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Kamermuziek - Verschenen op 22 april 2013 | Aparté

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Piano solo - Verschenen op 20 april 2015 | Aparté

Hi-Res Booklet Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 1 juli 2013 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional Sound Recording - Hi-Res Audio
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Kamermuziek - Verschenen op 9 februari 2018 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason
The cellist Pieter Wispelwey and the pianist Paulo Giacometti have decided to record six albums comprising the complete works for duet of Brahms and Schubert. In other words, the pieces written for an instrument and piano. The instrument in question could be the cello, or the violin, the viola, etc. Because can a virtuoso cellist really resist the temptation to dip their toes into other repertoires than their own? After all, we know full well that the composers themselves wouldn't hesitate to transcribe, or authorise a transcription, of their own work for other instruments. And so here is the fourth volume of this collection, which hinges on Brahms's Sonate Op. 78, which was first written for violin in G major, here transcribed into D major by Paul Klengel in 1897; as well as the First Sonata, originally for clarinet Op. 120, by the very same Brahms. Of the latter work, we know that the composer himself transcribed it for the viola, and this transcription formed the basis for Pieter Wispelwey's own re-reading - very close to the viola part, within which he has simply transposed certain uncomfortably high passages down an octave. By way of overture we have Schubert's Rondo in B minor (1826), written for violin and piano, here brought down an octave (or two) for cello, although the change doesn't make any difference at all to the harmonic perception. © SM/Qobuz
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Kamermuziek - Verschenen op 15 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 22 september 2014 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Exceptional Sound Recording
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Klassiek - Verschenen op 9 november 2006 | Eloquentia

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Klassiek - Verschenen op 6 juni 2015 | Queen Elisabeth Competition

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Klassiek - Verschenen op 6 juni 2015 | Queen Elisabeth Competition

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Klassiek - Verschenen op 4 januari 2019 | Alpha

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Alpha and the Festival of Aix-en-Provence continue their Young Talents series, in which Laureates of the Académie of the Aix Festival are each accorded an album. The American baritone John Chest enjoys a brilliant career that has already led him to Glyndebourne Festival and the BBC Proms. In partnership with the Brazilian pianist Marcelo Amaral, he presents Die schöne Magelone by Johannes Brahms. Among all the wealth of Lieder that Brahms composed, this is his only real song cycle. Brahms had known these popular tales since his childhood, but it was thanks to Schumann that he discovered the novel published in 1797 by Ludwig Tieck, entitled "The Love Story of the Fair Magelone and Count Peter of Provence". The work is representative of the poetic, idealised reinvention of the Middle Ages so characteristic of German romanticism: stories of star-crossed love, that usually end happily… ‘What strikes the listener most of all is the song cycle’s epic scale – it is a veritable pocket opera, supported by pianistic writing of great complexity,’ writes Timothée Picard in the libretto accompanying this disc – which is illustrated by an original design by Maia Flore, a laurate photographer of the HSBC Foundation: her poetic universe has already featured in the preceding number of the series, "Black is the colour" (debut album of Anna Stéphany). © Alpha Classics/Outhere
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Missen, passies, requiems - Verschenen op 4 januari 2019 | Glossa

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Johannes Brahms’ consolatory Ein deutsches Requiem receives a fresh and considered interpretation from Daniel Reuss and the Orchestra of the Eighteenth Century. This renowned orchestra took the decision – following the death, some years back, of Frans Brüggen – to retain its founder’s dynamic process of alternating concert tours with recordings. And dispensing with the need for having a principal conductor, the orchestra now works with a range of musicians according to the repertoire being performed. Such a conductor is Daniel Reuss, who is also the artistic director of the Cappella Amsterdam, the choir which has frequently been appearing alongside the orchestra in recent times. A well-received reading of the Beethoven Missa Solemnis involving Reuss and the orchestra was issued by Glossa in 2017 and these musical forces have now turned their attention to Johannes Brahms’ pillar of religious music. Taped in the Rotterdam De Doelen concert hall this new recording involves Carolyn Sampson (soprano) and André Morsch (baritone) as its two soloists, in a version which attempts, as far as it is possible, to get close – in terms of tonal colours, interpretation and tempi – to Brahms’ original intentions. This extraordinary work, here maintaining a sweeping and moving spirit for some 70 minutes, contains texts from Martin Luther’s German translation of the Bible and, it is thought, was inspired by the loss of both the composer’s mother and also that of Robert Schumann. © Glossa
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Kamermuziek - Verschenen op 27 november 2015 | EPR-Classic

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Second in a collection of six volumes devoted to Schubert and Brahms duets for cello and piano. The shrewdest on qobuz have already raised an eyebrow at the output of the first volume now know that between the two composers, there’s really only 2 Sonatas by Brahms and the sole Sonata Arpeggione by Schubert. Never mind, cellist Pieter Wispelwey and his regular accompanying pianist Paolo Giacometti have decided to do what has always been done, and consult the transcripts. Suddenly, we find ourselves at the head of several Schubertian fantasies, brought to life by the combined efforts of the duo, as well the Brahms sonatas for clarinet or viola, and some others derived from the flute-piano duet. The volume of the second program includes the First Sonata by Brahms and very virtuoso series of variations of Schubert originally designed for the flute. © SM / Qobuz
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Klassiek - Verschenen op 4 november 2016 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 20 april 2015 | EPR-Classic

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Klassiek - Verschenen op 3 maart 2015 | OnClassical

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Klassiek - Verschenen op 19 oktober 2004 | Analekta

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Klassiek - Verschenen op 5 oktober 2015 | EPR-Classic

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Klassiek - Verschenen op 28 oktober 2016 | Yarlung Records

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Klassiek - Verschenen op 30 september 2014 | Claves Records

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 3 februari 2015 | OnClassical

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