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Symfonieën - Verschenen op 10 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte
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Symfonieën - Verschenen op 8 maart 2019 | Deutsche Grammophon (DG)

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Symfonieën - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
With Symphony No.6 in A Minor "Tragic" written in 1904 (the title, for once, is not a publisher's gimmick, but was indeed given by Mahler in the programme for the first performance in Vienna in 1906), Mahler almost returns to the classical symphony format; we find more voices in the score (a technique that he had already used in No. 5) and a four-movement structure (whereas No. 5 was articulated in five movements thrown into three "parts", with the absence of a programme or philosophical content). Admittedly, the orchestra remains huge, with four woodwinds, eight horns, and six trumpets, not to mention an impressive arsenal of percussion instruments including alpine bells, hammer and xylophone, which he never used elsewhere; in this respect, Mahler contributed to putting an end to the late romantic trend of gigantic works for titanic orchestras. It must be said that the last movement, which lasts at least half an hour, is of a truly tragic expression with its indelible darkness. This frightened the critics, who found the work somewhat bloated. It is therefore up to the conductor to make the score as transparent as possible, the contrapuntal lines readable and the orchestral colours perceptible through the orchestral immensity. Equipped with his MusicAeterna, Teorod Currentzis embarks on the adventure. © SM/Qobuz
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Symfonieën - Verschenen op 13 april 2018 | SWR Classic

Booklet Onderscheidingen Diapason d'or
What utter happiness to find probably one of the greatest performances (ranking alongside Barbirolli, Bernstein, Tennstedt) of the complex Sixth by Mahler, which came out a few years ago on Hännsler: the performance by Kirill Kondrashin at the head of the Baden-Baden Südwestfunk. In 1981, Kirill Kondrashin had been regularly directing the Amsterdam Concertgebouw for several years, tackling material from the most varied repertoires, and several times performed the works of Gustav Mahler, of which he was one of the USSR's most ardent partisans, having made the first-ever complete recording of the symphonies with the Moscow Symphonic Orchestra (Melodiya). Benefiting from some of the most captivating orchestras of the West, he never gave up on his fluid, rapid visions, his strident polyphonies, or his implacable rhythms. For Kirill Kondrashin, Mahler wasn't the post-romantic composer that he is often taken for: he didn't look for song at any cost, or even any particular lyrical virtues. The formal balances accompany a drive for minute precision in the most up-to-date sonic alloys. As a vision, it is sometimes abstract: it fits into the more experimental branch of Haydn's descendants. And it gives us cause to regret not having a "Western" version of a 9th Symphony conducted by Kondrashin! © Pierre-Yves Lascar
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Symfonieën - Verschenen op 6 april 2018 | BIS

Hi-Res Booklet Onderscheidingen Choc de Classica

Symfonieën - Verschenen op 24 november 2017 | harmonia mundi

Booklet
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Symfonieën - Verschenen op 29 september 2017 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
Gustav Mahler and the Munich Philharmonic share a very special connection. As a composer he sustainably linked the 19th century Austro-German tradition and the modernism of the early 20th century. The world premiere of his Symphony No. 4 took place under his baton on 25 November 1901 in Munich’s Großen Kaim-Saal with the then called Kaim-Orchester, present day Munich Philharmonic. His works have been a substantial part of the Munich Philharmonic’s core repertoire ever since and the orchestra has excelled on many occasions. After the MPHIL release of Mahler’s Symphony No. 2 in September 2016 now follows the release of the Symphony No. 4 with which the orchestra’s history is so closely intertwined. The live concert recording released on this album took place at the Philharmonie im Gasteig in Munich, the orchestra’s home, with Salzburg soprano Genia Kuehmeier. Valery Gergiev has paid the Austro-German repertoire particular attention throughout his career, which ignited a lasting fascination for Gustav Mahler. Over recent decades he has continued to explore the Austro-German repertoire, garnering adulation, especially for his interpretations of Wagner, Strauss, Mahler and Bruckner – music that is at the very heart of the Munich Philharmonic’s repertoire. © Warner Classics
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Symfonieën - Verschenen op 24 februari 2017 | Berlin Classics

Hi-Res Booklet
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Symfonieën - Verschenen op 17 februari 2017 | BR-Klassik

Hi-Res Booklet
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Symfonieën - Verschenen op 10 juni 2016 | Seattle Symphony Media

Hi-Res Booklet Onderscheidingen Gramophone Award
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Symfonieën - Verschenen op 15 mei 2016 | Mobiltas

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Symfonieën - Verschenen op 19 februari 2016 | Berlin Classics

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Symfonieën - Verschenen op 15 januari 2016 | Berlin Classics

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Symfonieën - Verschenen op 2 oktober 2015 | BR-Klassik

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique
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Symfonieën - Verschenen op 1 januari 2010 | Deutsche Grammophon (DG)

Booklet Onderscheidingen The Qobuz Ideal Discography
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Symfonieën - Verschenen op 10 oktober 2014 | Berlin Classics

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Symfonieën - Verschenen op 10 oktober 2014 | Corona Classic Collection

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Symfonieën - Verschenen op 19 september 2014 | Berlin Classics

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Symfonieën - Verschenen op 19 september 2014 | Berlin Classics

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Symfonieën - Verschenen op 11 maart 2011 | Berlin Classics