Albums

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Klassiek - Verschenen op 26 april 2019 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 26 april 2019 | Decca (UMO) (Classics)

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Opera - Verschenen op 7 januari 2019 | Marco Velocci

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Opera - Verschenen op 21 december 2018 | Bella Musica Edition

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Vocale muziek (wereldlijk en religieus) - Verschenen op 23 november 2018 | Red Bus Music

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Operafragmenten - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
Puccini love duets galore! That’s what the Polish soprano Aleksandra Kurzak and the tenor Roberto Alagna offer up here. Both are regulars on the world's greatest stages and their voices seem to have been tailor-made for this repertoire. The heroines - Mimì, Minnie, Tosca, Giorgetta, Butterfly and Manon - represent the absolute woman with a femininity that fascinates the composer, attracting him, inspiring him and making him fall in love. The male characters are undoubtedly a reflection of his own personality. Rodolfo, Mario and Calaf too, who is so besotted with Turandot that he risks his life for her: man, lover, seducer, villain, deceiver, poet, artist, knight or traitor... No doubt Roberto Alagna sees himself in these characters as well. Their traits are similar from one opera to the next, but Puccini knew how to make each vocal idiom wonderfully unique. © SM/Qobuz
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Opera - Verschenen op 19 oktober 2018 | Marco Velocci

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Klassiek - Verschenen op 7 september 2018 | Sony Classical

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Klassiek - Verschenen op 3 augustus 2018 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 3 augustus 2018 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 13 juli 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 13 juli 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 6 juli 2018 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 6 juli 2018 | Decca (UMO) (Classics)

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Opera - Verschenen op 22 juni 2018 | Warner Classics

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Opera - Verschenen op 22 juni 2018 | Warner Classics

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Opera - Verschenen op 15 juni 2018 | Dynamic

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Opera - Verschenen op 6 april 2018 | CapriccioNR

Booklet
After Manon Lescaut and La Bohème, Il Tabarro is Puccini’s third Parisian incursion. Puccini got the idea to write the first part of his Trittico after seeing La Houppelande − a play in slang by Didier Gold – at Théâtre Marigny in Paris. Violent and naturalistic – to the point of bordering with trade-comedy – this play instantly captured the imagination of the Italian composer who immediately envisioned putting this slice of daily life to music. Conductor Bertrand de Billy has perfectly grasped all the stakes at play in this opera that superbly describes the Parisian atmosphere on the banks of the Seine where the barge that serves as the framework for this folk drama about jealousy, long before Simenon and his detective Commissaire Maigret, is moored. Recorded during a concert in Vienna in 2010, this beautiful version features a resounding distribution with great South-African tenor Johan Botha – who prematurely died of cancer in 2016 −, his fellow countrywoman, soprano Elza van den Heever who has triumphed in New York, Frankfurt and Bordeaux, and German baritone Wolfgang Koch who abandons Wotan to take on the role of Michele, the jealous husband turned murderer. © François Hudry/Qobuz
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Klassiek - Verschenen op 2 april 2018 | Movimento Classical

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Opera in het magazine