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Klassiek - Verschenen op 3 januari 2020 | Chandos

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | Chandos

Hi-Res Booklet
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Concerten voor viool - Verschenen op 3 januari 2020 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
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Kamermuziek - Verschenen op 3 januari 2020 | First Hand Records

Hi-Res Booklet
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Kamermuziek - Verschenen op 3 januari 2020 | BIS

Hi-Res Booklet
During the eighteenth century the cello gradually emerged from the anonymity of the continuo group, and by the beginning of the Romantic era the instrument had become an indispensable tool for composers. Robert Schumann, who had himself taken cello lessons, was very fond of it, describing is as a ‘beautiful instrument’; and Johannes Brahms, who acquired considerable skill as a cellist, praised its ‘masculine, serious character’. It is therefore to be hoped that neither composer would object to Christian Poltéra’s sensitive adaptations of their works. Schumann and Brahms wrote three violin sonatas each, both choosing D minor as the key of one of them. These D minor works are the ones that Poltéra – together with Kathryn Stott, whose piano parts remain unchanged – offers on this disc. The two sonatas are separated by the movements that the two composers contributed to the collaborative ‘F-A-E Sonata’ – Schumann’s Intermezzo and Brahms’s Scherzo, and Poltéra and Stott close the disc with two songs – by Brahms and by Clara Schumann, the pianist and composer, and Robert’s wife and Brahms’s lifelong friend. © BIS Records
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Vocale muziek (wereldlijk en religieus) - Verschenen op 3 januari 2020 | CPO

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | BIS

Hi-Res Booklet
On this amply filled album, Carl Philipp Emanuel Bach’s Clavierstücke verschiedener Art ("Keyboard Pieces of various Kinds") is presented in its entirety, with the exception of three songs for voice and keyboard. This collection is the most diverse of Bach’s publications and includes multi-movement genres, a free fantasia, a learned fugue, and various short pieces of varying degrees of difficulty. The variety suggests that Bach did not want for his keyboard music to be strictly divided into ‘light’ and ‘serious’ pieces. But he also wished to demonstrate a wide range of techniques of keyboard composition and performance: orchestral writing in the symphony and the concerto, two-part textures in the sonata, polyphony in the fugue, and free and virtuosic composition in the fantasias and solfeggios. In order to bring a similar variety to his recording of the collection, Miklós Spányi has chosen to perform the pieces on a harpsichord built after the Antwerp maker Joannes Daniel Dulcken. To this double-manual harpsichord offering a wide range of possible registrations, Spányi has added a so-called swell device which facilitates quick dynamic changes. This makes it possible to bring out the contrasts between orchestral and soloistic textures in the Concerto in C major, but also to highlight the different characters in the contrasting pairs of Minuets. © BIS Records
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Klassiek - Verschenen op 3 januari 2020 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | Chandos

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | DUX

Hi-Res Booklet
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Kamermuziek - Verschenen op 3 januari 2020 | Toccata Classics

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | Toccata Classics

Hi-Res Booklet
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Kamermuziek - Verschenen op 3 januari 2020 | Centaur Records, Inc.

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Klassiek - Verschenen op 3 januari 2020 | IBS Classical

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | Northern Flowers

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | Resonus Classics

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | Toccata Classics

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | IBS Classical

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | DUX

Hi-Res Booklet
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Klassiek - Verschenen op 3 januari 2020 | New Focus Recordings

Hi-Res Booklet