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CD€ 19,99

Klassiek - Verschenen op 19 oktober 2018 | haenssler CLASSIC

Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 12,24€ 17,49(30%)
CD€ 8,74€ 12,49(30%)

Kamermuziek - Verschenen op 5 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
HI-RES€ 21,49
CD€ 14,99

Piano solo - Verschenen op 17 november 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
Since the pianist's early days, the South Korean Seong-Jin Cho (1994) has professed a fondness for French music in general and Debussy in particular. At his first public performance at the age of eleven, he played Children’s Corner by Debussy. When he decided, in 2012, to pursue his musical education abroad, he chose Paris, and the Conservatoire National Supérieur, where he frequented the classes of Michel Béroff, the undisputed expert on Debussy. Cho has come back to work again with his old teacher, who became a friend, with the aim of creating his own Debussy album; the choice of works here is "restricted" to works requiring a middling level of virtuosity - mechanical exhibition isn't his thing, even though he has amply mastered his instrument - but whose poetical content allows the pianist to show off his own exquisite expertise as a musician. An homage to his own childhood, Children’s Corner, but also the two books of Images and the exquisite Suite bergamasque. Let’s not forget that Seong-Jin Cho won Warsaw's 2015 Chopin Prize, a sure-fire ticket to an international career. © SM/Qobuz
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CD€ 13,49

Kamermuziek - Verschenen op 3 november 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
The cream of the crop of French musicians—well, okay, Swiss for the flautist Emmanuel Pahud—come together to bring us a sumptuous album devoted to Debussy’s chamber music: Edgar Moreau for the Sonata for cello and piano, Renaud Capuçon for the Sonata for violin and piano, Gérard Caussé, Marie-Pierre Anglamet and Emmanuel Pahud for the Sonata for flute, viola and harp (these three very belated sonatas are the only ones that the composer had time to finish in his planned series of “Six sonatas for various instruments by Claude Debussy, French musician”). We find the same Emmanuel Pahud performing solo for Syrinx, and the album closes with the Trio for violin, piano and cello written in a still very classic—or even conventional—style and architecture (the shadows of Franck, Massenet and Fauré undoubtedly loom) in 1880, when the composer was residing in Florence with the von Meck family. This last work was released only a hundred years later… On the piano in all the collective works, you’ll find Bertrand Chamayou. © SM


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