Albums

200 albums gesorteerd op Price: from most expensive to least expensive en gefilterd op Symfonische muziek en Sinds 1 jaar
€ 79,99

Symfonische muziek - Verschenen op 11 mei 2018 | SWR Classic

Booklet Onderscheidingen 5 étoiles de Classica
€ 23,49

Symfonieën - Verschenen op 8 juni 2018 | Decca

Onderscheidingen 5 de Diapason
€ 30,99
€ 21,99

Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Grammy Awards
€ 21,99

Symfonische muziek - Verschenen op 11 mei 2018 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason
€ 21,99

Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon Classics

Booklet
€ 29,99
€ 19,99

Symfonische muziek - Verschenen op 1 juni 2018 | LPO

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 29,99
€ 19,99

Symfonieën - Verschenen op 6 april 2018 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Exceptional sound
€ 19,99

Symfonische muziek - Verschenen op 27 april 2018 | La discothèque idéale de Diapason

Onderscheidingen Diapason d'or
€ 29,99
€ 19,99

Soundtrack - Verschenen op 5 oktober 2018 | LPO

Hi-Res Booklet
€ 29,99
€ 19,99

Symfonieën - Verschenen op 6 april 2018 | BIS

Hi-Res Booklet Onderscheidingen Choc de Classica
€ 18,47€ 30,78
€ 21,98

Symfonische muziek - Verschenen op 21 september 2018 | LSO Live

Hi-Res Booklet
€ 19,49

Balletten - Verschenen op 11 mei 2018 | Decca

Onderscheidingen Diapason d'or
€ 17,99

Symfonische muziek - Verschenen op 30 november 2018 | Nar Classical

€ 20,49
€ 17,49

Symfonische muziek - Verschenen op 10 augustus 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - Exceptional sound - 5 étoiles de Classica
If Leonard Bernstein was one of the greatest conductors from the second half of the 20th Century, his interpretation job never outshone his composer one. But the durable and worldwide success of West Side Story has often irritated him, as it left in the shadowed the rest of his abundant and varied catalog. Antonio Pappano has had the good idea to gather the three symphonies from Bernstein in a single album recorded in several concerts in Rome with his Orchestra dell'Accademia Nazionale di Santa Cecilia, which reaches under his baton an international dimension. Bernstein had a special relation with this institution that he has frequently conducted. Jeremiah, Bernstein’s first symphony, dates from 1944. Bernstein was 26 and wrote it the same year as his first ballet for Broadway, Fancy Free.He blends genres in a way that is now typical of him, disturbing many timorous music lovers who don’t understand that this dichotomy is the result of his genius. This first symphony sung in Hebrew denounces the horror of the Holocaust in Europe. 1949 is the year of The Age of Anxiety, his strange second symphony inspired by a long and difficult poem by W. H. Auden. Rarely played because of his difficult solo piano section that few interprets possess in their repertoire, this symphony is a succession of “themes and variations”. If the beginning flirts with the European Art music, notably from Prokofiev, it ends in a syncopated sentimentalism in the style of the great Hollywood movies. The excellent pianist Beatrice Rana (who has recorded for Warner Classics a very exciting Second Concerto by Prokofiev with the same conductor, as well as, more recently, the most talked-about Goldberg Variations by J. S. Bach) is here a brilliant and convinced performer of the work. Written in 1963 and dedicated to President Kennedy, Kaddish, his third symphony, is probably the most personal work of this trilogy. Heterogeneous as is all Bernstein music, it goes together with a text written by him that caused a scandal because of his iconoclastic arrogance, as Bernstein is giving advice to God to better rule mankind… Unsatisfied with his text, the composer did several revisions of his work to give it the form that is mostly used today. © François Hudry/Qobuz
€ 20,49
€ 17,49

Symfonische muziek - Verschenen op 30 november 2018 | San Francisco Symphony

Hi-Res Booklet
Berlioz's preface for his dramatic symphony Romeo and Juliet reads as follows: "Although voices are frequently used in it, it is neither a concert opera, nor a cantata, but a choral symphony. The reason there is singing almost from the start is to prepare the listener’s mind for the dramatic scenes where the feelings and passions are to be expressed by the orchestra. This latter scene depicts the reconciliation of the two families and is the only one to belong to the genre of opera or oratorio. If, in the celebrated scenes in the garden and in the cemetery, the dialogue of the two lovers, Juliet’s asides and the impassioned pleas of Romeo are not sung, if in short the love duet and the duet of despair are entrusted to the orchestra, the reasons for this are numerous and easy to grasp. First, and this would by itself be a sufficient justification for the author, the work is a symphony and not an opera. Then, since duets of this kind have been treated countless times in vocal form by the greatest masters, it was wise as well as interesting to try another mode of expression. It is also because the very sublimity of this love made its depiction so dangerous for the composer that he needed to allow his imagination a freedom which the literal meaning of the words sung would have denied him. Hence the resort to instrumental language, a language which is richer, more varied, less finite, and through its very imprecision incomparably more powerful in such a situation." This new recording by the San Francisco Symphony Orchestra brings together American mezzo-soprano Sasha Cooke and tenor Nicholas Phan, as well as Italian bass-baritone Luca Pisaroni with Music Director Michael Tilson Thomas. Some people may disagree with the absence of French voices; it is true that the pronunciation of the soloists is a little wobbly at times, but let’s not forget that this is Berlioz: the overwhelming majority of the score is symphonic, and that is where the San Francisco Symphony Orchestra truly shines through. © SM/Qobuz
€ 17,49

Symfonische muziek - Verschenen op 30 november 2018 | San Francisco Symphony

Booklet
€ 23,09
€ 16,49

Symfonische muziek - Verschenen op 30 november 2018 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama
The four Nations by François Couperin (also known as "Couperin the Great") consist of France, Spain, the Empire and Piedmont (Italy, therefore), though it would be rather futile to look for any truly national characteristics in each of the movements of these four suites. And all the more so due to the fact that many of the pieces had already been composed well before the collection’s publication in 1726, and they were simply renamed... Yes, throughout the thirty-six movements of the work we do hear the French style on the one hand and the more Italianising style on the other, but the many interpolations make it, in fact, a kind of mixed European collection. At most, Spain is entitled to a few rare and truly Iberian turns of phrase, even though they are only visible under a microscope. Christophe Rousset and his musical ensemble Les Talens Lyriques approach these "trios" with joy and respect, knowing that the term "trio" does not necessarily imply three musicians; in fact, the melodic parts are entrusted to two oboes, two flutes and two violins, both together and alternately, while the continuo is played by the bassoon, harpsichord, gamba and theorbo, again either together or in various combinations depending on the musical texture. In this way, the thirty-six movements demonstrate the immense musical richness of these various nations, with all the diversity and contrasts that Couperin has assigned to them. © SM/Qobuz
€ 16,49

Symfonische muziek - Verschenen op 30 november 2018 | Auris-Subtilis

Booklet
€ 23,09
€ 16,49

Symfonische muziek - Verschenen op 12 oktober 2018 | CAvi-music

Hi-Res Booklet
€ 22,49
€ 14,99

Symfonische muziek - Verschenen op 4 mei 2018 | Signum Records

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - 5 étoiles de Classica