Categories :

Albums

HI-RES€ 8,99
CD€ 5,99

Klassiek - Verschenen op 23 augustus 2019 | Alpha

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 15 april 2016 | Aparté

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 8,49
CD€ 5,99

Klassiek - Verschenen op 5 april 2019 | Alia Vox

Hi-Res Booklet
Johann Sebastian Bach’s Saint Mark Passion is part of the catalogue compiled by his son Carl Philip Emanuel. The piece was performed on March 23, 1731 in Saint-Thomas of Leipzig, two years after Saint Matthew. Though the performance is well-documented, the music has completely disappeared, with only a libretto by Picander from 1744 remaining. It is therefore the interpreter’s task to recreate the piece, using older compositions. This is what Jordi Savall managed to do in the “pasticcio” manner used by Bach himself when he composed such masterpieces as Christmas Oratorio de Noël and Mass in B Minor.The process is tricky because even though it relies on a precise musicological study, the result remains just a hypothesis. This recording is not the first attempt, and others have tried before with varying efficiency and authenticity. What we know for sure is that Bach wanted his Saint Mark to sound different, with less choir and more choral, which was familiar to the audience.In his work, Jordi Savall used the 1744 libretto. He found inspiration in Funeral Ode, Saint John’s Passion, and Matthew, as well as in a few cantatas. Jordi Savall offers a new light and an original “recomposition” of the piece. © François Hudry/Qobuz
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 8 april 2014 | Alpha

Hi-Res Booklet Onderscheidingen Hi-Res Audio
HI-RES€ 16,49
CD€ 10,99

Klassiek - Verschenen op 7 februari 2012 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Hi-Res Audio
HI-RES€ 16,49
CD€ 10,99

Concertmuziek - Verschenen op 6 januari 2011 | Alpha

Hi-Res Booklets Onderscheidingen Diapason d'or de l'année - Diapason d'or
HI-RES€ 16,49
CD€ 10,99

Concertmuziek - Verschenen op 13 oktober 2011 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or
HI-RES€ 15,99
CD€ 11,49

Duo´s - Verschenen op 26 januari 2018 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama
The Hantaï brothers – Marc on traverso and Pierre on the harpsichord – give us here everything Bach “really” composed for flute and harpsichord, as some possible falsely attributed works are not featured here. Compared to the violin – which counts six sonatas and partitas for solo violin and six sonatas for violin and obbligato harpsichord – the transverse flute may look like the forgotten sibling in the Kantor’s works. But at the time the transverse flute was still a very recent instrument, that had just come (back) from France (where it was called the “German flute”) and Bach only started using it in his cantatas around 1721-1722, and therefore only had a very limited dedicated repertoire. These four sonatas are anything but a collection. Two are missing to reach the sacred number of six. Furthermore, they were composed over a period of twenty years. And while one may be tempted to confer them the balance and symmetry desired by the arranger – two sonatas with obbligato harpsichord (BWV1034 and 1035), two with basso continuo (1030 and 1032), two in minor, two in major, two in three movements, two in four, two in E, and two fifths ascending or descending from this central E, etc. –, all of it might be merely fortuitous; they are rather a “blended” family. However these works for flute have in common the fact of being clouded by great uncertainty – whether it is about their chronology, the date of composition, the intended recipient, their form, their main instrumentation, their creation… So all is left for the listener is to experience them, performed here on a flute made by Joannes Hyacinth Rottenburgh (first half of the 18th century) from Brussels, and a harpsichord after Mietke (Berlin) made in 1702. © SM/Qobuz
HI-RES€ 15,99
CD€ 11,49

Religieuze cantates - Verschenen op 18 november 2013 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 2 augustus 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Hi-Res Audio
HI-RES€ 10,79
CD€ 8,09

Klassiek - Verschenen op 30 november 2014 | Brilliant Classics

Hi-Res Booklet
HI-RES€ 12,49
CD€ 8,49

Klassiek - Verschenen op 28 februari 2012 | Analekta

Hi-Res
HI-RES€ 15,99
CD€ 11,49

Missen, passies, requiems - Verschenen op 5 november 2009 | Mirare

Hi-Res Booklets + Video Onderscheidingen Hi-Res Audio
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 6 oktober 2014 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording
HI-RES€ 21,49
CD€ 14,99

Viool solo - Verschenen op 5 oktober 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 22 februari 2019 | Ramée

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or
Although we know of at least five concertos J.S. Bach wrote for solo organ we have no surviving Bach organ concertos with orchestral accompaniment. Contrast this with the 200+ cantatas: of these, 18 feature organ obbligato, which Bach uses as a solo instrument in arias, choral sections and sinfonias. The most obviously conspicuous date to 1726. In May to November of that year, Bach composed six cantatas which assign a prominent solo role to the organ. Most of these are reworkings of movements of lost violin and oboe concertos written in Bach’s time at Weimar and Köthen. Why Bach wrote such a number of obbligato organ cantatas in such a short period remains unknown. One possible explanation may lie in Dresden, where Bach had given a concert on the new Silbermann organ in the Sophienkirche in 1725. Some scholars think that, in addition to other organ works, he also performed organ concertos, or at least a few earlier versions of the sinfonias, with obbligato organ and strings in order to show off the organ. From the cantatas mentioned above, along with the related violin and harpsichord concertos, it is perfectly possible to reconstruct a number of three-movement organ concertos of this type. By using this method, we hope to bring some of the music which Bach may have performed in Dresden in 1725 back to life. © Ramée/Outhere
HI-RES€ 14,49
CD€ 9,99

Klassiek - Verschenen op 24 september 2012 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica - Exceptional Sound Recording
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 25 september 2012 | Phi

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - Exceptional Sound Recording - Hi-Res Audio
HI-RES€ 14,99
CD€ 9,99

Sacred Oratorios - Verschenen op 1 februari 2006 | BIS

Hi-Res Booklet
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 6 oktober 2017 | Haenssler Classic

Hi-Res