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Klassiek - Verschenen op 2 oktober 2015 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 23 april 2013 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
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Klassiek - Verschenen op 12 maart 2013 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
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Klassiek - Verschenen op 15 november 2015 | Fonè Records

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Klassiek - Verschenen op 29 april 2013 | Alia Vox

Booklet
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Klassiek - Verschenen op 31 januari 2020 | Brilliant Classics

Hi-Res Booklet
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Kamermuziek - Verschenen op 3 september 2015 | harmonia mundi

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Klassiek - Verschenen op 9 maart 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
The Tenebræ responsories come from an immense collection of polyphonic music for Holy Week, the Officium Hebdomadæ Sanctæ, published by Victoria in 1585, which brings together several pieces written during the twenty years he spent in Rome. The responsories, brought together here, form part of a much longer Tenebræ, which essentially combined the monastic Hours of matins and lauds, for each of the final three days of the Holy Week. One of the characteristic traits of this service consists in the progressive extinguishing of fifteen votive candles until the church is finally plunged into the darkness from which the ceremony draws its name. The responsory is one part of a much broader liturgy, which was for the most part sung in plainsong. The musical richness of Victoria's polyphonic compositions made a striking contrast to this liturgy. Such an effect is harder to effect in concert, or even on a recording, where we are outside the liturgical context: here, we have uninterrupted polyphony. While the music is very varied, the uninterrupted use of the same mode and the same textures in three or four pieces throughout these 18 Responsories could, at times, give the impression that one is listening to a single piece. To counteract that impression, here and there the Stile Antico vocal ensemble has introduced extracts from readings of the Lamentations, sung in plainsong at the end of each Responsory. And so the contrast is restored. The programme closes with the luminous and oh-so-soothing six-voice motet for Holy Week O Domine Jesu Christi, again published in Rome in 1576. © SM/Qobuz
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Klassiek - Verschenen op 5 mei 2014 | Alia Vox

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 29 juni 1978 | VDE-GALLO

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Klassiek - Verschenen op 20 april 2015 | Eloquentia

Hi-Res Booklet
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Klassiek - Verschenen op 28 februari 2014 | Warner Classics International

Hi-Res Booklet + Video Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 11 mei 2018 | Alia Vox

Hi-Res Booklet
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Kamermuziek - Verschenen op 23 februari 2018 | Yarlung Records

Hi-Res Booklet
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Klassiek - Verschenen op 15 september 2019 | Passacaille

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 23 juni 2017 | Ricercar

Hi-Res Booklet
If Johannes Tinctoris (1435-1511) is today widely recognised as one of the most renowned music theorists of his time, he was also a perceptive observer of the musical practices of the Renaissance. After studying in Orléans, he held several positions in Cambrai, Liège and finally Naples. Here his gifts as a composer could flourish at the court of King Ferrante of Aragon as a chaplain, legal advisor and music tutor of Ferrante’s daughter Beatrice. This programme retraces his career through his extremely varied output: French and Italian songs, Mass movements, and instrumental pieces. © Arcana/Outhere
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Klassiek - Verschenen op 25 september 2012 | Ramée

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 11 september 2012 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 27 oktober 2015 | ANIMA E CORPO

Hi-Res Booklet
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Wereldlijke vocale muziek - Verschenen op 24 maart 2015 | Zig-Zag Territoires

Hi-Res Booklet