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Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Grammy Awards
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Symfonieën - Verschenen op 27 mei 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice
  
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Symfonische muziek - Verschenen op 22 februari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
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Symfonische muziek - Verschenen op 5 mei 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 30 april 2013 | BR-Klassik

Booklet Onderscheidingen 5 de Diapason - La Clef RESMUSICA
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Klassiek - Verschenen op 10 januari 2020 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason
It has been a long time, and probably stretching all the way back to the now-distant, legendary concerts led by Carlos Kleiber in 1989 and 1992, since we have enjoyed a New Year's Concert of such quality. With the Latvian Andris Nelsons (known and liked by the Philharmoniker) conducting, this first concert of 2020 had a fluent elegance, a rhythmical verve which was both light and implacable, and a kind of song that allowed the Viennese strings to show off their incredibly silky texture and profound depth. Andris Nelsons is clearly very much at ease with this repertoire, and brings a very refined approach to this novel programme. Hits sit alongside lesser-known pieces, including Beethoven's Contredanses kicking off the German’s anniversary year with a bang. Nelson gleefully swaps his baton for a trumpet, his favourite instrument, and gets stuck into the Postillon Galop by the "Danish Johann Strauss", Hans Christian Lumbye. This original programme brings us Knall und Fall, a rapid polka from Eduard Strauss, Cupido, a delightful French (slow) polka by Josef Strauss and Joseph Hellmesberger's Gavotte and some other tasty Viennese treats making it into the New Year's Concert for the first time. The ebullient audience was also very keen to hear some more conventional favourites: and no-one was disappointed by the stunning rendition of the famous Tritsch-Tratsch-Polka, played at a diabolical pace, with phenomenal virtuosity from these Viennese musicians, who remain the unchallenged masters of this repertoire. © François Hudry/Qobuz
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Symfonieën - Verschenen op 31 juli 2015 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Gramophone Award
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Symfonische muziek - Verschenen op 2 november 2015 | Orfeo

Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 6 december 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 3 mei 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 17 januari 2020 | Sony Classical

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Klassiek - Verschenen op 16 februari 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Symfonische muziek - Verschenen op 6 april 2018 | Deutsche Grammophon (DG)

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Andris Nelsons continues his complete collection of Bruckner's symphonies with the Leipzig Gewandhaus, where he is now the musical director. At the head of this fabulous orchestra with its golden sounds, the Latvian conductor throws himself into the era of such legendary recordings of Bruckner as those by Jochum, Böhm, Haitink and Wand. Orchestral perfection, plasticity of sonic masses, coherence across all the music stands, and incredible reserves of power make this new recording a real event. Andris Nelsons gave a perfect summary of Bruckner's music when he said that it "elevates the soul". Under his baton, the music of the great Austrian becomes a real spiritual experience, going beyond Catholic mysticism to reach a metaphysical plane, an opening onto a new level that opens up infinite vistas. The tempo is ample, the music wreathed in mystery, the nuances subtle, the structure carefully thought-out. The whole musical canvas is alive and swells with a style of singing which is at once intense, luminous, supple and beautiful: it intoxicates the audience, but without ever being overbearing. Bruckner's worship of his god Wagner is well-known, but it takes on a whole new dimension with the addition of a dose of Wagner to round off each symphony. Here, Siegfried's Funeral March taken from the Götterdämmerung makes a lot of sense when we realise that Bruckner had written the marvellous Adagio of his 7th as an homage to Wagner, who died while the symphony was being composed. © François Hudry/Qobuz
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Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

Booklet
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Symfonische muziek - Verschenen op 2 november 2015 | Orfeo

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Symfonische gedichten - Verschenen op 2 november 2015 | Orfeo

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Symfonieën - Verschenen op 1 januari 2016 | Orfeo

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Symfonische muziek - Verschenen op 2 november 2015 | Orfeo

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Symfonieën - Verschenen op 2 november 2015 | Orfeo

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Symfonieën - Verschenen op 2 november 2015 | Orfeo

Artiest

Andris Nelsons in het magazine