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Concerten voor cello - Verschenen op 4 oktober 2019 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason
Christophe Coin continues his complete collection of the Vivaldi cello concertos. There are some  pieces on this new album which show the cello to be more of an ensemble instrument than a solo one. Working from the premise that the cello’s vocal-like tone was Vivaldi’s favourite thing about the instrument, Christophe Coin’s rendition puts this voice at the forefront of this score. Using a smaller, five-stringed cello which he plays upright on a small wooden table to increase its volume and resonance, as seen in some paintings, the cellist underlines how attentive Vivaldi was to vary his simple and repetitive lyricism using simple techniques that still manage to move both the artist and the audience: “A taught dissonance, a well-placed ornament, a well-chosen interval, just quick moments, he emphasises, bring excitement to the routine of our lives.” The Onda Armonica play in a rich continuo with three instruments used either simultaneously or alternately: the organ, the harpsichord and the theorbo, as well as a mandolin (an instrument Vivaldi also engaged with a lot) to liven up the Concerto in C major, RV 400. © François Hudry/Qobuz
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Concertmuziek - Verschenen op 1 januari 2001 | Delos

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Concerten voor viool - Verschenen op 21 april 2017 | Orchid Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Concertmuziek - Verschenen op 4 november 2014 | Da Capo

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Concertmuziek - Verschenen op 20 mei 2016 | Musique en Wallonie

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Concertmuziek - Verschenen op 1 januari 2001 | Delos

Hi-Res Onderscheidingen Recommandé par Classica
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Concerten voor cello - Verschenen op 28 april 2017 | Musique en Wallonie

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Concertmuziek - Verschenen op 16 februari 2009 | OUR Recordings

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Concertmuziek - Verschenen op 1 januari 2002 | Delos

Hi-Res Onderscheidingen Recommandé par Classica
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Concertmuziek - Verschenen op 27 januari 2017 | Ad Vitam records

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Concertmuziek - Verschenen op 7 april 2015 | Ad Vitam records

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Concertmuziek - Verschijnt op 1 mei 2020 | Claves Records

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Concertmuziek - Verschenen op 22 maart 2019 | Alpha

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With their poetry, their passionate and intimate lyricism, their refined style that gradually reveals hidden depths, the thirteen Nocturnes of Gabriel Fauré are the most significant group of works in his oeuvre for solo piano. Composed over a period of forty-six years (between 1875 and 1821), they bear witness to the composer’s remarkable stylistic evolution. From a form of expression rooted in romanticism, to an aesthetic fully aligned with 20th-century modernity, Fauré can be said to have shaped his musical personality like a sculptor. His Nocturnes are not all of equal importance, but as a whole their diversity and development offer a perfect panorama of his art. Éric Le Sage, one of the French piano school’s main representatives, whose many recordings for Alpha include the complete chamber music of Fauré, here interprets the repertoire closest to his heart. © Alpha Classics
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Concertmuziek - Verschenen op 13 september 2019 | Alpha

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After releasing two recordings – the first devoted to Chopin and the second to Ravel and Scriabin – and winning First Prize at the Géza Anda Competition in 2015, which gave his career a powerful momentum, the young American pianist Andrew Tyson has conceived a new tailor-made programme of music by Domenico Scarlatti, Schubert, Mompou and Albéniz. His programme focuses on landscapes, starting out from Federico Mompou’s piece of that name (Paisajes) and taking us on a journey elsewhere in Spain (Sonatas by Domenico Scarlatti, Book I of Iberia by Isaac Albéniz) and the Austrian countryside (where Franz Schubert composed the Sonata in A Major D. 664). © Alpha Classics
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Concertmuziek - Verschenen op 11 september 1971 | VDE-GALLO

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Concertmuziek - Verschenen op 18 maart 1975 | VDE-GALLO

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Concerten voor klavier - Verschenen op 5 februari 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Concertmuziek - Verschenen op 23 februari 2018 | Alpha

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The piano duo formed by Arthur Gold (1917–90) and Robert Fizdale (1920–95) enjoyed immense fame in the post-war years. Poulenc wrote a piece for them, as did Darius Milhaud, Samuel Barber, Luciano Berio and John Cage. They recorded with Leonard Bernstein. Nicknamed "The Boys", they played all over the world and were praised for their ‘seamless perfection and an inimitable "joie de vivre" (New York Times). The Boys were also famed for their bestselling books and television programmes on cooking, their other passion! Duo Jatekok (játékok ="games" in Hungarian) was formed in 2007. Like The Boys and unlike most current piano duos, Adélaïde Panaget and Naïri Badal are not siblings, but childhood friends. "They have everything going for them: dynamic rigour and expressive energy, exuberant keyboard skills and multilingual touch, and more than anything else, a sort of jubilatory osmosis", wrote Le Monde. For this first recording on Alpha, they have decided to pay tribute to "The Boys" with a programme of works written for them, Poulenc’s Sonata for two pianos and Élégie and a composition by a legend of jazz, the American pianist Dave Brubeck, Points of Jazz. Duo Jatekok also wanted to include music by one of their contemporaries: Baptiste Trotignon’s Trois Pièces (including one dedicated to Poulenc!) complete the programme. © Alpha Classics
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Concerten voor klavier - Verschenen op 12 april 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Chopin’s Piano Concertos are works of a twenty-year old composer and ambitious soloist. Powerful and challenging, their romantic dimension also carries sensitive effusions. This duality is highlighted here by an interpretation on period instruments in a chamber version. Choices that are as many clues to recognize the musicians from the Cambini-Paris Quartet and their accomplices: Pianist David Lively and Double bassist Thomas de Pierrefeu. Direct heir to Chopin’s piano teaching legacy, David Lively chose a vintage Érard piano to record both Concertos. Accompanied by a string quintet, he revives the tradition of the genre: before being performed in big concert halls, composers and pianists like Chopin played their latest scores in music lovers’ salons. The broad ambitus covered by the strings and the richness of the sound of the pianoforte respect the symphonic dimension of those two pieces. A musical quest for fidelity and authenticity to music and musicians, and a gift for the listeners! © Aparté
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Concerten voor viool - Verschenen op 24 augustus 2018 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
Chouchane Siranossian is a rising star of the baroque and classical violin, Jakob Lehmann a virtuoso violinist and orchestral director who frequently conducts Anima Eterna. Together, they embody what the Bruges orchestra and its founder, Jos van Immerseel, have decided to call the ‘Next Generation Anima Eterna’... Today they are presenting Mendelssohn’s Violin Concerto in its original version. “We wanted to take a look into Mendelssohn’s workshop. He struggled with his self-diagnosed ‘revision disease’ and always strove to work hard on himself and his creations” says Jakob Lehmann. Chouchane Siranossian keeps on : “It was a fascinating experience for me to discover historical research and its implementation on period instruments in collaboration with Anima Eterna Brugge. In my interpretation, I used exclusively the fingerings, bowings and other performance markings of Ferdinand David and Joseph Joachim, both of whom rehearsed the work with the composer.” This recording is rounded off with the Octet, also in its original version, which is longer and has many alterations in instrumentation, harmony and articulation... © Alpha Classics