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Volledige opera's - Verschenen op 1 april 2016 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Operafragmenten - Verschenen op 29 september 2014 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Operafragmenten - Verschenen op 13 mei 2008 | naïve Opus 111

Booklet Onderscheidingen 5 de Diapason
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Operafragmenten - Verschenen op 1 september 2007 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 6 mei 2014 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 1 januari 2007 | Chandos

Booklet Onderscheidingen 5 de Diapason
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Operafragmenten - Verschenen op 10 januari 2011 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Volledige opera's - Verschenen op 26 juni 2007 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Operafragmenten - Verschenen op 31 oktober 2006 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Opera - Verschenen op 7 oktober 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Qobuzism
As Mozart wrote to his father in 1778: "I love it when an aria fits a singer as perfectly as a suit". This, by reasoning, means that virtually all of his greatest melodies – for both prima donna and secondary (supporting) roles - were designed for a specific type of voice. This means that anyone who wants to tackle numerous Mozart roles must know how to adapt their suit accordingly – no simple task, to say the least. Swiss soprano coloratura Regula Mühlemann, with her sumptuous, clear and precise vocals, has perfectly adapted to all of these melodies, as well as the wide range of genres, styles and characters explored. Among the works, one will find Exultate, Jubilate and also a melody that Mozart had written to be inserted in The Barber of Seville by Paisiello, although this did not materialize and Mozart left the work unfinished. Regula Mühlemann, whom we have already witnessed in Salzburg, Berlin, Paris, Zurich, and many other prestigious cities and settings, is accompanied here by the Basel Chamber Orchestra conducted by Umberto Benedetti Michelangeli, the nephew of famous Italian pianist Arturo Benedetti Michelangeli. © SM / Qobuz
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Opera - Verschenen op 1 juli 2015 | Brilliant Classics

Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 1 maart 2015 | Brilliant Classics

Onderscheidingen 5 de Diapason
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Operafragmenten - Verschenen op 4 mei 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
A record made up entirely of prologues from operas and baroque oratorios: this album isn't short on spice. Prologues are completely different from the – purely orchestral – overtures of later operas, as in the baroque era, after a short instrumental introduction, we'd get right into the action, often with a sung allegorical exposition of the setting and the story. Soprano Francesca Aspromonte and Enrico Onofri have collected these allegories with il pomo d’oro (the ensemble has decided that its name will be all lowercase), taken from the late 16th century with Monteverdi and Caccini up to the first quarter of the 18th century with Alessandro Scarlatti, via the rich beauty of the middle 17th century of Cavalli, Rossi, Stradella and Cesti. The listener will have to come to terms with the fact that the opera will never really start, that these are only the premises, the first tremblings, tantalising tasters, aimed at captivating the audience. Don't forget that in those days, it wasn't the custom to remain silent before the start of a show, and it took all the talents of the allegorist to finally get the fans' full attention. We reckon that Francesca Aspromonte will have no trouble captivating her audience. © SM/Qobuz
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Volledige opera's - Verschenen op 25 mei 2010 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 29 juni 2010 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 25 maart 2008 | Naxos

Booklet Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique
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Volledige opera's - Verschenen op 26 oktober 2010 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Operafragmenten - Verschenen op 6 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Volledige opera's - Verschenen op 11 mei 2018 | Ediciones Singulares

Hi-Res Booklet Onderscheidingen 5 de Diapason - 3F de Télérama - Gramophone Editor's Choice - Choc de Classica
We'll admit: this Reine de Chypre by Fromental Halévy is probably not the unfairly-overlooked work of commanding genius for which the lyrical world has been waiting for fifty years… But it would still be a shame to miss it, especially when performed by such a line-up, with Véronique Gens, Cyrille Dubois and Etienne Dupuis at the top of the bill. And after all, the score is full of vocal marvels and very original ensembles; but it is rather in the orchestration – which is not much more adventurous than that of any other piece of Italian bel canto of the era – that Halévy has taken it easy. The melodic richness was pointed out in an article in the Revue et gazette musicale in April 1842: "In the Reine de Chypre, Halévy's new style is on display with more dash, and more success. I have had occasion to point out the preconditions, as I see them, of the production of a good opera, by pointing out the obstacles which stand in the way of meeting these conditions fully and in good time, whether by the poet or the composer. When these conditions are met, it is an event of great importance for the world of art. Now, in the present case, circumstances have conspired in the performance of a work which, as even the most exacting critic must admit, possesses all the qualities which constitute a good opera. (…) The composer has put all the enchantment of his art into the duet that breathes the sentiments that enrapture them. The dark cloth on which these two charming figures are drawn shows through even in those songs which are so sparkling and alive with happiness, like a sinister cloud, and lends them a particular character of melancholy intrigue. There is no equal, in nobility or in grace, of the magnificent melody of the final part of this duet." The article continues in this vein. The byline? One Richard Wagner… © SM/Qobuz
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Operafragmenten - Verschenen op 9 november 2018 | Prima Classic

Hi-Res Onderscheidingen 5 de Diapason

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