Albums

2460 albums gesorteerd op Date: from newest to oldest en gefilterd op Symfonische muziek en € 5,00 tot € 10,00
€ 9,99

Balletten - Verschijnt op 1 maart 2019 | Albany

Booklet
€ 7,99

Symfonische muziek - Verschenen op 22 februari 2019 | Musical Concepts

Booklet
€ 7,99

Symfonische muziek - Verschenen op 22 februari 2019 | Musical Concepts

Booklet
€ 7,99

Symfonische muziek - Verschenen op 22 februari 2019 | Musical Concepts

Booklet
€ 11,99
€ 8,49

Symfonische muziek - Verschenen op 8 februari 2019 | LSO Live

Hi-Res Booklet
Widely recognized as one of the leading conductors of his generation, LSO Principal Guest Conductor Gianandrea Noseda presents a work of concentrated emotional intensity in the first of a new series exploring Tchaikovsky's final three symphonies. Urgent, supercharged and violent in places, Tchaikovsky's Fourth is said to reflect the turmoil he found himself in while composing: a disastrous marriage, struggles with his sexuality and severe depression. Yet, despite the gloomy outlook, the symphony proves undoubtedly that Tchaikovsky knew how to fill his works with memorable melodies. Known for his mastery of Russian repertoire, for this album Noseda pairs Tchaikovsky with a masterpiece by his fellow countryman, Mussorgsky's Pictures at an Exhibition, performed here in Ravel's iconic orchestration. © LSO Live
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 18 januari 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
Alpha begins a complete cycle of the symphonies by Sibelius alongside some of his symphonic poems with Gothenburg Symphony and its new chief conductor Santtu-Matias Rouvali. In the great tradition of Finnish conductors, Santtu-Matias Rouvali is known for his extremely physical and organic interpretations: ‘Music unmistakeably flows from him’, commented The Sunday Times. This was evident when, at a very young age, he stepped in to conduct a concert with the Finnish Radio Symphony Orchestra which began the journey to his first tenure as Chief Conductor with the Tampere Philharmonic; a meteoric rise to a career working at the highest musical level internationally; and a third post as Principal Guest Conductor of the Philharmonia Orchestra in London. When Bachtrack asked him how he shapes the orchestral sound, he replied: ‘I sing it, I move my hands the way I want it (…) the conductor should be able to show tempo somewhere in the body (…) I was also a drum kit player, so my feet and hands can do different things at the same time. When you read the score, you sing it in your head (…) I think it’s the sense of inside groove that you get from playing percussion which is very important in Sibelius’s music.’ In the Gothenburg Symphony he finds a prestigious cohort of musicians with an impressive discography, and joins a line of their illustrious musical directors, notably Neeme Järvi, the orchestra’s principal conductor from 1982 to 2004, but also Gustavo Dudamel, who is honorary conductor. © Outhere Music
€ 9,99

Balletten - Verschenen op 13 januari 2019 | Imm

€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 4 januari 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 5,99

Symfonische muziek - Verschenen op 27 december 2018 | Les Indispensables de Diapason

Onderscheidingen Diapason d'or
€ 8,99

Symfonische muziek - Verschenen op 21 december 2018 | RTS Radio Télévision Suisse - Evasion Music

€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 13 december 2018 | RevOla

Hi-Res
€ 8,99

Symfonische muziek - Verschenen op 11 december 2018 | ORF SHOP

€ 9,99

Soundtrack - Verschenen op 7 december 2018 | Intense Media GmbH

€ 9,99

Soundtrack - Verschenen op 7 december 2018 | Intense Media GmbH

€ 8,99

Balletten - Verschenen op 7 december 2018 | Navis Musik

€ 9,99

Balletten - Verschenen op 30 november 2018 | Onyx Classics

Booklet
It was an excellent idea to bring together the Suite from Rimski-Korsakov's Golden Cockeral with the complete ballet The Firebird by Stravinsky on one single album. We specify "complete ballet" because he often records one of the three suites that were later established for the concert hall rather than for the ballet. The idea is brilliant in that it highlights the heavy influence of Rimsky-Korsakov on the young Stravinsky, whose Firebird logically pursues the magical orchestral sounds developed by Rimsky-Korsakov. Not to mention that The Golden Cockeral> precedes The Firebird only by one year, 1909 for the first, 1910 for the latter. And suddenly, the old master appears in all his mind-blowing modernity! The Royal Liverpool Philharmonic is here under the precise and sharp direction of Vasily Petrenko, who underlines all the subtleties of both scores. © SM/Qobuz
€ 5,99

Symfonische muziek - Verschenen op 30 november 2018 | La Bambolina sas

€ 5,99

Symfonische muziek - Verschenen op 16 november 2018 | XXI Music

€ 14,49

Symfonieën - Verschenen op 16 november 2018 | RCA Victor

Onderscheidingen The Qobuz Ideal Discography
This is an absolute MUST LISTEN. One of André Previn’s greatest recordings captured in the 1960s in London – truly a golden era for the American conductor! Here, the London Symphony Orchestra, galvanised and operating in the very heart of its repertoire, is at its most beautiful: the brass section is electric (listen to the Scherzo!), the woodwinds are poetic and the strings unrelenting in their rhythmicity... What sets this recording apart from any other are the very fast tempos, always kept within bounds by André Previn, that help unveil Walton’s great architectural sense in the most unique way – check out the magnificent coda of the initial Allegro assai; throughout this interpretation, Sibelius and Hindemith influences progressively fade away in favour of a truly distinctive orchestration and management of musical time that make this score what it really is: a real oddity in the British musical landscape of the 1930s. André Previn’s performance on the 26th and 27th of August 1966 – he went on to create a new version with the RPO for Telarc − is all the more striking when we consider that around the same time, with the same musicians, he was working on the complete symphonies of Ralph Vaughan Williams which lack in poetry, most probably suffering from the type of analytical frankness that actually exalts Walton’s Symphony No.1. A few years later, he also recorded Walton’s Symphony No.2 for EMI, again with the LSO. This can be enjoyed with wonderful sound recording by the Decca team, conducted here by James Lock. © Pierre-Yves Lascar