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Klassiek - Verschenen op 15 november 2015 | L'Encelade

Hi-Res Booklet
CD€ 6,49

Klassiek - Verschenen op 9 september 2016 | harmonia mundi

Booklet
HI-RES€ 16,49
CD€ 10,99

Klassiek - Verschenen op 2 oktober 2015 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
HI-RES€ 16,49
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Klassiek - Verschenen op 23 april 2013 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
HI-RES€ 16,49
CD€ 10,99

Klassiek - Verschenen op 12 maart 2013 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
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CD€ 9,99

Klassiek - Verschenen op 24 mei 2019 | Ambronay Éditions

Hi-Res Booklet
HI-RES€ 10,49€ 14,99(30%)
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Klassiek - Verschenen op 10 juni 2016 | Da Capo

Hi-Res Booklet
HI-RES€ 10,49€ 14,99(30%)
CD€ 6,99€ 9,99(30%)

Klassiek - Verschenen op 5 november 2013 | Da Capo

Hi-Res Booklet Onderscheidingen Hi-Res Audio
HI-RES€ 10,49€ 14,99(30%)
CD€ 6,99€ 9,99(30%)

Klassiek - Verschenen op 14 oktober 2016 | Da Capo

Hi-Res Booklet
HI-RES€ 10,49€ 14,99(30%)
CD€ 6,99€ 9,99(30%)

Klassiek - Verschenen op 1 april 2014 | Da Capo

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Wereldlijke vocale muziek - Verschenen op 31 mei 2017 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
The Carnival of Venice in 1729 was quite unlike any other. Over a period of two months, opera houses went into a frenzy of competition to show off the most famous singers of the day, including the legendary castrato Farinelli who made his astonishing Venetian debut. Several of the most fashionable composers rose to the occasion, writing ravishing music for spectacular productions which often pitted the singers against each other in breathtaking displays of virtuosity. The results were sensational; one tour de force followed another in an atmosphere of fevered excitement and the adoring public lapped it up. The carnival opened with a star-studded cast in Leonardo Leo’s tragedy Cantone in Utica from which the dazzling aria Soffre talor del vento and the more gentle Ombra adorata are taken. Farinelli triumphed in Nicolo Porpora’s opera Semiramide, the perfect vehicle for his extraordinary technique. By contrast Adelaide by Giuseppe Maria Orlandini, another premiere, contains show-stopping displays for Farinelli’s arch rival Faustina Bordoni. And Germiano Giacomelli’s elegant opera Gianguir contains the achingly beautiful aria Mi par sentir la bella. Most of these rediscovered works are recorded here for the first time. (c) Pentatone
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Klassiek - Verschenen op 29 april 2013 | Alia Vox

Booklet
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CD€ 10,99

Missen, passies, requiems - Verschenen op 25 mei 2018 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice
In the 17th century, Roman churches were competing to put on the greatest show to celebrate their patron saints. On these occasions, extraordinary services were performed, where many different artists would be brought together, singers and instrumentalists alike, alongside ordinary musicians, for sumptuous pieces performed by several vocal and instrumental choirs. One contemporary description gives an idea of the scale: ten choirs and ensembles played together, two on fixed stages, and eight others distributed symmetrically right along the nave, on platforms built for the occasion. Every additional stage was provided with a positive organ, while many other instruments added to the sonic splendour. So that all the musicians could play well together in spite of the distance, "capi di coro” or time-keeping drummers, would play in unison. Orazio Benevolo (1605-1672) was one of the most remarkable architects of these extravagant, multi-choral monuments. Benevolo was a choirboy at the Church of St. Louis of the French in Rome before he entered the upper echelons by taking the job of Chapel Master in 1638. The composer has left behind him an abundant set of works, containing no fewer than 34 motets for a range of players, including Regna terrae, written for twelve soprano parts distributed across six vocal choirs, each with its own basso continuo. We are also indebted to him for twelve versions of the Magnificat, for between eight and 24 voices, including one for 16 voices, in quadruple choir, which appears here. Hervé Niquet and his Concert Spirituel have made use of the ample acoustics in the Notre-Dame-du-Liban church in Paris, perfectly structured to hold several choirs distributed across the building, to create the sensations of immersion and spatial plenitude that the composer aimed for. © SM/Qobuz
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Religieuze vocale muziek - Verschenen op 6 december 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
HI-RES€ 15,99
CD€ 11,49

Religieuze vocale muziek - Verschenen op 12 oktober 2010 | harmonia mundi

Hi-Res Onderscheidingen Diapason d'or - Choc de Classica - Exceptional Sound Recording - Hi-Res Audio
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CD€ 11,49

Klassiek - Verschenen op 13 september 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
HI-RES€ 10,79
CD€ 8,09

Klassiek - Verschenen op 1 augustus 2016 | Brilliant Classics

Hi-Res Booklet
HI-RES€ 10,79
CD€ 8,09

Vocale muziek (wereldlijk en religieus) - Verschenen op 10 januari 2020 | Berlin Classics

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HI-RES€ 10,79
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Klassiek - Verschenen op 29 maart 2019 | Brilliant Classics

Hi-Res Booklet
HI-RES€ 10,79
CD€ 8,09

Klassiek - Verschenen op 31 januari 2020 | Brilliant Classics

Hi-Res Booklet