiek - Verschenen op 1 januari 2003 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 1 januari 2012 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 1 januari 2014 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 14 augustus 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet
It’s difficult to resist such a prestigious title. In January 2020, John Williams, 87, returned to Vienna to head the Wiener Philharmoniker in the Soldener Saal of the Vienna Musikverein. In another era, the sound of this album would have matched the event in all its spectacle, grandeur, radiance and sheer detail. Nevertheless, hearing such well put-together, brilliantly orchestrated and colourful music (Close Encounters of the Third Kind, 1977, Spielberg, and Jaws, 1975, also Spielberg) remains a pleasure at all times. With fervent enthusiasm on Devil’s Dance from The Witches of Eastwick (George Miller, 1987), violinist Anne-Sophie Mutter displays all of her virtuosity (and incredibly complicated violin playing) here without fear for the ‘lack of taste’ that she is so often reproached for! We now hope the Wiener Philharmoniker continue their exploration of the Hollywood music discography with diligence, daring to take on Bernard Herrman, Erich Wolfang Korngold, Copland and others. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 30 augustus 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
It was in the depths of her native Black Forest that Anne-Sophie Mutter first encountered John Williams’ music. The violinist recalls that there was not much else to do in that magical setting apart from play the violin, go for a walk, play football or go to the cinema. So in 1978, when Star Wars was released, the young girl discovered the existence of the man who was already a film score legend in Hollywood, largely thanks to Steven Spielberg’s Jaws. In this album, which includes new arrangements of some of John Williams’ iconic film music, she reinterprets excerpts from Georges Lucas’ saga, such as the lyrical piece Rey’s Theme from Episode VII, the mystical Yoda’s Theme, as well as Across the Stars, a melancholic romantic song from Star Wars: Attack of The Clones. Some of John Williams’ other great classics also feature on the album, including Hedwig’s Theme (which Mutter describes as “Harry Potter meets Paganini”), and Schindler’s List (whose solo violin part was originally played by the great Itzhak Perlman). Alongside these legendary pieces, the album also includes more original choices, such as an excerpt from the soundtrack of Tintin and the Secret of the Unicorn (the tense piece The Duel), as well as a glamourous waltz from Sabrina (Sydney Pollack’s remake of Billy Wilder’s famous film). Across the Stars was recorded at the Sony Pictures Scoring Stage in Hollywood, where so many iconic scores were born, from The Wizard of Oz and Lawrence of Arabia to Singin’ in the Rain and E.T., the latter unfortunately missing from this nevertheless vibrant and invigorating record. © Nicolas Magenham/Qobuz
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Klassiek - Verschenen op 3 april 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Kwintetten - Verschenen op 3 november 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet
It is not just a matter of showbiz that sees the names of Anne-Sophie Mutter and Daniil Trifonov written in big letters on the cover of this CD (well... even bigger than Schubert's name, but let's let that lie): in fact, they play on all the pieces in the album, and in particular the famous Trout Quintet (wiith Hwayoon Lee on the viola, Roman Patkoló on the double bass and Maximilian Hornung on the cello), but also the movement of trio D 897, "Notturno" - whose name was added by an editor, whereas it appears that this was a movement originally written for the trio in B flat then set aside - and the two Lieder adapted for violin and piano respectively, by Jascha Heifetz and Mischa Elman. First among equals, Mutter leads proceedings with both energy and a delicate touch, and it's a safe bet that although this is only the latest in a long line of recordings of this quicksilver masterpiece by Schubert, it will soon find a prominent place in the discographic hall of fame. © SM/Qobuz
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Klassiek - Verschenen op 1 januari 1999 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 2005 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 27 september 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 1995 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 augustus 1978 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 28 augustus 2015 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 2 oktober 2015 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 2 oktober 2015 | Deutsche Grammophon (DG)

Hi-Res Booklet

Artiest

Anne-Sophie Mutter in het magazine
  • Anne-Sophie Mutter: Qobuz Video Interview
    Anne-Sophie Mutter: Qobuz Video Interview We met Anne-Sophie Mutter for an exclusive interview in Paris. The famous German violinist talks about the recording for her Dvořák album with the Berliner Philharmoniker and provides an insight in...