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Symfonische muziek - Verschenen op 20 maart 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles Classica - Exceptional Sound Recording - Hi-Res Audio
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Concertmuziek - Verschenen op 21 april 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année
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Klassiek - Verschenen op 5 februari 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 4 maart 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 7 juli 2017 | BR-Klassik

Booklet Onderscheidingen 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 15 april 2013 | harmonia mundi

Onderscheidingen 4 étoiles Classica
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Religieuze cantates - Verschenen op 25 mei 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Bach's "Dialogue Cantatas" generally portrayed Jesus in dialogue with the human soul, first tormented and then at peace. The three cantatas selected here by Berlin's Akademie für Alte Musik Berlin, which has, over the years since 1982 (with over a million records sold!) brought together musicians from the city's different orchestras – first those under Soviet rule and then all orchestras following the fall of the Wall – are a part of this genre; all date from the great Leipzig period, specifically the third cycle written by Bach for Leipzig in 1726. It will come as no surprise, hearing these cantatas, that the essence of the first arias is desperate, heart-rending: and as they go on, they move towards relief and joy. It is in these first moments that we see Bach at his most intense, most pained, most chromatic, terribly modern as well as at his most romantic, profoundly lyrical and yet rigorous in the musical discourse. The most superbly original piece is surely the Cantata BWV 49, which begins with a Sinfonia with obbligato organ – in which the listener will recognise the final movement of the Harpsichord Concerto in E Major, when Bach recycled it a dozen years later – and continues with an aria with cello and oboe, both soloists immersed in the soprano's joyous voice; and we finish on a magnificent chorale with an aria – the aria being for the bass of the solo organ, while the soprano part sings the chorale's theme from on high: a staggering display of modernity. © SM/Qobuz
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Klassiek - Verschenen op 7 april 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 19 juli 2019 | PentaTone

Hi-Res Booklet
The Akademie für Alte Musik Berlin kickstarts their Handel trilogy with this recording of the first six concerti grossi op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as the most appealing orchestral music of the baroque era. Written in London in 1739, towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery incorporating all musical styles of his times. Led by their concertmaster Bernhard Forck, the players of the Akademie für Alte Musik Berlin demonstrate why many consider them the best baroque ensemble of today. This first installment will be followed by the last six concerti grossi op. 6, as well as a recording of the concerti grossi op. 3.© Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 17 januari 2020 | PentaTone

Hi-Res Booklet
This second volume of Handel’s Concerti grossi from Opus 6 was recorded by the Akademie für Alte Musik in Berlin under the direction of Bernhard Frock, completing the first part published in July 2019. Once again, the sound recording is magnificently natural, brilliantly capturing the venue’s spatiality and the instruments’ full-bodied timbres. Among the many great qualities of this Handel trilogy (the third edition will include the Concerti, Op. 3), the ensemble’s perfectly united playing stands out, without any of the hard or speedy gushes that so often become the hallmarks of less stylistically astute ensembles. While Handel used Corelli as a model for his concerto grosso, importing it to London, the Berlin musicians offer a calm and serene version, one which is often steeped with melancholy, the fruit of a mature composer who absorbed all the different musical styles he heard around him and turned it into something truly unique. © François Hudry/Qobuz
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Opera - Verschenen op 8 mei 2020 | PentaTone

Hi-Res Booklet
Pentatone presents Telemann’s rarely-performed opera Miriways (1728) with a stellar cast and the Akademie für Alte Musik Berlin conducted by Bernard Labadie. Star vocalists such as André Morsch (Miriways), Robin Johannsen (Sophi), Sophie Karthäuser (Bemira), Lydia Teuscher (Nisibis) and Michael Nagy (Murzah) offer a string of beautiful baroque arias and scenes in this German-language opera. Miriways is a piece about love, duty and truthfulness, and was based on political events from that time in Afghanistan and Persia that actually made headlines in European newspapers, demonstrating the eighteenth-century fascination for the Orient. The opera was recorded live during the Telemann Festival Hamburg in 2017. © Pentatone
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Klassiek - Verschenen op 1 oktober 1998 | harmonia mundi

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Klassiek - Verschenen op 22 juni 2010 | harmonia mundi

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Klassiek - Verschenen op 20 november 2008 | harmonia mundi

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Symfonische muziek - Verschenen op 11 maart 2011 | harmonia mundi

Booklet
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Klassiek - Verschenen op 27 mei 2013 | harmonia mundi

Booklet
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Klassiek - Verschenen op 18 november 2008 | harmonia mundi

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Klassiek - Verschenen op 11 november 2007 | harmonia mundi

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Klassiek - Verschenen op 6 november 2007 | harmonia mundi

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Klassiek - Verschenen op 20 december 1997 | harmonia mundi

Booklet