Albums

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Kamermuziek - Verschenen op 1 juni 2019 | Cypres

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Klassiek - Verschenen op 31 mei 2019 | Queen Elisabeth Competition

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Klassiek - Verschenen op 24 mei 2019 | B Records

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This autumn, intermingled melodies could be heard under the round arches of Noirlac Abbey, amongst which the strains of both Schubert’s “Trout” and Ellington’s famous “Take the ‘A’ Train” were recognisable. Karen Vourc’h, Thomas Savy, Louis Rodde and Guillaume de Chassy enjoyed navigating between the waters of the Lied and the Jazz Standard to produce this outstanding project connecting two geniuses of melody with intelligent arrangements and improvisational extravagance. © B Records
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Klassiek - Verschenen op 24 mei 2019 | OnClassical

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Klassiek - Verschenen op 1 februari 2019 | SPEKTRAL

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Kamermuziek - Verschenen op 6 juli 2018 | Aevea Classics

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Kwartetten - Verschenen op 2 maart 2018 | PentaTone

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Kamermuziek - Verschenen op 9 februari 2018 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason
The cellist Pieter Wispelwey and the pianist Paulo Giacometti have decided to record six albums comprising the complete works for duet of Brahms and Schubert. In other words, the pieces written for an instrument and piano. The instrument in question could be the cello, or the violin, the viola, etc. Because can a virtuoso cellist really resist the temptation to dip their toes into other repertoires than their own? After all, we know full well that the composers themselves wouldn't hesitate to transcribe, or authorise a transcription, of their own work for other instruments. And so here is the fourth volume of this collection, which hinges on Brahms's Sonate Op. 78, which was first written for violin in G major, here transcribed into D major by Paul Klengel in 1897; as well as the First Sonata, originally for clarinet Op. 120, by the very same Brahms. Of the latter work, we know that the composer himself transcribed it for the viola, and this transcription formed the basis for Pieter Wispelwey's own re-reading - very close to the viola part, within which he has simply transposed certain uncomfortably high passages down an octave. By way of overture we have Schubert's Rondo in B minor (1826), written for violin and piano, here brought down an octave (or two) for cello, although the change doesn't make any difference at all to the harmonic perception. © SM/Qobuz
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Klassiek - Verschenen op 2 februari 2018 | Solo Musica

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Klassiek - Verschenen op 2 februari 2018 | Alba

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Klassiek - Verschenen op 19 januari 2018 | harmonia mundi

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Duo´s - Verschenen op 22 september 2017 | harmonia mundi

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Klassiek - Verschenen op 23 juni 2017 | Leaf Music

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Concertmuziek - Verschenen op 16 juni 2017 | Queen Elisabeth Competition

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Klassiek - Verschenen op 17 maart 2017 | Navona

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Klassiek - Verschenen op 17 februari 2017 | harmonia mundi

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Klassiek - Verschenen op 9 november 2006 | Eloquentia

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Duo´s - Verschenen op 4 november 2016 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 15 september 2016 | COBRA RECORDS

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