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1473 albums gesorteerd op Date: from newest to oldest
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Piano solo - Verschijnt op 20 november 2020 | Avie Records

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Concerten voor klavier - Verschijnt op 20 november 2020 | Piano 21

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Concerten voor klavier - Verschijnt op 13 november 2020 | Piano 21

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Concerten voor klavier - Verschenen op 23 oktober 2020 | Piano 21

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Concerten voor klavier - Verschenen op 16 oktober 2020 | Piano 21

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Composed simultaneously in February 1785, Concertos K. 466 and K. 467 are virtually twin works, but dissimilar twins. His recent masonic experience may well have rubed off on Mozart’s creativity, for we can detect, dare I say it, “live”, a sudden deepening of his comprehension of the human tragedy in the first movement of Concerto K. 466 in D Minor, along with K. 491 in C Minor the only concertos in minor key. The breathless syncopes at the very beginning seem to anticipate Schubertian “Angst” in the face of the inexorable approach of death. Introspection bore Mozart towards the heights of expressive maturity. He was able to attain a degree of calmness in the Romanze, albeit interrupted by an agitated interlude. The final movement brings this masterpiece to a conquering, joyful conclusion. In contrast, in its first movement, the optimism of Concerto K. 467 expresses the need for bravery to maintain the grandeur of humanity notwithstanding the various inroads made by failing courage to gain the ascendancy without ever achieving it. The highly celebrated, divine Andante is in and of itself a purifying panacea. Truly, an angel passes. The derisive tone of the Finale is surprising but it brings us back to earth, perhaps to remind us that there is much work to be done before we can ascend to the Olympus of Spirituality and that, in the meantime, we should partake of earthly pleasures! © Cyprien Katsaris/Piano 21
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Klassiek - Verschenen op 9 oktober 2020 | Sony Classical

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Lang Lang would have called it Piano Book. But Cartier’s new muse decided to add a touch of mystery. Once again surfing on the wave of neo-classical-ambient piano initiated by the likes of Nils Frahm and Alexis Ffrench, one of the most famous personalities in the classical world has decided to bring her audience a collection of inescapable pieces. The works have a subtle feel and a gently melancholic character, captured in an acoustic recording (in the Grande Salle Pierre Boulez at the Philharmonie de Paris) where the recording’s fluffy character has deliberately been enhanced. Labyrinth is a playlist of some the classical repertoire’s greatest hits. We find the likes of Satie’s Gymnopédie No. 1, J.S. Bach's Badinerie, Rachmaninov’s Prelude No. 4 Vocalise, Couperin’s Les barricades mystérieuses and Liszt’s Consolation No. 3.Throughout the 18 pieces, which include at least two less well-known pieces (Villa-Lobos’ Valsa da dor and Pärt’s Pari intervallo), Khatia Buniatishvili doesn’t force contrasts. Instead, she plunges the listener into another dimension. Style is no longer the Georgian pianist’s concern. Emotion becomes abstract. There is only one spirit; that of her travelling soul.Nothing - and no one - will be able to compete with the profoundly philosophical character of this new concept album. “The labyrinth”, says the artist “is our fate and creation; our impasse and deliverance; the polyphony of life, senses, reawakened dreams and the neglected present; unexpected and expected turnings of the said or unsaid... The labyrinth of our mind.” © Pierre-Yves Lascar/Qobuz
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Concerten voor klavier - Verschenen op 25 september 2020 | Piano 21

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Concerten voor klavier - Verschenen op 18 september 2020 | Piano 21

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Concerten voor klavier - Verschenen op 11 september 2020 | Piano 21

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Piano solo - Verschenen op 4 september 2020 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama
In 2019, at the age of 22, Alexandre Kantorow became the first French pianist to win the prestigious Tchaikovsky Competition. Before then he had released three acclaimed albums, awarded distinctions such as "Diapason d'or de l'Année" and Gramophone's "Editor's Choice" and earning Kantorow descriptions ranging from 'Liszt reincarnated' to 'a firebreathing virtuoso with a poetic charm and innate stylistic mastery'. The present recital, his first release since the Tchaikovsky Competition, offers plenty of scope for virtuosity, poetry and charm, always filtered through an acute stylistic consciousness. The programme is constructed around three rhapsodies, a genre whose improvisatory character corresponds perfectly with the spirit of Romanticism but here interpreted by three highly distinct artistic temperaments: Franz Liszt, Johannes Brahms and Béla Bartók. © BIS Records
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Klassiek - Verschenen op 31 juli 2020 | Decca Music Group Ltd.

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Concerten voor klavier - Verschenen op 24 juli 2020 | Piano 21

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Piano solo - Verschenen op 24 juli 2020 | Mode Records

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Concerten voor klavier - Verschenen op 17 juli 2020 | Piano 21

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Concerten voor klavier - Verschenen op 10 juli 2020 | Piano 21

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Concerten voor klavier - Verschenen op 19 juni 2020 | Piano 21

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Concerten voor klavier - Verschenen op 12 juni 2020 | Piano 21

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Klassiek - Verschenen op 23 mei 2020 | iMD-Pablo F Bello

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Klassiek - Verschenen op 22 mei 2020 | Idil Biret Archive

Booklet
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Klassiek - Verschenen op 1 mei 2020 | Sony Music Entertainment