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Klassiek - Verschijnt op 6 maart 2020 | Stradivarius

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Kamermuziek - Verschijnt op 6 maart 2020 | Aevea Classics

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Klassiek - Verschijnt op 6 maart 2020 | CapriccioNR

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Klassiek - Verschijnt op 28 februari 2020 | Passacaille

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Klassiek - Verschijnt op 28 februari 2020 | Dacapo

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Klassiek - Verschijnt op 28 februari 2020 | Berlin Classics

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Klassiek - Verschijnt op 28 februari 2020 | Ilona Records

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Kamermuziek - Verschenen op 14 februari 2020 | New Amsterdam

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Klassiek - Verschenen op 14 februari 2020 | naïve classique

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Five young women, all top-flight string players, united in a single voice, radiating temperamental sympathies and similarities, deceptive depths, and a caustic sense of humour: this is the challenging vision of "Smoking Joséphine", the 100% feminine ensemble dreamt up by violinist Geneviève Laurenceau as a ‘space for creativity and exploration’, to develop the sophisticated opulence of the string quintet. The present album is the result of the special alchemy between Geneviève and her team – Olivia Hughes (violin), Marie Chilemme (viola), Hermine Horiot (cello) and Laurène Durantel Helstroffer (double bass), all acclaimed soloists in their own right, in orchestras and chamber ensembles. This, their very first album, they have dedicated to Love. The five artists embody this universal, timeless theme with their characteristic warmth of sound, generous lyricism, and dynamic rhythmic pulse: their programme unfolds like a voyage with surprising discoveries en route, passing through many styles and periods and covering the full range, the many faces of this emotion that rules the heart. We can thrill to the passionate love of Prokofiev’s Romeo and Juliet and Bernstein’s West Side Story, the tender romantic reveries of Liszt, Chopin, Kreisler and Elgar, the ghoulish love depicted by Saint-Saëns, the "Bewitched Love" of De Falla ... This quintet, with its unconventional contrabass, has had each of its scores specially made to measure, in arrangements that are the last word in haute couture. © naive classique
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Klassiek - Verschenen op 14 februari 2020 | L'empreinte Digitale

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Klassiek - Verschenen op 14 februari 2020 | HORTUS

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Klassiek - Verschenen op 14 februari 2020 | Navona

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Klassiek - Verschenen op 7 februari 2020 | Glossa

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Violinist Fabio Biondi has a singular capacity for finding something new and exciting in the music of Antonio Vivaldi whenever he considers it, a prodigious feat which he demonstrates with "Concerti per La Pietà", a new collection of works calling for a variety of demanding solo challenges, superbly met by Biondi and his colleagues from Europa Galante. In his Venetian years the well-spring of Vivaldian inventiveness was fed by the composer working with one of the leading orchestras of early eighteenthcentury Europe: the one at the Ospedale della Pietà, the charitable institution which took in, cared for – and educated – girls who had been orphaned or abandoned. Within the ospedale were nurtured instrumental virtuosos – known today only by their “sporting nicknames”: Bettina della viola, Margherita del arpa doppia, Lucieta della tromba, etc. Calling variously for solo violin, two violins, lute, cello, organ, or viola d’amore (Biondi plays an unreconstructed 1758 Vinaccia instrument), the concertos recorded here are drawn from across the thirty years in which Vivaldi worked at the ospedale. The freshness and personalness of Fabio Biondi’s musicmaking with Europa Galante has itself now been in evidence for a remarkable three decades and this new Album, conceived as a special 30thanniversary recording, won’t disappoint listeners ready to have their preconceptions challenged yet be stimulated by consummate musicianship. © Glossa
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Klassiek - Verschenen op 7 februari 2020 | Passacaille

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Passacaille Records and cellist Elinor Frey, with harpsichordist Federica Bianchi, lutenist Giangiacomo Pinard, and cellist Mauro Valli, present the first recording of cello sonatas by Giuseppe Clemente Dall’Abaco (1710-1805). Dall’Abaco’s sonatas are full of cantabile melodies with the lightness of folk songs, passagework that demands brilliance and facility, and extraordinary slow movements that bring out the natural beauty of the cello’s tone. Dall’Abaco was a celebrated cellist-composer who participated in significant concerts in many of the major musical centres of Europe, among them London, Paris, Vienna, Verona, Munich and Bonn. In these five sonatas, we find individual movements devoted to regional styles and instrumental exoticisms such as La Zampogna (Italian bagpipe), A modo di Arciliuto, and A modo di Viola da gamba. Frey’s recording includes the original version of the G Major Cello Sonata previously attributed to G.B. Sammartini by way of a borrowed version by Martin Berteau. © Passacaille Records
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Kamermuziek - Verschenen op 7 februari 2020 | Ondine

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Klassiek - Verschenen op 7 februari 2020 | Orfeo

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A cantata, long melody and mini-opera all at once, The Diary of One Who Disappeared is a profoundly original piece whose prosody is modelled on the scansion and intonations of Moravian poetry, like all of Janáček’s work. It is the poetic diary of a young farmer who falls in love with a gypsy and decides to go off with her and their new child. Distinctly affected by these popular poems, Janáček kept them under wraps. His love for Kamila was the inspiration for the writing of this splendid work which eventually became a recognition of his own existence. Perhaps slightly inaccessible for those who do not understand the language or have not read the translation before listening, this vast cycle of poems is written for a tenor, with the presence of a contralto (Ester Pavlu here) and a women’s choir which is supported all the way through by an important piano part. Born in Slovakia, the tenor Pavol Breslik sings close to his roots, taking the work from the operatic side, a rather romantic treatment which makes it considerably more successful and modifying its popular appeal. © François Hudry/Qobuz
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Klassiek - Verschenen op 7 februari 2020 | Berlin Classics

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Klassiek - Verschenen op 7 februari 2020 | Stradivarius

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Klassiek - Verschenen op 31 januari 2020 | Brilliant Classics

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