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3797 albums gesorteerd op Date: from newest to oldest en gefilterd op Symfonische muziek en € 5,00 tot € 10,00
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Symfonische muziek - Verschenen op 14 september 1992 | Hhpvrdigital

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Symfonische muziek - Verschenen op 27 maart 2020 | Ermitage Rc

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Symfonische muziek - Verschenen op 23 maart 2020 | Fina Flor

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Symfonische muziek - Verschenen op 19 maart 2020 | Romansenykmusic

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Symfonische muziek - Verschenen op 16 maart 2020 | Ermitage Rc

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Symfonische muziek - Verschenen op 16 maart 2020 | Ermitage Rc

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Symfonische muziek - Verschenen op 16 maart 2020 | SnailWorx

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Symfonische muziek - Verschenen op 13 maart 2020 | Gau

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Symfonische muziek - Verschenen op 13 maart 2020 | Cugate Classics

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Symfonieën - Verschenen op 6 maart 2020 | BR-Klassik

Hi-Res Booklet
In 1905, when Josef Suk composed Asrael, his funeral symphony, he was mourning. He had recently lost both his father-in-law, Antonín Dvořák, and, a few months later, his beloved wife, Otilie. Deeply wounded by his loss, Suk turned Asrael into a rich and dense five-movement piece, lasting more than an hour. Of course, Josef Suk was mainly influenced by Dvořák. Nevertheless, he managed to find his own language, partly inspired by Richard Strauss and always playing with the boundaries of tonality. The Asrael Symphony is a long dance of death. It features the angel of death (Azraël in the Hebrew, Muslim and Sikh traditions) conceptualized as a recurring obsession. The piece’s structure is complex but various traditional styles are recognizable, such as a fugue and a scherzo. The music is dark and comforting, at the same time. The double basses, trombones, tubas, and bass drums dominate the low sound of its large symphonic orchestra. Asrael also includes a traditional soloist violinist playing a genuine and seductive part throughout the piece. Josef Suk’s extensive repertoire remains largely obscure outside of his home country but, since 2004 young Czech conductor Jakub Hrůša has been promoting his work with great dedication. In 2004 already, Hrůša performed Asrael for his graduation ceremony at the Rudolfinum in Prague. He was 23. In 2015, he recorded a first version of this masterpiece with the Tokyo Metropolitan Symphony Orchestra. The record was released on independent label Exton. Hrůša knows the music by heart and conducts with care and determination. He often includes the piece in his programs when he is invited to perform with the three orchestras that he regularly leads: the Bamberg Symphonic Orchestra where he stands as artistic director, the Czech Philharmonic and the Philharmonia Orchestra, as guest conductor. This record was made in October 2018 at the Gasteig in Munich, where Hrůša gave two concerts with the excellent Bavarian Radio Symphony Orchestra. © François Hudry/Qobuz
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Symfonische muziek - Verschenen op 6 maart 2020 | Sterling

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Symfonische muziek - Verschenen op 6 maart 2020 | Da Vinci Classics

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Symfonische muziek - Verschenen op 29 februari 2020 | Gabriel Rojas

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Symfonische muziek - Verschenen op 28 februari 2020 | Cugate Classics

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Balletten - Verschenen op 22 februari 2020 | William Hagen

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Symfonische muziek - Verschenen op 20 februari 2020 | FERRER FERRAN

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Symfonische muziek - Verschenen op 14 februari 2020 | SnailWorx

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Symfonische muziek - Verschenen op 14 februari 2020 | Halidon - Lanzetta

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Symfonische muziek - Verschenen op 9 februari 2020 | Suoni del Mondo

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Symfonieën - Verschenen op 7 februari 2020 | LSO Live

Hi-Res Booklet Onderscheidingen 4F de Télérama
The second album in Sir John Eliot Gardiner's Schumann series with the London Symphony Orchestra travels from glorious fanfare to dream-like passages with the lively 'Spring' and 'Rhenish' symphonies. From the dramatic first trumpet-call which awakens the frozen landscape, the First Symphony is a celebration of spring. It moves through the season and a gruff folk-song Scherzo until finally a jubilant conclusion dances into summer. Desperate, heartfelt and elegant, the "Manfred" Overture opens with an urgent impetus that only increases through the work, displaying the intense strife which lies ahead for its protagonist. Schumann’s Third is one of the composer’s most impressive, painting a euphoric picture of the German Rhineland in broad Beethovenian style and closing with an exhilarating finale. © LSO Live