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Concerten voor blaasinstrumenten - Verschenen op 20 november 2015 | naïve classique

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
At the dawn of the 20th century, Naive music label decided to uncover and release some 450 of Vivaldi's works held at the National University Library of Turin - many of which had hardly had the honour of being recorded. This amazing collection is a personal library handwritten by Vivaldi, and is the largest collection of scores that belonged to the eighteenth century composer to have survived to the present day. The thirty-nine bassoon concertos by Vivaldi constitute the largest collection of works devoted to this noble instrument. Clearly, the creativity of Vivaldi was greatly boosted by the phenomenal flexibility and nostalgic sound of the bassoon, which is still remarkable in the way it can "imitate" the human voice. It should also be emphasized that Vivaldi, a violinist, was always very attracted to the instruments with deep range. So much so that apart from the considerable number of works he dedicated to his own instrument, it is for bassoon and cello that he composed the greatest number of works. It is Italian bassoonist Sergio Azzolini who offers these six concertos, the fourth component of an box set published by Naive. The richness and invention of Vivaldi makes for an exhilirating listening experience from start to finish. © SM / Q
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CD€ 12,49

Concerten voor viool - Verschenen op 15 oktober 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 4 étoiles Classica
1720: in his famous pamphlet entitled ‘Fashionable Theatre’, the composer Marcello ironized the excesses of the new Venetian opera. This landmark pamphlet was published anonymously as Benedetto Marcello, under the fictional editorship of ‘Aldaviva Licante’ - undoubtedly an anagram of A. Vivaldi – ridiculing the operatic world of the time. It took on singers puffed up with pride, uneducated librettists, composers seeking dramatic effects, in short, everything that the musical world then thought about as original, unusual, new, experimental, shocking, weird, baroque, and, in a word, Italian! Vivaldi was one of Marcello’s favourite targets, continually lampooning the Red Priest and his virtuoso violin escapades. It is precisely these escapades that the violinist Amandine Beyer and the Gli Incogniti ensemble have chosen for their rich repertoire: detuned violin concertos (in the manner of Scordatura), violin ‘in tromba’, that is to say violin in a tone that betrays a scraped sound, not to mention more singular works in which Vivaldi leaves the soloist a freedom that gives real heart to the joy of improvisation. This is what really marks out Amandine Beyer, who performs in accordance with the habits of the composer, giving a clear, historical picture of her treatment of the ornaments. So, for the almost implausible Circus Maximus track, it is as if you were actually there, attending the Carnival of the year 1720! © SM/Qobuz