Albums

€ 23,09
€ 16,49

Symfonische muziek - Verschenen op 30 november 2018 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama
The four Nations by François Couperin (also known as "Couperin the Great") consist of France, Spain, the Empire and Piedmont (Italy, therefore), though it would be rather futile to look for any truly national characteristics in each of the movements of these four suites. And all the more so due to the fact that many of the pieces had already been composed well before the collection’s publication in 1726, and they were simply renamed... Yes, throughout the thirty-six movements of the work we do hear the French style on the one hand and the more Italianising style on the other, but the many interpolations make it, in fact, a kind of mixed European collection. At most, Spain is entitled to a few rare and truly Iberian turns of phrase, even though they are only visible under a microscope. Christophe Rousset and his musical ensemble Les Talens Lyriques approach these "trios" with joy and respect, knowing that the term "trio" does not necessarily imply three musicians; in fact, the melodic parts are entrusted to two oboes, two flutes and two violins, both together and alternately, while the continuo is played by the bassoon, harpsichord, gamba and theorbo, again either together or in various combinations depending on the musical texture. In this way, the thirty-six movements demonstrate the immense musical richness of these various nations, with all the diversity and contrasts that Couperin has assigned to them. © SM/Qobuz
€ 20,49
€ 17,49

Symfonische muziek - Verschenen op 30 november 2018 | San Francisco Symphony

Hi-Res Booklet
Berlioz's preface for his dramatic symphony Romeo and Juliet reads as follows: "Although voices are frequently used in it, it is neither a concert opera, nor a cantata, but a choral symphony. The reason there is singing almost from the start is to prepare the listener’s mind for the dramatic scenes where the feelings and passions are to be expressed by the orchestra. This latter scene depicts the reconciliation of the two families and is the only one to belong to the genre of opera or oratorio. If, in the celebrated scenes in the garden and in the cemetery, the dialogue of the two lovers, Juliet’s asides and the impassioned pleas of Romeo are not sung, if in short the love duet and the duet of despair are entrusted to the orchestra, the reasons for this are numerous and easy to grasp. First, and this would by itself be a sufficient justification for the author, the work is a symphony and not an opera. Then, since duets of this kind have been treated countless times in vocal form by the greatest masters, it was wise as well as interesting to try another mode of expression. It is also because the very sublimity of this love made its depiction so dangerous for the composer that he needed to allow his imagination a freedom which the literal meaning of the words sung would have denied him. Hence the resort to instrumental language, a language which is richer, more varied, less finite, and through its very imprecision incomparably more powerful in such a situation." This new recording by the San Francisco Symphony Orchestra brings together American mezzo-soprano Sasha Cooke and tenor Nicholas Phan, as well as Italian bass-baritone Luca Pisaroni with Music Director Michael Tilson Thomas. Some people may disagree with the absence of French voices; it is true that the pronunciation of the soloists is a little wobbly at times, but let’s not forget that this is Berlioz: the overwhelming majority of the score is symphonic, and that is where the San Francisco Symphony Orchestra truly shines through. © SM/Qobuz
€ 15,99
€ 11,49

Symfonieën - Verschenen op 9 november 2018 | Aparté

Hi-Res Booklet
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 2 november 2018 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 étoiles de Classica
€ 15,99
€ 11,49

Symfonische muziek - Verschenen op 2 november 2018 | Aparté

Hi-Res Booklet
€ 14,99
€ 9,99

Soundtrack - Verschenen op 2 november 2018 | DUX

Hi-Res Booklet
€ 18,99
€ 15,99

Symfonieën - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
With Symphony No.6 in A Minor "Tragic" written in 1904 (the title, for once, is not a publisher's gimmick, but was indeed given by Mahler in the programme for the first performance in Vienna in 1906), Mahler almost returns to the classical symphony format; we find more voices in the score (a technique that he had already used in No. 5) and a four-movement structure (whereas No. 5 was articulated in five movements thrown into three "parts", with the absence of a programme or philosophical content). Admittedly, the orchestra remains huge, with four woodwinds, eight horns, and six trumpets, not to mention an impressive arsenal of percussion instruments including alpine bells, hammer and xylophone, which he never used elsewhere; in this respect, Mahler contributed to putting an end to the late romantic trend of gigantic works for titanic orchestras. It must be said that the last movement, which lasts at least half an hour, is of a truly tragic expression with its indelible darkness. This frightened the critics, who found the work somewhat bloated. It is therefore up to the conductor to make the score as transparent as possible, the contrapuntal lines readable and the orchestral colours perceptible through the orchestral immensity. Equipped with his MusicAeterna, Teorod Currentzis embarks on the adventure. © SM/Qobuz
€ 15,99
€ 11,49

