Albums

368 albums gesorteerd op Date: from newest to oldest en gefilterd op Symfonieën
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Symfonieën - Verschenen op 10 mei 2019 | Berlin Philharmonic Orchestra

Hi-Res Booklet
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€ 13,99

Symfonieën - Verschenen op 22 maart 2019 | Deutsche Grammophon (DG)

Hi-Res
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Symfonieën - Verschenen op 8 maart 2019 | Deutsche Grammophon (DG)

Hi-Res
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Symfonieën - Verschenen op 1 maart 2019 | Decca Music Group Ltd.

Hi-Res Booklet
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Symfonieën - Verschenen op 18 januari 2019 | Sony Music Labels Inc.

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonieën - Verschenen op 11 januari 2019 | Decca Music Group Ltd.

Hi-Res Booklet
€ 12,49

Symfonieën - Verschenen op 16 november 2018 | Deutsche Grammophon (DG)

Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica
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Symfonieën - Verschenen op 16 november 2018 | RCA Victor

Onderscheidingen The Qobuz Ideal Discography
This is an absolute MUST LISTEN. One of André Previn’s greatest recordings captured in the 1960s in London – truly a golden era for the American conductor! Here, the London Symphony Orchestra, galvanised and operating in the very heart of its repertoire, is at its most beautiful: the brass section is electric (listen to the Scherzo!), the woodwinds are poetic and the strings unrelenting in their rhythmicity... What sets this recording apart from any other are the very fast tempos, always kept within bounds by André Previn, that help unveil Walton’s great architectural sense in the most unique way – check out the magnificent coda of the initial Allegro assai; throughout this interpretation, Sibelius and Hindemith influences progressively fade away in favour of a truly distinctive orchestration and management of musical time that make this score what it really is: a real oddity in the British musical landscape of the 1930s. André Previn’s performance on the 26th and 27th of August 1966 – he went on to create a new version with the RPO for Telarc − is all the more striking when we consider that around the same time, with the same musicians, he was working on the complete symphonies of Ralph Vaughan Williams which lack in poetry, most probably suffering from the type of analytical frankness that actually exalts Walton’s Symphony No.1. A few years later, he also recorded Walton’s Symphony No.2 for EMI, again with the LSO. This can be enjoyed with wonderful sound recording by the Decca team, conducted here by James Lock. © Pierre-Yves Lascar
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Symfonieën - Verschenen op 9 november 2018 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
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Symfonieën - Verschenen op 9 november 2018 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason
What a curious and charming piece of work the First Symphony by Witold Lutosławski is! Written in 1947, it is still borrowing from Stravinski, Bartók, Prokofiev and clearly Roussel, and yet it display the composer's own personal ideas, and his flawless skill in orchestration. But he had not yet made the dodecaphonic style his own, nor the principle of randomness which would be found later in 1961's Jeux vénitiens (Venetian Games). In his case, randomness refers to musicians or groups of musicians having the freedom to play their different parts when they feel like it, or when the conductor gives them a cue. But for sure, this piece's formal framework is still constrained: every performance will shed a different light on it, but it is still the same work. The album finishes with the Fourth Symphony, the composer's last, written between 1988 and 1991, performed in 1993 with Lutosławski himself conducting before his death a few months later. In this work he makes a clear return to his harmonic and melodic ideas, which at times approach Mahler or Bartók, even though the discourse remains decidedly modern. The contrast between the First Symphony, Jeux vénitiens and the Fourth Symphony could not be more spectacular, and it gives a brilliant picture of the evolution of a musical genius who embraced a wide range of influences, constantly adapting them to his own style. © SM/Qobuz
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Symfonieën - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
With Symphony No.6 in A Minor "Tragic" written in 1904 (the title, for once, is not a publisher's gimmick, but was indeed given by Mahler in the programme for the first performance in Vienna in 1906), Mahler almost returns to the classical symphony format; we find more voices in the score (a technique that he had already used in No. 5) and a four-movement structure (whereas No. 5 was articulated in five movements thrown into three "parts", with the absence of a programme or philosophical content). Admittedly, the orchestra remains huge, with four woodwinds, eight horns, and six trumpets, not to mention an impressive arsenal of percussion instruments including alpine bells, hammer and xylophone, which he never used elsewhere; in this respect, Mahler contributed to putting an end to the late romantic trend of gigantic works for titanic orchestras. It must be said that the last movement, which lasts at least half an hour, is of a truly tragic expression with its indelible darkness. This frightened the critics, who found the work somewhat bloated. It is therefore up to the conductor to make the score as transparent as possible, the contrapuntal lines readable and the orchestral colours perceptible through the orchestral immensity. Equipped with his MusicAeterna, Teorod Currentzis embarks on the adventure. © SM/Qobuz
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Symfonieën - Verschenen op 19 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Symfonieën - Verschenen op 5 oktober 2018 | LPO

