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4338 albums gesorteerd op Price: from most expensive to least expensive en gefilterd op Symfonische muziek en € 5,00 tot € 10,00
HI-RES€ 14,99
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Balletten - Verschenen op 1 maart 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
In this fascinating recording the legendary Neeme Järvi explores two lesser-known French ballets by Sauguet and Ibert, complemented by the Ballet Suite from Massenet’s opera Hérodiade. Sauguet studied composition with Canteloube and Koechlin. He wrote in a variety of genres, notably for radio and for film, but his ballet scores – more than twenty of them – were central to his output. Les Forains (‘The Showfolk’) was first performed at the Théâtre des Champs-Élysées in March 1945. The cast was led by the work’s brilliant young choreographer, Roland Petit, and conducted by André Cluytens. Sauget’s wide-ranging influences, notably the orchestration of Richard Strauss as well as the works of Satie and les Six, give his work a flowing, openly melodic style that is immediately appealing and full of wit and charm. Following the success of Les Forains, and the formal establishment in October 1945 of Les Ballets des Champs-Élysées, Roland Petit and Boris Kochno devised a number of new ballets for the company. One of these was Ibert’s Les Amours de Jupiter, premiered on 9 March 1946 with a cast led by Petit himself as Jupiter. © Chandos
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Balletten - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Symfonische muziek - Verschenen op 7 februari 2011 | Warner Classics International

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Hi-Res Audio
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Symfonische muziek - Verschenen op 30 augustus 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
This is the eagerly anticipated second volume of Rumon Gamba’s fascinating survey of lesser-known British musical gems. Two works (Cowen’s Rêverie and Hadley’s Kinder Scout) are world premiere recordings, and the entire repertoire is very rarely heard. Dating from 1903 to 1932, these works show the remarkable variety of compositional styles in Britain during that period. Owing to its strong rhythmic elements, Mêlée fantasque pre-echoes Bliss’s later ballet scores. Vaughan Williams’s Harnham Down, inspired by the Wiltshire countryside, is one of many works reflecting the British landscape (along with Goossens’s By the Tarn, Foulds’s April-England, and Hadley’s Kinder Scout). Not every composer’s inspiration was local or nationalistic though: Dorothy Howell’s Lamia, based on the eponymous poem by Keats, retelling Greek myth, caused such a sensation at its premiere at the Proms that it was repeated three days later! Eric Fogg’s Merok is based on a Norwegian folk tune, and named after a village at the head of the Geiranger Fjord. © Chandos
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Symfonische muziek - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet Onderscheidingen Choc de Classica
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Balletten - Verschenen op 2 november 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonieën - Verschenen op 7 september 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
CD€ 9,99

Ouvertures - Verschenen op 18 januari 2019 | CPO

Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 7 december 2018 | CSO Resound

Hi-Res Booklet Onderscheidingen 5 de Diapason
The term "Italian Masterworks" could be confusing; after all, these include overtures, interludes and symphonic and choral excerpts from some of the major works of the transalpine opera scene given to us by Riccardo Muti and the Chicago Symphony Orchestra. Only two arias find their way into the album, taken from Boito's Mefistofele, performed here by Riccardo Zanellato. All the recordings are from a concert in 2017, so they are not, therefore, recycling older things put together without orchestral sound unity. Muti commits himself to making his recording a kind of great lyrical mass, alternating between the orchestra on its own, the choir and the two arias, beginning with the overture of Nabucco and ending with the almost sacred Salve Regina from Mefistofele - in this case with the Chicago Children's Choir which joins the Orchestra's symphonic chorus. Beautiful choice, beautiful sequence, beautiful assembly. © SM/Qobuz
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Symfonische muziek - Verschenen op 9 oktober 2012 | LSO Live

Hi-Res Booklet
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Symfonische muziek - Verschenen op 3 juni 2016 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional Sound Recording - 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 1 januari 2001 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Symfonische muziek - Verschenen op 2 februari 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Record of the Month - Le Choix de France Musique - 5 étoiles de Classica
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Symfonische muziek - Verschenen op 3 juni 2016 | BR-Klassik

Hi-Res Booklet Onderscheidingen Choc de Classica
HI-RES€ 14,49
CD€ 9,99

Symfonische muziek - Verschenen op 2 november 2018 | Halle Concerts Society

Hi-Res Booklet Onderscheidingen 5 de Diapason
HI-RES€ 17,49
CD€ 14,99

Symfonische muziek - Verschenen op 24 april 2015 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen Victoire de la musique - Choc de Classica
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CD€ 9,99

Soundtrack - Verschenen op 6 juli 2018 | Reference Recordings

Hi-Res Booklet
HI-RES€ 14,99
CD€ 9,99

Symfonieën - Verschenen op 5 augustus 2016 | BIS

Hi-Res Booklet Onderscheidingen Gramophone Award - Gramophone Editor's Choice
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CD€ 9,99

Symfonische muziek - Verschenen op 1 februari 2019 | Accentus Music

Hi-Res
HI-RES€ 14,99
CD€ 9,99

Symfonieën - Verschenen op 9 november 2018 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional Sound Recording
What a curious and charming piece of work the First Symphony by Witold Lutosławski is! Written in 1947, it is still borrowing from Stravinski, Bartók, Prokofiev and clearly Roussel, and yet it display the composer's own personal ideas, and his flawless skill in orchestration. But he had not yet made the dodecaphonic style his own, nor the principle of randomness which would be found later in 1961's Jeux vénitiens (Venetian Games). In his case, randomness refers to musicians or groups of musicians having the freedom to play their different parts when they feel like it, or when the conductor gives them a cue. But for sure, this piece's formal framework is still constrained: every performance will shed a different light on it, but it is still the same work. The album finishes with the Fourth Symphony, the composer's last, written between 1988 and 1991, performed in 1993 with Lutosławski himself conducting before his death a few months later. In this work he makes a clear return to his harmonic and melodic ideas, which at times approach Mahler or Bartók, even though the discourse remains decidedly modern. The contrast between the First Symphony, Jeux vénitiens and the Fourth Symphony could not be more spectacular, and it gives a brilliant picture of the evolution of a musical genius who embraced a wide range of influences, constantly adapting them to his own style. © SM/Qobuz