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Klassiek - Verschenen op 6 december 2019 | OnClassical

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Klassiek - Verschenen op 15 november 2019 | OnClassical

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Concertmuziek - Verschenen op 13 september 2019 | Alpha

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After releasing two recordings – the first devoted to Chopin and the second to Ravel and Scriabin – and winning First Prize at the Géza Anda Competition in 2015, which gave his career a powerful momentum, the young American pianist Andrew Tyson has conceived a new tailor-made programme of music by Domenico Scarlatti, Schubert, Mompou and Albéniz. His programme focuses on landscapes, starting out from Federico Mompou’s piece of that name (Paisajes) and taking us on a journey elsewhere in Spain (Sonatas by Domenico Scarlatti, Book I of Iberia by Isaac Albéniz) and the Austrian countryside (where Franz Schubert composed the Sonata in A Major D. 664). © Alpha Classics
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Kamermuziek - Verschenen op 1 juni 2019 | Cypres

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Klassiek - Verschenen op 24 mei 2019 | B Records

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This autumn, intermingled melodies could be heard under the round arches of Noirlac Abbey, amongst which the strains of both Schubert’s “Trout” and Ellington’s famous “Take the ‘A’ Train” were recognisable. Karen Vourc’h, Thomas Savy, Louis Rodde and Guillaume de Chassy enjoyed navigating between the waters of the Lied and the Jazz Standard to produce this outstanding project connecting two geniuses of melody with intelligent arrangements and improvisational extravagance. © B Records
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Klassiek - Verschenen op 24 mei 2019 | OnClassical

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Klassiek - Verschenen op 1 februari 2019 | SPEKTRAL

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Kamermuziek - Verschenen op 6 juli 2018 | Aevea Classics

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Kamermuziek - Verschenen op 9 februari 2018 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason
The cellist Pieter Wispelwey and the pianist Paulo Giacometti have decided to record six albums comprising the complete works for duet of Brahms and Schubert. In other words, the pieces written for an instrument and piano. The instrument in question could be the cello, or the violin, the viola, etc. Because can a virtuoso cellist really resist the temptation to dip their toes into other repertoires than their own? After all, we know full well that the composers themselves wouldn't hesitate to transcribe, or authorise a transcription, of their own work for other instruments. And so here is the fourth volume of this collection, which hinges on Brahms's Sonate Op. 78, which was first written for violin in G major, here transcribed into D major by Paul Klengel in 1897; as well as the First Sonata, originally for clarinet Op. 120, by the very same Brahms. Of the latter work, we know that the composer himself transcribed it for the viola, and this transcription formed the basis for Pieter Wispelwey's own re-reading - very close to the viola part, within which he has simply transposed certain uncomfortably high passages down an octave. By way of overture we have Schubert's Rondo in B minor (1826), written for violin and piano, here brought down an octave (or two) for cello, although the change doesn't make any difference at all to the harmonic perception. © SM/Qobuz
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Klassiek - Verschenen op 2 februari 2018 | Solo Musica

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Klassiek - Verschenen op 2 februari 2018 | Alba

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Duo´s - Verschenen op 22 september 2017 | harmonia mundi

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Klassiek - Verschenen op 23 juni 2017 | Leaf Music

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Klassiek - Verschenen op 17 maart 2017 | Navona

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Klassiek - Verschenen op 9 november 2006 | Eloquentia

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Klassiek - Verschenen op 4 november 2016 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 8 april 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 4 maart 2016 | Gramola Records

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Klassiek - Verschenen op 21 december 2015 | COBRA RECORDS

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Kamermuziek - Verschenen op 27 november 2015 | EPR-Classic

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Second in a collection of six volumes devoted to Schubert and Brahms duets for cello and piano. The shrewdest on qobuz have already raised an eyebrow at the output of the first volume now know that between the two composers, there’s really only 2 Sonatas by Brahms and the sole Sonata Arpeggione by Schubert. Never mind, cellist Pieter Wispelwey and his regular accompanying pianist Paolo Giacometti have decided to do what has always been done, and consult the transcripts. Suddenly, we find ourselves at the head of several Schubertian fantasies, brought to life by the combined efforts of the duo, as well the Brahms sonatas for clarinet or viola, and some others derived from the flute-piano duet. The volume of the second program includes the First Sonata by Brahms and very virtuoso series of variations of Schubert originally designed for the flute. © SM / Qobuz