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Wereldlijke oratoria - Verschenen op 20 september 2007 | Coviello Classics

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Wereldlijke vocale muziek - Verschenen op 1 januari 1959 | Decca

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Wereldlijke vocale muziek - Verschenen op 7 oktober 2014 | BR-Klassik

Booklet Onderscheidingen Diapason d'or - Gramophone Record of the Month - Le Choix de France Musique - 5 Sterne Fono Forum Klassik
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Wereldlijke vocale muziek - Verschenen op 13 oktober 2017 | SWR Classic

Booklet Onderscheidingen Diapason d'or
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Wereldlijke vocale muziek - Verschenen op 21 september 2018 | SOMM Recordings

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
Somm Recordings is delighted to present a revelatory collection of orchestral songs by Sir Edward Elgar (on double slimline selling as a single disc), performed by two of today’s most exciting young singers – mezzo-soprano Kathryn Rudge and baritone Henk Neven – accompanied by the BBC Concert Orchestra conducted by Barry Wordsworth. Historically the least regarded part of Elgar’s output, his songs contain a treasure-trove of vocal gems and here receive performances of insight, imagination and emotional directness. The Op. 59 Song Cycle is an exemplary case in point, by turns quietly radiant, touchingly nostalgic and achingly melancholic. Two settings of poems by Elgar’s wife – the richly orchestrated The Wind at Dawn and celebratory The King’s Way (which borrows a tune from his Fourth Pomp and Circumstance March) – show Elgar at his most evocative and ebullient. Sombre and powerful, The Pipes of Pan boasts colourful imagery and driving rhythmic energy, The River and The Torch wholly Elgarian in their wonderful sonorities. A first recording of the orchestral version of the marching song Follow the Colours shows Elgar at his most patriotic. The complete incidental music for a 1901 staging of WB Yeats’ Grania and Diarmid offers a rare opportunity to experience the full gamut of Elgar’s moving and dramatic evocation of a timeless tale of love in the ancient Irish myth. A bonus disc of recordings made under the auspices of the Elgar Society showcases soprano Nathalie de Montmollin and pianist Barry Collett in a collection of piano-accompanied songs. It includes first recordings of the piano version of ‘Winter’ from The Mill Wheel (with its churning left-hand patterns and a text by the composer’s wife) and the world-weary tread of Muleteer’s Serenade, setting words from Cervantes’ Don Quixote.© Somm Recordings
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Wereldlijke vocale muziek - Verschenen op 25 februari 2014 | Music and Arts Programs of America

Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Choc de Classica
CD€ 19,99

Cantates (wereldlijk) - Verschenen op 7 december 2018 | CPO

Booklet Onderscheidingen 5 de Diapason
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Wereldlijke vocale muziek - Verschenen op 15 maart 1993 | Arion

Onderscheidingen Diapason d'or
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Wereldlijke oratoria - Verschenen op 26 april 2013 | Sony Classical

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - Hi-Res Audio
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Cantates (wereldlijk) - Verschenen op 28 december 1979 | deutsche harmonia mundi

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Wereldlijke vocale muziek - Verschenen op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
 Much gossip has surrounded the double murder committed by Carlo Gesualdo, who killed his young wife and her lover when he caught them in flagrante delicto. The remorse he felt for this atrocious crime is said to have inspired the Neapolitan composer to write new harmonies, using and abusing scraping and characterful chromatisms. Paul Agnew takes aim at this widespread belief, contending that "this aristocratic double murder only indirectly influenced the musician's life." In a very interesting introductory text, the "Associate Musical Director" of the Arts Florissants sets the figure of Gesualdo back into his historical context, explaining just how his tormented psychological state would have fed into his own musical evolution, alongside the musical journeys of his peers. The same line of argument is also made by musicologist Denis Morrier in his analysis of the two first Books of Madrigals, which are presented here: "At once visionary and conservative, eccentric in language and conventional in form, these works have fascinated musicians and commentators across the ages", he writes.Following the recording of 17 madrigals from Book IV to Book VI, conducted by William Christie in 1988, this new album marks the first stage of a complete recording of Gesualdo's Madrigals, which are to be performed across three seasons at the Philharmonie de Paris. Passionate, violent, dark and burning with meaning, Gesualdo's music touches the heart and speaks to us of the doubts and contradictions of the human soul. © François Hudry/Qobuz
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Wereldlijke oratoria - Verschenen op 31 juli 2007 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Wereldlijke oratoria - Verschenen op 4 september 2012 | Pan Classics

Booklet Onderscheidingen 4 étoiles Classica
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Wereldlijke vocale muziek - Verschenen op 15 november 2019 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
Christina Pluhar has long been interested in the vocal music of the 17th century, in particular that of composer Luigi Rossi born around 1597 in the beautiful province of Puglia. He was the titular composer to the Medicis in Florence before taking a job with Cardinal Barberini in Rome. In France, Cardinal Mazarin commissioned him to produce the first Italian opera written specifically for the French court. In a manner of speaking, Rossi is at the root of the productions that another Italian, Lully, would later write for Louis XIV.In 2005, Christina Pluhar had recorded the Lyra d'Orfeo, taken from Rossi's desk drawer, with her ensemble L'Arpeggiata, with the voice of Veronique Gens in all its splendour. But a legal problem arose which prevented its production as a record for nearly 15 years. With the lawsuit ongoing, Christina Pluhar completed her project with Arpa Davidica, a new original compilation of works by Luigi Rossi, which she and her assistants discovered in various libraries.Pluhar has selected a series of virtuoso, theatrical pieces geared closely to the lyrics, as Rossi would set to music the most beautiful poems of his day. Taking on the best voices of the moment, Cécile Scheen, Giuseppina Bridelli, Philippe Jaroussky, Jakub Józef Orliński and Valer Sabadus, Christina Pluhar has pulled out all the stops to bring enchanting and incredibly musically-rich material back to life. The few indications relating to the instrumental accompaniment left on the manuscripts leave the performers almost total freedom. They can imagine all sorts of instrumental combinations to link complicated melismas with the virtuosity of the vocal lines that the composer intended. The interpretation also works as a complete recreation. © François Hudry/Qobuz
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Wereldlijke vocale muziek - Verschenen op 13 december 2010 | naïve

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Wereldlijke vocale muziek - Verschenen op 1 oktober 2014 | Digressione music

CD€ 14,99

Cantates (wereldlijk) - Verschenen op 5 juli 2011 | Glossa

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Wereldlijke oratoria - Verschenen op 1 augustus 2010 | Glossa

CD€ 17,99

Wereldlijke vocale muziek - Verschenen op 25 september 2015 | Decca Music Group Limited

Onderscheidingen 5 de Diapason
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Cantates (wereldlijk) - Verschenen op 1 januari 2000 | Haenssler Classic