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Klassiek - Verschenen op 29 mei 2019 | G Martell Classical

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Klassiek - Verschenen op 24 mei 2019 | RCA Red Seal

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Klassiek - Verschenen op 17 mei 2019 | Profil

Booklet
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Klassiek - Verschenen op 3 mei 2019 | Bella Musica Edition

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Klassiek - Verschenen op 3 augustus 2007 | Warner Classics

Booklet
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Klassiek - Verschenen op 29 maart 2019 | Rubicon Classics

Hi-Res Booklet
The Jubilee Quartet, formed in 2006 and named so as all the members lived along the route London’s Jubilee underground line, have studied with such illustrious figures from the world of chamber music as Gunter Pichler, Thomas Brandis, Garfield Jackson and the Belcea String Quartet. They have participated in masterclasses with the Skampa, Wihan and Chilingirian Quartets. They have an impressive tally of prizes from international chamber music competitions and have a busy international schedule. Their debut album features three Haydn quartets which, as ever with this composer are brim-full of innovation, drama and wide-ranging emotions. © Rubicon
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CD€ 12,49

Kamermuziek - Verschenen op 22 maart 2019 | harmonia mundi

Hi-Res Booklets Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 1 juni 2013 | Brilliant Classics

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Symfonische muziek - Verschenen op 22 februari 2019 | Alpha

Hi-Res Booklet
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Klassiek - Verschenen op 1 april 2006 | Brilliant Classics

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CD€ 12,49

Klassiek - Verschenen op 1 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
After having released his complete recording of Mozart’s Sonatas and collaborated with the singer Mark Padmore (Beethoven, Schubert, Schumann), Kristian Bezuidenhout continues to expand his discography with Joseph Haydn this time. Under the record label Harmonia Mundi, the South-African pianist emphasizes the whimsical and fanciful elements of a selection of Haydn’s works that were influenced by Carl Philipp Emanuel Bach, a composer from whom he learnt a lot and described with a certain fondness. Here, the Sonata in C major (Hob. XVI:48) is halfway between the Variations on a Theme and a totally unbridled fantasy, whereas the Sonata in C minor (Hob.XVI:20) unlocks the full dramatic potential of keyboard music. The later works on this album are contrasted with earlier ones such as the charming and spirited Sonata in G major (XVI:6) which is followed by two sequences of variations. This repertoire showcases Haydn’s inexhaustible creative energy as well as his ability to reinvent himself with each of his works. The performer relishes the performance here, playing on a Paul McNulty fortepiano modelled on an Anton Walter Viennese piano from 1805. © François Hudry/Qobuz
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Klassiek - Verschenen op 16 januari 2019 | EXTON

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Klassiek - Verschenen op 5 januari 2019 | Gunther Hasselmann

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Klassiek - Verschenen op 2 november 2018 | First Hand Records

Hi-Res Booklet
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Kamermuziek - Verschenen op 2 november 2018 | Divox

Booklet
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CD€ 12,49

Concerten voor viool - Verschenen op 26 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
To say that the concerto was one of Haydn's favourite forms would be a bit much, daft even. The man wrote a good hundred symphonies, dozens of quartets, trios, piano sonatas, fifteen or so masses and as many operas, and oratorios... Currently we know of three violin concertos (others being lost or apocryphal), two cello concertos (others... see above), one horn concerto, one for trumpet (there are no others) and at most about ten concertos for piano. Musically, they are fascinating works, but the level of technical skill they demand runs from moderate to a bit tricky. But the First Cello Concerto is not without its moments of difficulty, such as the rapid high notes in the final movement, and it offers some real fireworks. It should also be noted that most of the concertos were written for Esterházy, specifically for the first soloists in the house orchestra of Konzertmeister Luigi Tomasini and first cellist Joseph Weigl. The orchestral accompaniments offered the soloists some fine backdrops: in particular in the second movement of the Concerto for violin in C Major , with the orchestra's string section accompanying the solo violin with a sort of lute-playing that becomes a kind of serenade à la Don Giovanni. Amandine Beyer takes up the violin for this recording, while Marco Ceccato deals with the cello solo – both members of the Gli Incogniti ensemble ("The Unknowns"), a fluid grouping that plays without a conductor. Their leaderless style means that the musicians all listen to one another: it's a lovely way of making music (and sadly rare in the world of orchestras). © SM/Qobuz
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Klassiek - Verschenen op 26 oktober 2018 | Universal Music Australia Pty. Ltd.

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CD€ 11,49

Symfonische muziek - Verschenen op 14 september 2018 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 étoiles de Classica