Hi-Res Booklet Onderscheidingen 5 de Diapason
These early symphonies, conducted by Principal Conductor Vladimir Jurowski, showcase youthful Tchaikovsky at his best. The Second, 'Little Russian', is full of bright, dancing Ukranian folk melodies which build to a joyous final celebration bursting with life. The Third Symphony, nicknamed for its finale in the style of a 'polonaise', takes German and Polish musical styles and transforms them into a truly Russian symphony; one that hints at Tchaikovsky's later balletic works. © LPO Live
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Symfonieën - Verschenen op 5 oktober 2018 | LSO Live

Hi-Res Booklet Onderscheidingen 5 de Diapason
Composed against a cataclysmic backdrop of Stalinist oppression and the Second World War, Shostakovich's Eighth Symphony is a deeply affecting poem of suffering. The composer described it as 'an attempt to reflect the terrible tragedy of war', and it contains some of the most terrifying music he ever wrote. Here, Gianandrea Noseda conducts the London Symphony Orchestra with intensity and understanding, allowing the music to tell its own story as it travels from darkness into light, yearning more for peace than for victory. One of the leading conductors of his generation, Gianandrea Noseda holds several high-profile international positions in addition to his role as Principal Guest Conductor of the London Symphony Orchestra, including Music Director of the National Symphony Orchestra in Washington DC. His previous releases on LSO Live include acclaimed interpretations of the Verdi Requiem and Britten War Requiem, and this recording follows the digital release of Shostakovich: Symphony No 5, which will receive a full release in October 2019 coupled with the composer's First Symphony. © harmonia mundi
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Symfonieën - Verschenen op 28 september 2018 | Tonkunstler Orchestra

Hi-Res Booklet
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Symfonieën - Verschenen op 21 september 2018 | Wiener Symphoniker

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonieën - Verschenen op 7 september 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Symfonieën - Verschenen op 24 augustus 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik - 5 étoiles de Classica
The Second Symphony by Leonard Bernstein, The Age of Anxiety, based on a poem of the same name by W. H. Auden, is a work of the composer-conductor's relative youth, dating from 1948-1949, when he was just turning thirty. The symphony is presented as a series of variations, but not variations around an initial theme. No: each variation takes on elements of the previous variation, varies in turn, and so on. It brings to mind an unbroken metamorphosis. As one might imagine, Bernstein mixes classical symphonic elements with jazz, in particular in the solo piano passage – tackled here by Krystian Zimerman, who had the good fortune to perform with Bernstein several times. In its own way, it is a kind of homage to the centenary of the composer's birth: as Zimerman mentions in the liner notes, Bernstein asked him if he wanted to play this symphony with him for his hundredth birthday. And he almost keeps the promise, although the orchestra is the Berlin Philharmonic, under Sir Simon Rattle. © SM/Qobuz
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Symfonieën - Verschenen op 10 augustus 2018 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonieën - Verschenen op 26 juli 2018 | LSO Live

Hi-Res Booklet