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359 albums gesorteerd op Date: from newest to oldest en gefilterd op Concerten voor klavier
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Concerten voor klavier - Verschenen op 12 april 2019 | Aparté

Hi-Res Booklet
Chopin’s Piano Concertos are works of a twenty-year old composer and ambitious soloist. Powerful and challenging, their romantic dimension also carries sensitive effusions. This duality is highlighted here by an interpretation on period instruments in a chamber version. Choices that are as many clues to recognize the musicians from the Cambini-Paris Quartet and their accomplices: Pianist David Lively and Double bassist Thomas de Pierrefeu. Direct heir to Chopin’s piano teaching legacy, David Lively chose a vintage Érard piano to record both Concertos. Accompanied by a string quintet, he revives the tradition of the genre: before being performed in big concert halls, composers and pianists like Chopin played their latest scores in music lovers’ salons. The broad ambitus covered by the strings and the richness of the sound of the pianoforte respect the symphonic dimension of those two pieces. A musical quest for fidelity and authenticity to music and musicians, and a gift for the listeners! © Aparté
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Concerten voor klavier - Verschenen op 1 maart 2019 | Myrios Classics

Hi-Res Booklet
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Concerten voor klavier - Verschenen op 1 februari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Concerten voor klavier - Verschenen op 3 januari 2019 | BIS

Hi-Res Booklet
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Concerten voor klavier - Verschenen op 2 november 2018 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 26 oktober 2018 | Decca Music Group Limited

Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 12 oktober 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - Choc de Classica
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Concerten voor klavier - Verschenen op 30 september 2018 | Cascavelle

Onderscheidingen Diapason d'or
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Concerten voor klavier - Verschenen op 14 september 2018 | Oehms Classics

Booklet Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 7 september 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
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Concerten voor klavier - Verschenen op 7 september 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
€ 39,99

Concerten voor klavier - Verschenen op 15 juni 2018 | Profil

Booklet Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 8 juni 2018 | SWR Classic

Booklet Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 20 april 2018 | Supraphon a.s.

Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 2 maart 2018 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Concerten voor klavier - Verschenen op 23 februari 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica
For his first album with Sony Classical, Adam Laloum returns to one of his favourite composers. He distinguished himself with his first recording in 2011, for Mirare, which contained four of the composer's major works: Variations on an original theme Op. 21 No. 1, the wonderful and too-little-played Klavierstücke from Op. 76, the two Rhapsodies Op. 79 and the 3 Intermezzi Op. 117. And so it is hardly a surprise that today he is offering up his vision of Brahms's Concertos. Sony Classical has marshalled its formidable resources: one of the best orchestras in Germany, the Rundfunk-Sinfonieorchester Berlin; and one of the young wolves of orchestral conducting from Asia (but already well-known in Europe - witness his many collaborations with the Orchestre de la Suisse Romande for Pentatone) join them twice, once in August, then in October 2016, in the Radio Berlin Großer Sendesaal, for sessions which must have been a childhood dream come true for the young Frenchman. An amazing experience! © 2018 Théodore Grantet/Qobuz
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Concerten voor klavier - Verschenen op 2 februari 2018 | Piano Classics

Booklet Onderscheidingen 5 de Diapason
Indeed, Sergei Bortkiewicz’ (1877-1952) works are rarely to be found on record: welcome to a new album with the last two of his piano concertos, played by Romanian pianist Stefan Doniga. Bortkiewicz was born in Ukraine, and received his musical training in St Petersburg from Liadov. In 1900 he continued his study at the Leipzig Conservatory. From 1904 until 1914, he lived in Berlin where he started his career as a composer. A piano concerto opus 1 was premiered in Berlin in 1906 but later destroyed by the composer. At the outbreak of the First World War he was forced to leave Germany, and returned to Kharkov but with the end of the war came new horrors, with the Russian civil war. In 1920 he had to flee to Turkey but despite the good living conditions there, Bortkiewicz pined for Central Europe – it would be Austria as from 1922. That same year he was commissioned by the famous one-armed pianist Paul Wittgenstein to write a Piano Concerto for the left hand. As part of the deal he had to grant Wittgenstein exclusive rights of performance during the pianist’s lifetime. Because of this stipulation, Bortkiewicz’ concerto was never published and fell into oblivion after the deaths of Bortkiewicz in 1952 and Wittgenstein in 1961. In Vienna, where he had eventually obtained Austrian citizenship, Bortkiewicz composed his Piano Concerto no. 3 opus 32 “Per aspera ad astra” – ‘through resistance into light’. The melodic gifts, the instrumentation and the different functions of the piano reflect the solid workmanship of Bortkiewicz, embodied with that same pathos as the concertos of Tchaikovsky, Rachmaninov, Scriabin and Medtner. Bortkowicz had an aversion for what he called modern, atonal and cacophonous music: his work reflects little innovation compared to many of his contemporary composers, he covered no new ground, but built on the structures and sounds of Chopin and Liszt, with the unmistakable influences of early Scriabin and Rachmaninov. With unerring flair and a huge talent! © SM/Qobuz
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Concerten voor klavier - Verschenen op 2 februari 2018 | LPO

Hi-Res Booklet Onderscheidingen 5 de Diapason
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€ 13,49

Concerten voor klavier - Verschenen op 26 januari 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik
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€ 11,49

Concerten voor klavier - Verschenen op 26 januari 2018 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
Boris Berezovsky is one of these indomitable pianists who won’t restrict themselves to a set script, but rather let their instinct guide them. So plastic perfection is not the motto here. As shown by this new recording with one of the best Russian ensembles, the Svetlanov Symphony Orchestra. The concert’s programme, recorded live on April 8th, 2017, is very rich, combining Brahms’ Piano Concert No. 1 – with dimensions much more symphonic than simple concertantes – with a rarely performed partition: Stravinsky’s Concerto for Piano and Wind Instruments. Berezovsky rightly assumes that live recordings are much more exciting than in the studio. Concerts taping, despite their inherent flaws – false notes, blunders, coughing, etc. − mirror life itself and manage to capture the energy flows between the stage and the audience. The pianist doesn’t confine himself to playing his instrument: in fact, he’s also conducting from the piano! “I wanted to approach works for piano and orchestra as if they were chamber music on a large scale; these two works share this chamber quality” he explains. A rather monumental experience for a most intriguing musical result. © SM/Qobuz

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