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Trio´s - Verschenen op 21 juni 2019 | Le Palais des Dégustateurs

Hi-Res Booklet Onderscheidingen Choc de Classica
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Trio´s - Verschenen op 3 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Rachmaninoff's output of chamber music is small but all the more precious for that. Two absolute gems bear witness to the fact: these ‘elegiac trios’, which were produced by a young composer still indisputably under the influence of Tchaikovsky. But Rachmaninoff’s personality is already fully present, reaching heights of emotion and expressiveness. The pieces by Suk and Grieg add a further touch of character to the picture, which is painted with an exceptionally rich palette: the artistry of the phenomenal Trio Wanderer! © harmonia mundi
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Trio´s - Verschenen op 29 maart 2019 | Supraphon a.s.

Hi-Res Booklet Onderscheidingen 5 de Diapason
The three pieces the Smetana Trio have selected for their new album came into being within the range of a mere four years, yet they represent three different musical universes. Anton Arensky’s Piano Trio evokes the atmosphere of the 19th-century salons, where music was played to delight the gathered bourgeoisie company. The work Alexander Zemlinsky created at the age of 25 marks the accession of the seeking of new sound and harmony. The one-movement trio Sergei Rachmaninoff, a piano virtuoso and composer rolled into one, wrote when hew was 19, teems with elegiac nobleness, which would remain the quintessential trait of the future globetrotter’s music. And whereas Arensky’s short life was marred by inner turmoil, the paths of Zemlinsky and Rachmaninoff were affected by outer circumstances – both of them died within a year, far away from their respective homelands, in the United States. With their typical vivacity and zest, the internationally renowned Smetana Trio perform three remarkable compositions dating from the late 19th century. © Supraphon
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Trio´s - Verschenen op 15 februari 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Joseph on the violin, Justine on the cello and Victor on the piano won the first prize of the International Joseph Haydn Competition in Vienna in 2017, one of the most prestigious awards they could ever get. The Trio Metral is indeed a young promising ensemble which is made up of siblings. Their energy and sensitivity are equally breathtaking. Concrete evidence of this talent is given in their first album in which they play Mendelssohn's Piano Trios. The dark atmosphere of those two works progresses towards a luminous vitality. A dramatic architecture that the three musicians act with an intensity that reflects an already strong artistic temper. Born in the imagination of a precocious composer, the programme perfectly fits the Trio Metral. A young ensemble to discover ... and to follow! © Aparté/Little Tribeca
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Trio´s - Verschenen op 18 januari 2019 | Masterworks

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Trio´s - Verschenen op 16 november 2018 | Ars Produktion

Booklet Onderscheidingen 5 de Diapason
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Trio´s - Verschenen op 16 november 2018 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Trio´s - Verschenen op 4 mei 2018 | Orchid Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Trio´s - Verschenen op 1 december 2017 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
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Trio´s - Verschenen op 17 november 2017 | Myrios Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 5 Sterne Fono Forum Klassik
An unusual and yet particularly clever juxtaposition can be found on this album, which consists in mirroring Schumann’s 1853 Märchenerzählungen (Tales, implicitly for children) for viola, clarinet and piano – as well as, still in the realm of fairy tales, Fantasiestücke (Fantasy Pieces) for clarinet and piano and then Märchenbilder (Fairy Tale Pictures) for viola and piano – and Jörg Widmann’s Es war einmal... Fünf Stücke im Märchenton (Once Upon a Time – Five Pieces in a Fairy Tale Tone). While being a contemporary, even a modernist artist, Widmann was indeed largely inspired by Schumann’s Märchenerzählungen, his work sprinkling with reminiscences, allusions and barely disguised quotes, superimposed to today’s language – so much that, at some point, one could be led to believe both tracks were playing at the same time, Schumann’s and Widmann’s! Ever since the first great creators, the art of “recycling”, reusing and rewriting is one of the main driving forces behind artistic creation; in fact Widmann is only following this proven model. Tabea Zimmermann on viola, Dénes Várjon on piano and on clarinet, no other than the composer himself: Widmann of course, not Schumann who, as everyone knows, doesn’t play the clarinet. © SM/Qobuz
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Trio´s - Verschenen op 29 september 2017 | Berlin Classics