Symfonische muziek - Verschenen op 19 oktober 2018 | Aparté

Hi-Res Booklet
€ 16,99
€ 14,49

Symfonieën - Verschenen op 19 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 5 oktober 2018 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
Sir Andrew Davis returns to his exploration of Holst’s orchestral works with the brilliant BBC Philharmonic, a series initiated almost ten years ago by the late Richard Hickox, then taken over by another expert in British repertoire. This selection of orchestral works by Holst provides a remarkable overview of his career, ranging from such early works as A Winder Idyll – composed in 1897 when he was still studying at the Royal College of Music – to the Scherzo of a symphony on which he was working towards the end of his life. None of the music recorded here was published in his lifetime, and the Scherzo – rarely heard though it is – is the only work to have entered the repertoire. A Moorside Suite, originally written for brass band, is featured here in the composer's rarely heard arrangement for strings. The young British cellist Guy Johnston is the soloist in Invocation, one of Holst’s most significant works, calling for a subtle balance of virtuosity and expressive qualities. © Chandos
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 5 oktober 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
To commemorate the centenary of Parry’s death, Rumon Gamba and the BBC National Orchestra of Wales offer this rare album of major works never recorded before, at the centre of which stands the original version of Symphony No. 4. These works highlight Parry’s skills as an orchestrator to supreme effect, the music full of attractive thematic invention, the scores wonderfully expansive, the canvas more intellectual, the many ideas more bold and passionate. The works prove to be a much severer challenge for the musicians but are here masterfully tackled thanks to both orchestra and conductor’s experience performing forgotten or unpublished British repertoire. The Suite moderne was written for the Three Choirs Festival. Despite its popularity, the work remained unpublished at Parry’s death and is performed here in a new edition by Jeremy Dibble. The album is completed by Parry’s one and only ballet score, Proserpine. A triptych in miniature, the colourful score is full of great delicacy. © Chandos
€ 29,99
€ 19,99

Soundtrack - Verschenen op 5 oktober 2018 | LPO

Hi-Res Booklet
€ 9,59€ 15,99
€ 11,49

Symfonieën - Verschenen op 5 oktober 2018 | LSO Live

Hi-Res Booklet Onderscheidingen 5 de Diapason
Composed against a cataclysmic backdrop of Stalinist oppression and the Second World War, Shostakovich's Eighth Symphony is a deeply affecting poem of suffering. The composer described it as 'an attempt to reflect the terrible tragedy of war', and it contains some of the most terrifying music he ever wrote. Here, Gianandrea Noseda conducts the London Symphony Orchestra with intensity and understanding, allowing the music to tell its own story as it travels from darkness into light, yearning more for peace than for victory. One of the leading conductors of his generation, Gianandrea Noseda holds several high-profile international positions in addition to his role as Principal Guest Conductor of the London Symphony Orchestra, including Music Director of the National Symphony Orchestra in Washington DC. His previous releases on LSO Live include acclaimed interpretations of the Verdi Requiem and Britten War Requiem, and this recording follows the digital release of Shostakovich: Symphony No 5, which will receive a full release in October 2019 coupled with the composer's First Symphony. © harmonia mundi
€ 14,99
€ 9,99

Symfonieën - Verschenen op 21 september 2018 | Wiener Symphoniker

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 18,47€ 30,78
€ 21,98

Symfonische muziek - Verschenen op 21 september 2018 | LSO Live

Hi-Res Booklet
€ 15,99
€ 11,49

Symfonische muziek - Verschenen op 14 september 2018 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 étoiles de Classica
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 7 september 2018 | Chandos

