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Symfonische muziek - Verschenen op 15 mei 2020 | Sonoton Music

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Symfonische muziek - Verschenen op 15 mei 2020 | FKM Records

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Symfonische muziek - Verschenen op 24 april 2020 | Alpha

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Is the imitation of rolling thunder, howling winds and bleating sheep a form of musical composition worthy of the name? Can we take seriously a composer who boasts of being able to ‘set a restaurant menu to music, if need be’? These were the kinds of questions that Richard Strauss, one of the most virtuosic composers of the so-called ‘programme music’, had to ask himself. His answer: ‘I am a musician from head to toe; for me, all “programmes” are merely incentives to invent new forms, nothing else.’ The NDR Orchestra, conducted by Krzysztof Urbański, has chosen to devote its sixth Alpha Classics recording to three of Richard Strauss’s most famous symphonic poems: Also sprach Zarathustra Op. 30, Till Eulenspiegels lustige Streiche Op. 28 and Don Juan Op. 20. © Alpha Classics
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Soundtrack - Verschenen op 24 april 2020 | EuroArts Music International

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Symfonische muziek - Verschenen op 10 april 2020 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
Some music lovers are familiar with Ce qu’on entend sur la montagne, Liszt’s symphonic poem based on Victor Hugo. But who knows that, ten years earlier, César Franck was inspired by the same poem? This early piece is recorded here by the Orchestre Philharmonique de Radio France conducted by Mikko Franck. They couple it with the famous Symphony in D minor, dedicated to Henri Duparc and premiered, without much success, in 1889. Even if the score is quite well-known today, in the end it is performed quite rarely, which is a pity, because it really has all the characteristics of a masterpiece: melodic and harmonic inspiration, refined orchestration, variety of mood, an ingenious structure. Two works by Franck ... by Franck! This album marks the beginning of a collaboration between Alpha and the Orchestre Philharmonique de Radio France, which will focus on very varied repertories. © Alpha Classics
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Symfonische muziek - Verschenen op 10 april 2020 | Sonoton Music

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Symfonische muziek - Verschenen op 7 april 2020 | FKM Records

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Symfonieën - Verschenen op 28 februari 2020 | deutsche harmonia mundi

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Symfonische muziek - Verschenen op 8 november 2019 | Berlin Philharmonic Orchestra

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Symfonische muziek - Verschenen op 30 augustus 2019 | NoMadMusic

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Symfonische muziek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
The premiere of Mahler’s Third Symphony took place in June 1902 in Krefeld (not far from Düsseldorf), but it was indeed the Gürzenich Orchestra of Cologne which gave that first performance... greeted with acclaim – this was not always the composer’s experience with his masterpieces. Originally conceived as a hymn to Nature, in which the inert chaos of the opening movement is gradually left behind, the work calls for enormous forces (large orchestra, women’s choir, boys’ choir, and contralto soloist) and at each hearing leaves an unforgettable impression on the audience. Such was the case in October 2018, when François-Xavier Roth led the esteemed successors of the work’s first interpreters in this latest Mahler adventure. © harmonia mundi
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Symfonische muziek - Verschenen op 12 oktober 2018 | CAvi-music

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Symfonische muziek - Verschenen op 22 juni 2018 | harmonia mundi

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Symfonische muziek - Verschenen op 15 juni 2018 | RUBICON

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Symfonische muziek - Verschenen op 1 juni 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
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Symfonische muziek - Verschenen op 13 april 2018 | Mariinsky

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The second volume in a series of compilations exploring the jewels of Russian classical music as performed by the country’s greatest musical institution. Russian Classics Vol. 2 includes some of the most recognisable and well-loved pieces that Russian music has to offer, including Tchaikovsky’s delicate Waltz of the Flowers, the brooding opening to Tchaikovsky’s Fourth Symphony and the Great Gate of Kiev from Mussorgsky’s Pictures at an Exhibition.
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Symfonische muziek - Verschenen op 16 maart 2018 | CAvi-music

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 9 februari 2018 | harmonia mundi

Hi-Res Booklet
Although a valedictory mood underpins it, Mahler’s Ninth Symphony offers above all a profound meditation on the fate of humanity and seems to exude an immense love of life. Sustained by the commitment and excellence of the artists, this recording reveals the formal, technical and orchestral modernity of a work that was to exert a genuine fascination on the Viennese composers of the following generation. © harmonia mundi
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Symfonische muziek - Verschenen op 24 november 2017 | audite Musikproduktion

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Volume 12 of the LUCERNE FESTIVAL editionpresents a sensational archive discovery: a live recording of the Manfred Overture from the 1953 festival, until recently presumed lost, and now released for the very first time. In 1953, Furtwängler also conducted two of his all-time favourites, Beethoven's Eroica and Schumann's Fourth Symphonies. Until now, these exciting interpretations were only available in technically flawed recordings made by enthusiasts. For this edition, the newly rediscovered original tapes from the archives of the SRF Swiss Radio and Television were made available. Wilhelm Furtwängler, invited to Lucerne for the first time in 1944, was one of the defining artists of the LUCERNE FESTIVAL's first decades. From 1947, he performed in Lucerne each summer (with the exception of 1952, when he had to cancel due to illness) until his final concert in August 1954, a few months before his death (recording also available in the "Historic Performances" series: audite 95.641). In total, Furtwängler conducted eighteen of the festival's concerts, sixteen of which with the Swiss Festival Orchestra who also played on 26 August 1953. Furtwängler's motto was to be "faithful to the spirit" rather than "faithful to each note". This Lucerne recording demonstrates his methodical approach, especially by means of a precisely calculated tempo architecture: Furtwängler's seemingly arbitrary tempo modifications hold structural significance, dynamising the musical form. Illustrated with numerous photos from the festival's archive, the 32-page booklet in three languages discusses this approach, whilst also referring to other famous recordings, such as Furtwängler's studio recording of Schumann's Fourth Symphony with the Berlin Philharmonic, made only a few months earlier. © Audite
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Symfonische muziek - Verschenen op 3 november 2017 | RUBICON

Hi-Res Booklet