6788 albums gesorteerd op Best verkocht en gefilterd op Symfonische muziek
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Symfonieën - Verschenen op 1 oktober 1996 | Deutsche Grammophon (DG)

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Symfonieën - Verschenen op 24 augustus 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik - 5 étoiles de Classica
The Second Symphony by Leonard Bernstein, The Age of Anxiety, based on a poem of the same name by W. H. Auden, is a work of the composer-conductor's relative youth, dating from 1948-1949, when he was just turning thirty. The symphony is presented as a series of variations, but not variations around an initial theme. No: each variation takes on elements of the previous variation, varies in turn, and so on. It brings to mind an unbroken metamorphosis. As one might imagine, Bernstein mixes classical symphonic elements with jazz, in particular in the solo piano passage – tackled here by Krystian Zimerman, who had the good fortune to perform with Bernstein several times. In its own way, it is a kind of homage to the centenary of the composer's birth: as Zimerman mentions in the liner notes, Bernstein asked him if he wanted to play this symphony with him for his hundredth birthday. And he almost keeps the promise, although the orchestra is the Berlin Philharmonic, under Sir Simon Rattle. © SM/Qobuz
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Soundtrack - Verschenen op 1 januari 2001 | Alia Vox

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Symfonische muziek - Verschenen op 3 november 2017 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism - 5 étoiles de Classica
Aside from Elgar’s fascinating and obligatory Falstaff composed in 1913 (a Symphonic Study according to the partition, but in reality a symphonic poem in the grand tradition of Strauss— about whom Elgar probably thought when he wrote his masterpiece, and the rather present solo cello cannot help but remind us of Strauss’ Don Quixote, composed sixteen years earlier), the album distinguishes itself by a few melodies with orchestra from the same Elgar, a repertoire unfortunately too often neglected and yet of breathtaking beauty (we hear, in a pinch, the Sea Pictures performed from time to time, but that’s all folks). And when you know that it’s the now very famous baritone Roderick Williams on the mic, we can only applaud the initiative of Andrew Davis and the BBC Philharmonic to feature these splendors once again. Elgar proves to us here that, far from just being a great master of large symphonic-vocal soundscapes in the form of oratorio (we obviously think about The Dream of Gerontius, The Apostles and The Music Makers), he handles the miniature with genius. Roderick Williams, one of the most beautiful voices of today’s British scene, grasps these rarities with a joy that is as rare as these pieces. The album closes on a hilarious wink, the Smoking Cantata, a cantata with a ginormous orchestration but that lasts… only 49 seconds, and whose text is limited to: “Kindly, Kindly, kindly do not smoke in the hall or staircase”. It’s the best British humor! Qobuz technical commentary on sound quality The sound quality for this wonderful orchestration is refined; the level ratios are well-judged; and the distances between the consoles are just right, in this airy piece of mixing that renders the lines exceptionally clear. Clear and enveloping reverberation never hides the discourse: the result is a rare evenness between the different families within the orchestra. The tutti certainly aren’t lacking any liveliness, thanks to the remarkably assured dynamic, and when the percussion gets going we discover a beautifully-proportioned hall, which gives the sound room to develop without constraints. Without falling into the very (too?) popular trap of ultra-proximity, and because the acoustics allow it, Chandos has produced a mix which really respects the score, the performance, and the sound scene... what a relief! © SM/Qobuz
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Symfonische muziek - Verschenen op 13 april 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
Recording Ravel's music on period instruments is the kind of thing that might raise a smile... until you realise just how much the production of instruments has changed in less than a hundred years: it's the return of catgut strings, skin drum heads, the French basson (and not the German system bassoon which is used across all the world's orchestras today), shaper tips, trumpets and trombones of French manufacture. At the head of his orchestra Les Siècles, François-Xavier Roth gives a new, orthodox, historically-informed version of Ma Mère l’oye (complete ballet), the Tombeau de Couperin and Shéhérazade, the long-neglected "ouverture de féérie" [Fairy Overture] which is pure Ravel. This return to the roots is clearly easier and more straightforwardly authentic for this period of music history, because, unlike earlier works, we possess recordings which date back to the 1920s, and even earlier, which can tell us about the style, the colours, the phrasing and the tempo. But it isn't enough just to have all this historical information to hand to make something interesting. What makes this record thrilling is that all the musicians in the Siècles are excellent, and François-Xavier Roth is a talented artist himself, who knows this music inside out. At which point, his complete recording of Stravinsky's Firebird has already struck us with its quality. This rediscovery of Ravel resounds with clarity and finesse; it is a feast of well-defined timbres which cuts against the "beautiful sound" which prevails in orchestras around the world today. © François Hudry/Qobuz
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Symfonische muziek - Verschenen op 9 maart 2018 | Decca Music Group Ltd.

Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 8 juni 2018 | Alpha

Hi-Res Booklet Onderscheidingen Preis der deutschen Schallplattenkritik
€ 9,99

Balletten - Verschenen op 1 januari 1999 | Alia Vox

Onderscheidingen Choc du Monde de la Musique - 10 de Répertoire - 4F de Télérama
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€ 14,99

Symfonieën - Verschenen op 20 april 2018 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
Pärt's four symphonies stretch across a period of 45 years, from 1964 and 1966 respectively for the first two, 1971 for the third, and 2008 for the fourth. His first steps into the works of the symphony were still marked by dodecaphonism, although Pärt would not resist the gradual appearance of tonal poles in his work and "accidental" encounters between consonant notes and the harmonies that resulted; but the discourse remains very much linked to modernist principles, while exploring older forms of prelude and fugue, or indeed polyphony. With the Second, Pärt's avant-gardist period came to an end. From the 1970s, Pärt would completely revise his language, and come to concentrate on religious and medieval music, in such a way that his Third Symphony throws out dodecaphonism and all its theories, developing in their place a tonal, melodic, modal idiom (the old ecclesiastical styles, in fact). And within this personal revolution, Pärt would take a step into "tintinnabulum", which formed the basis of the Fourth Symphony, written for strings, harp and percussion: a wide world of meditation, stunning, unreal, intangible, and fundamentally tonal, in which the movements from one phenomenon to another move immensely slowly, allowing the listener to savour every moment. © SM/Qobuz
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Symfonische muziek - Verschenen op 5 januari 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound
This much awaited recording offers keenly idiomatic performances of the most famous works by Grieg, played by the composer’s own orchestra, the Bergen Philharmonic, and its Chief Conductor, Edward Gardner. The drama and passion of such favourite pieces as the incidental music to Peer Gynt and the Piano Concerto are superbly captured in surround-sound with exemplary Chandos sound quality. Unlike most existing recordings, offering only the orchestral suites, this disc presents numerous extra excerpts from Peer Gynt, which follow the sequence of Henrik Ibsen‘s dramatic poem, including sections for the unique Norwegian "Hardanger Fiddle". Having collaborated with the orchestra on several occasions, Jean-Efflam Bavouzet is the soloist in the Piano Concerto, a piece that stands out as a shining example of a single great thought captured and expressed in music. The power of this conception is evident throughout the concerto in the pianist’s faithful, yet highly romantic interpretation. © Chandos
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Symfonieën - Verschenen op 16 juni 2017 | Deutsche Grammophon Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Record of the Month - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 2 februari 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound
In addition to Prokofiev’s two violin concertos – whose ample discography is brilliantly enriched by this interpretation of Georgian violinist Lisa Batiashvili and the excellent conductor Yannick Nézet-Seguin –, the album also features three treats from Prokofiev arranged by Tamás Batiashvili, the father of the aforementioned Lisa and a renowned teacher in his country. These are rewritings for solo violin and orchestra of the Dance Of The Knights from Romeo and Juliet, the Grand Waltz from Cinderella and the nefarious and quirky Grand March from The Love For Three Oranges. Batiashvili – the father – streamlines the message, allowing the solo violin to showcase its full power in moments that were bloated in the original partition, particularly in the rather bulky Dance Of The Knights which, losing some of its imposing weight, gained lyricism in return. As for the two concertos, they benefit greatly from the reasonably sized Chamber Orchestra of Europe, as it perfectly lets Prokofiev’s writing shine through. © SM/Qobuz
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Balletten - Verschenen op 17 maart 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Award - Gramophone Editor's Choice - 4 étoiles de Classica
€ 7,99

Symfonische muziek - Verschenen op 23 december 2015 | Les Indispensables de Diapason

Booklet Onderscheidingen Diapason d'or
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€ 14,49

Balletten - Verschenen op 9 oktober 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
€ 129,99

Symfonische muziek - Verschenen op 8 september 2017 | SWR Classic

Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica
€ 30,99
€ 21,99

Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Grammy Awards
€ 13,49
€ 8,99

Symfonische muziek - Verschenen op 27 september 2010 | naïve classique

Hi-Res Booklet Onderscheidingen Hi-Res Audio - Stereophile: Record To Die For
€ 22,49
€ 14,99

Symfonische muziek - Verschenen op 4 mei 2018 | Signum Records

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - 5 étoiles de Classica
€ 69,99

Symfonieën - Verschenen op 1 januari 1997 | L'Oiseau-Lyre

Onderscheidingen 4 étoiles de Classica