Hi-Res Booklet Onderscheidingen Choc de Classica
€ 21,49
€ 14,99

Symfonieën - Verschenen op 24 augustus 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik - 5 étoiles de Classica
The Second Symphony by Leonard Bernstein, The Age of Anxiety, based on a poem of the same name by W. H. Auden, is a work of the composer-conductor's relative youth, dating from 1948-1949, when he was just turning thirty. The symphony is presented as a series of variations, but not variations around an initial theme. No: each variation takes on elements of the previous variation, varies in turn, and so on. It brings to mind an unbroken metamorphosis. As one might imagine, Bernstein mixes classical symphonic elements with jazz, in particular in the solo piano passage – tackled here by Krystian Zimerman, who had the good fortune to perform with Bernstein several times. In its own way, it is a kind of homage to the centenary of the composer's birth: as Zimerman mentions in the liner notes, Bernstein asked him if he wanted to play this symphony with him for his hundredth birthday. And he almost keeps the promise, although the orchestra is the Berlin Philharmonic, under Sir Simon Rattle. © SM/Qobuz
€ 17,99
€ 11,99

Toneelmuziek - Verschenen op 10 augustus 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - 3F de Télérama - Gramophone Editor's Choice
Composed by Stravinsky in 1933 in the wake of the French oratorio fashion whose figureheads are Milhaud (Les Choéphores) and Honegger (Le Roi David, Jeanne d’Arc au bûcher), and his own Oedipus Rex, Perséphone sanctifies the French period of the Russian composer, after he left Switzerland and before he settled definitely in the United States. Ordered by Ida Rubinstein, to whom music history already owed Debussy’s Martyre de Saint-Sébastien and Ravel’s Boléro, this melodrama, profane in its story and hybrid regarding its musical form, glorifies spring -without it being a new “Consecration” in its language) on a text by André Gide, thus prolonging the emotion created by the novel Si le grain ne meurt. The three acts of the work (Perséphone enlevée, Perséphone aux enfers, Perséphone renaissante) are close to human nature and psyche with an empathy reinforced by Stravinsky’s music. Conceived for a tenor (Eumolpe), a narrator, a mixed chorus, a chidren’s chorus and an orchestra, this work, so original in the production of its author, has however never found its audience. People long blamed Stravinsky for wringing the neck of the prosody of Gide’s text without understanding that it was however one of its more sensitive works, possessed with a melodic verve, a clear lyricism and a warmth for which he wasn’t known for. Under Esa-Pekka Salonen’s inspired and aerial baton, Perséphone finds here a second youth which might finally allow it to impose itself to a new generation of music lovers. This “strange profane mass” (as described by Marcel Marnat) is probably one of the most touching works of a composer that is always looking for new springs. © François Hudry/Qobuz
€ 20,49
€ 17,49

Symfonische muziek - Verschenen op 10 augustus 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - Exceptional sound - 5 étoiles de Classica
If Leonard Bernstein was one of the greatest conductors from the second half of the 20th Century, his interpretation job never outshone his composer one. But the durable and worldwide success of West Side Story has often irritated him, as it left in the shadowed the rest of his abundant and varied catalog. Antonio Pappano has had the good idea to gather the three symphonies from Bernstein in a single album recorded in several concerts in Rome with his Orchestra dell'Accademia Nazionale di Santa Cecilia, which reaches under his baton an international dimension. Bernstein had a special relation with this institution that he has frequently conducted. Jeremiah, Bernstein’s first symphony, dates from 1944. Bernstein was 26 and wrote it the same year as his first ballet for Broadway, Fancy Free.He blends genres in a way that is now typical of him, disturbing many timorous music lovers who don’t understand that this dichotomy is the result of his genius. This first symphony sung in Hebrew denounces the horror of the Holocaust in Europe. 1949 is the year of The Age of Anxiety, his strange second symphony inspired by a long and difficult poem by W. H. Auden. Rarely played because of his difficult solo piano section that few interprets possess in their repertoire, this symphony is a succession of “themes and variations”. If the beginning flirts with the European Art music, notably from Prokofiev, it ends in a syncopated sentimentalism in the style of the great Hollywood movies. The excellent pianist Beatrice Rana (who has recorded for Warner Classics a very exciting Second Concerto by Prokofiev with the same conductor, as well as, more recently, the most talked-about Goldberg Variations by J. S. Bach) is here a brilliant and convinced performer of the work. Written in 1963 and dedicated to President Kennedy, Kaddish, his third symphony, is probably the most personal work of this trilogy. Heterogeneous as is all Bernstein music, it goes together with a text written by him that caused a scandal because of his iconoclastic arrogance, as Bernstein is giving advice to God to better rule mankind… Unsatisfied with his text, the composer did several revisions of his work to give it the form that is mostly used today. © François Hudry/Qobuz