Albums

2029 albums gesorteerd op Date: from newest to oldest en gefilterd op Klassiek en Franz Schubert
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Klassiek - Verschijnt op 5 juli 2019 | Chandos

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Klassiek - Verschenen op 21 juni 2019 | Intense Media GmbH

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Klassiek - Verschenen op 20 juni 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 15 juni 2019 | Maqam Records

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Klassiek - Verschenen op 13 juni 2019 | Galileo Music Communication

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Klassiek - Verschenen op 7 juni 2019 | audite Musikproduktion

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Andrea Lucchesini’s career continues discreetly in the shadow of more mediatized Italian pianists. The star pupil, like Nelson Goerner, of the great Maria Tipo, Lucchesini has invested a lot of his time into concerts and recording. After becoming known for his interpretations of Luciano Berio’s music, in particular his concerto Echoing Curves directed by the composer himself, he has recorded the integrity of Beethoven’s sonatas for the label Stradivarius. Over the last few years, Lucchesini has concentrated on Schubert, “my great love”, he calls him. These two very different composers on the cusp of romanticism fascinate Andrea Lucchesini who presents here his first volume dedicated to the late works of Schubert. These works were written at a time when the composer of Lieder returned to composing sonatas amidst greats like Beethoven who also coincidentally lived in the same town. For Lucchesini, Schubert remains an enigma. The man left behind almost no written documents, he never stayed put in one precise residence and no one could understand his shyness, agitation, nor his latent homosexuality. “Rediscovering his final works”, says Andrea Lucchenini, “showed me the difference between the artist who entertained his friends and the composer who worked in solitude without any prospect of being published nor played.” Such solitude that longs to break free can be heard clearly in this album, particularly in the interpretation of Andantino of Sonata D. 959 through which troubling phantoms move. © François Hudry/Qobuz

Klassiek - Verschenen op 7 juni 2019 | Nimbus Alliance

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Klassiek - Verschenen op 31 mei 2019 | Chandos

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Barry Douglas’s critically acclaimed series of Schubert’s piano works reaches its fourth instalment. For this recording, Douglas has chosen to present three piano sonatas from the middle of Schubert’s short life: No. 5 (D. 537) and No. 11 (D. 575), both composed in 1817, complemented with the Sonata No. 15 (D. 664), composed just two years later. The three sonatas all spring from a period when Schubert was experimenting with tonality, both in the sense of less usual keys (D. 575 is in B major) and in terms of the relative keys of the movements, and of sections within movements. Irrespective of this experimentation, Schubert’s incredible talent for melody and lyricism shines through each of the works, and is masterfully heightened in Douglas’s interpretations. Like the previous three volumes in the series, the recording was made on a Steinway Model D in the Curtis Auditorium at the CIT Cork School of Music. © Chandos
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Klassiek - Verschenen op 24 mei 2019 | OnClassical

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Klassiek - Verschenen op 17 mei 2019 | Paladino Music

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Klassiek - Verschenen op 17 mei 2019 | Sony Classical

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Klassiek - Verschenen op 13 mei 2019 | Digital Classic

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Klassiek - Verschenen op 10 mei 2019 | Klarthe

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To the two collections of lieder found after the death of Schubert, the editor Haslinger added a fourteenth lied and gave the overall title of 'Swan Song'. Not a veritable cycle, but very much immersed in the intimacy of the composer's last moments of life, nostalgic, heart-rending, desperate and eventually soothing, it is this journey that the performers undertake here, with an Erard piano from 1859, miraculously preserved, bringing a unique colour to this masterpiece. © Klarthe
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Klassiek - Verschenen op 3 mei 2019 | Sony Classical

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Klassiek - Verschenen op 3 mei 2019 | Challenge Classics

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In September 2018, the first volume of Franz Schubert’s complete symphonies was released under the bright, precise and joyful lead of Jan Willem de Vriend (featuring Symphony No. 2 and Symphony No. 4). This second volume mostly fulfils expectations, with a few unforeseen nuances. It’s worth mentioning that the Symphony No. 1 in D major written by sixteen-year-old Schubert is touching, in more ways than one. First of all because it is constructed with brazen confidence, and casually – without any attempt at hiding it – covers Mozart’s Symphony No. 40 in G minor, oscillating incessantly between major and minor modes with the subtle mastery of modulation, which the Austrian composer would use throughout his life. As for the Symphony No. 3, also in D major, it is more Haydn − who died only six years before Schubert started working on this piece – who inspired the young composer. While the structure stemmed from his London symphonies, the melodies already bore the marks and melodic contours of the future composer of Die schöne Müllerin. At the other end of the corpus is the Unfinished Symphony, written in a radically different language because in the meantime, classicism had mutated into apprehensive romanticism, with a form of weariness growing around this magnificent music, rich with dizzying melancholy. Dropped by its author, like many others he left unfinished, it yet seems to end in pain and disarray, as a masterful question mark upon our miserable human destiny… © François Hudry/Qobuz
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Koormuziek - Verschenen op 3 mei 2019 | Genuin

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"Freude, schöner Götterfunken!" ("Joy, fair sparks of the gods") seems to be the cry of the fifth and penultimate Platte by the Camerata Limburg of the complete recording of Schubert's works for male choir. The title of the program is "Elysium", which says it all. This recording is a pleasurable stroll through heavenly realms: known and unknown, from poems by Schiller, Klopstock and many, many other wonderful poets. The interpretation is on par with the entire collection: an immaculate ensemble sound and an interpretation wonderfully worked out by conductor Jan Schumacher and his masters. © Genuin
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Klassiek - Verschenen op 3 mei 2019 | Flipper Srl

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Klassiek - Verschenen op 3 mei 2019 | Sony Classical

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Kamermuziek - Verschenen op 3 mei 2019 | Audite

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