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Klassiek - Verschenen op 23 augustus 2019 | Alpha

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Klassiek - Verschenen op 5 april 2019 | Alia Vox

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Johann Sebastian Bach’s Saint Mark Passion is part of the catalogue compiled by his son Carl Philip Emanuel. The piece was performed on March 23, 1731 in Saint-Thomas of Leipzig, two years after Saint Matthew. Though the performance is well-documented, the music has completely disappeared, with only a libretto by Picander from 1744 remaining. It is therefore the interpreter’s task to recreate the piece, using older compositions. This is what Jordi Savall managed to do in the “pasticcio” manner used by Bach himself when he composed such masterpieces as Christmas Oratorio de Noël and Mass in B Minor.The process is tricky because even though it relies on a precise musicological study, the result remains just a hypothesis. This recording is not the first attempt, and others have tried before with varying efficiency and authenticity. What we know for sure is that Bach wanted his Saint Mark to sound different, with less choir and more choral, which was familiar to the audience.In his work, Jordi Savall used the 1744 libretto. He found inspiration in Funeral Ode, Saint John’s Passion, and Matthew, as well as in a few cantatas. Jordi Savall offers a new light and an original “recomposition” of the piece. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 12 april 2019 | Naxos

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Kamermuziek - Verschenen op 13 september 2019 | Naxos

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Written during Peter Racine Fricker’s tenure as professor of music at the University of California Santa Barbara campus, the Serenade No. 5, Op. 81, for violin and cello was written in 1980 and juxtaposes disquietingly atmospheric harmonies with an appealingly modern expression. © Naxos
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Klassiek - Verschenen op 22 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 17 mei 2019 | Glossa

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In the course of his illustrious career, Fabio Biondi has nurtured a remarkable empathy with Italian music from across many centuries, but strikingly so with the early Baroque violin sonata repertory, the development of which was dramatically propelled into the future by Arcangelo Corelli with his Op 5 collection. It is this empathy possessed by Biondi which has inspired the Accademia Nazionale di Santa Cecilia in Rome (from its bowed instrument collection) to make him a loan of the precious 1690 “Tuscan” violin made by Antonio Stradivari, for this Glossa recording. Another skill possessed by Biondi is his deft assemblage of programmes, whether for concert or for recordings, and this new release of early eighteenthcentury violin works touches on the impact that Corelli’s music had on music-making in Dresden, Venice, Padua, London and Amsterdam, to name just a few of the destinations affected as the fame of “Arcangelo Bolognese” fanned out from Rome across Europe. With a continuo team from his Europa Galante ensemble (Antonio Fantinuoli, cello, Giangiacomo Pinardi, theorbo and Paola Poncet, harpsichord), Biondi plays sonatas by Vivaldi, Corelli, Geminiani, Tartini and Locatelli, and a Ciaccona by Veracini. Recorded in Rome, on an instrument which was originally made for the Florentine court of Ferdinando de’ Medici (and which, over time, has survived all manner of vicissitudes on its journey to Rome!), Fabio Biondi expertly captures the flavour of the eighteenth-century violin sonata. © Glossa
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Wereldlijke vocale muziek - Verschenen op 1 maart 2019 | Da Capo

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 18 oktober 2019 | Indésens

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Klassiek - Verschenen op 24 mei 2019 | Ambronay Éditions

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Klassiek - Verschenen op 15 maart 2019 | NMC Recordings

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Klassiek - Verschenen op 22 maart 2019 | Berlin Classics

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Klassiek - Verschenen op 19 juli 2019 | Berlin Classics

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Klassiek - Verschenen op 24 mei 2019 | Omega Classics Digital

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Kamermuziek - Verschenen op 15 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Concerten voor klavier - Verschenen op 12 april 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Chopin’s Piano Concertos are works of a twenty-year old composer and ambitious soloist. Powerful and challenging, their romantic dimension also carries sensitive effusions. This duality is highlighted here by an interpretation on period instruments in a chamber version. Choices that are as many clues to recognize the musicians from the Cambini-Paris Quartet and their accomplices: Pianist David Lively and Double bassist Thomas de Pierrefeu. Direct heir to Chopin’s piano teaching legacy, David Lively chose a vintage Érard piano to record both Concertos. Accompanied by a string quintet, he revives the tradition of the genre: before being performed in big concert halls, composers and pianists like Chopin played their latest scores in music lovers’ salons. The broad ambitus covered by the strings and the richness of the sound of the pianoforte respect the symphonic dimension of those two pieces. A musical quest for fidelity and authenticity to music and musicians, and a gift for the listeners! © Aparté
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Klassiek - Verschenen op 1 februari 2019 | Mirare

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Klassiek - Verschenen op 22 februari 2019 | Brilliant Classics

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Klassiek - Verschenen op 30 augustus 2019 | Brilliant Classics

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Symfonische muziek - Verschenen op 25 oktober 2019 | Berlin Classics

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Klassiek - Verschenen op 8 november 2019 | Berlin Classics

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