Hi-Res Booklet
Johannes Brahms’s Horn Trio Op. 40 is without a doubt the best-known work for this formation and also one of the best-known chamber music pieces ever written for horn. Brahms succeeds like virtually no other composer in utilising the tone colours of this instrument. His trio has entrenched this formation in the stock repertoire of any horn player. It is therefore the centrepiece of this release. But what other works were written for horn trio, and was Brahms the first composer to write for this combination of instruments? What Felix Klieser and his friends have found is a repertoire spanning some 100 years, from Frédéric Duvernoy, who wrote his two trios at the start of the 19th century and was still under the influence of Viennese Classicism, to trios by Charles Koechlin (1867-1950) and Robert Kahn, written in the 20th century but still profoundly Romantic in their expression. That being said, Charles Koechlin, Frédéric Duvernoy and Robert Kahn chart intriguing musical terrain, presenting a variety of influences, forms and aspects of interplay between the three instruments. Each of Koechlin’s Quatre petites pièces Op. 32, written by Charles Koechlin between 1896 and 1906, has a distinctive underlying character. The limited compositional œuvre of Frédéric Duvernoy (1765-1838) immediately suggests that the Frenchman, who worked as a horn player at the Paris Opera and as a soloist , wrote music for his own use, notably horn concertos and works for horn and piano, but also three trios for violin, horn and piano, which were written as Trois trios concertants some time after 1820. These pieces are virtuosic, classically elegant and song-like. Serenade op. 73 by Robert Kahn (1865-1951), published in 1923, was clearly inspired by Schumann and even more so by Brahms.
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Trio´s - Verschenen op 15 september 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte
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Trio´s - Verschenen op 1 september 2017 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik
There is a world of difference between Hindemith’s First Trio, composed in 1924 “on a train” as the composer stated in his own catalogue, and his 1933 Second Trio. While the first features some of these relentless, almost Prokofievian, rhythmic and thematic elements, the second rolls out its extremely sophisticated contrapuntal language along a soft lyrical canvas (with a touch of humour here and there) specific to later Hindemith. There is also a world of difference between Hindemith’s Trios and Schoenberg’s, written in 1946, soon after the composer almost died from a heart attack. Granted, the thematic structure is based on a dodecaphonic series, but after a brief adjustment period, it becomes impossible not to notice countless tiny tonal, harmonic waves skilfully hidden below the overall texture. The composer was quoted saying this particular work was “a description of his illness”, most probably with a fair share of dark humour. Thomas Mann claimed that Schoenberg told him he had secretly represented his medical treatment, the nurse and everything else in his music. Hanns Eisler, for his part, thought he had discovered which chords represented the injections… Ouch! Typically Schoenberg. Trio Zimmermann is made up of three great international soloists: violinist Frank Peter Zimmermann, violist Antoine Tamestit and cellist Christian Poltéra. And all three play on Stradivariuses, no less! © SM/Qobuz
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Trio´s - Verschenen op 21 juli 2017 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Alongside Milhaud’s impressive corpus of eighteen string quartets, the two string trios seem no more than occasional pleasure pieces. But even they are an authentic expression of his style, oscillating between rigour and playfulness. His Mediterranean heritage and character, however, did not close Milhaud’s mind to other, entirely different, influences; from South American folklore to North American jazz through to German music – yes, indeed! even though rejecting German music was, even before WWII, a cultural policy of the French avant-garde – German music, which manifested itself in his fondness for Bachian counterpoint. The String Trio from 1947 puts many facets of Milhaud in a nutshell : simutaneous tonalities, strict counterpoint to the brink of atonality, boisterous moments of near-popular style... The rather jolly Sonatine à trois was a memento of a journey that Milhaud made through the USA together with his wife and son. Milhaud’s path crossed several times with that of his contemporary Bohuslav Martinů, who for seventeen years lived in Paris in rather mediocre conditions, while Milhaud celebrated his greatest successes during the years between the wars; in 1940 both of them were forced to leave France for the USA, where they lived for several years. Whilst Milhaud only discovered the string trio genre in the USA, Martinů wrote his two trios while still in Paris studying with his teacher Albert Roussel. From Roussel, Martinů learned perfect formal proportions, rhythmic concision and a vivid, but not sentimental, sense of colour; his First String Trio of 1924, after but a few performances, was lost and then rediscovered in 2005 in Copenhagen. Martinů’s Second Trio of 1934, a compact and energetic work, was spared such a fate and soon became a favourite with chamber musicians. © SM/Qobuz
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Trio´s - Verschenen op 15 maart 2017 | Arion

Hi-Res Booklet
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Trio´s - Verschenen op 27 januari 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique
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Trio´s - Verschenen op 23 september 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
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Trio´s - Verschenen op 7 juni 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Trio´s - Verschenen op 1 april 2016 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Trio´s - Verschenen op 4 maart 2016 | Naxos

Booklet Onderscheidingen 5 de Diapason