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Symfonieën - Verschenen op 5 februari 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Choc Classica de l'année
Nothing new under the sun ? Oh but yes! This recording of the Fourth and Fifth Symphonies of Beethoven by the venerable Nikolaus Harnoncourt lives and breathes brand new. The difference is most notable seeing as he calls on an instrumentarium (along the lines of what Beethoven had in his time) particularly wind-based, whose sound is frankly different from what we know today. Listeners beware: you'll never listen to these two Beethoven symphonies with the same ear once you've had a taste of the original fountain that is sourced here in the 85th year of Harnoncourts wonderful musical mind © SM / Qobuz
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Symfonieën - Verschenen op 7 oktober 2014 | SDG

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 13 oktober 2017 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
This live recording is being billed as a kind of youth-in-old-age romp from the 76-year-old Martha Argerich and the 82-year-old Seiji Ozawa. And so it is. In the Piano Concerto No. 1 in C major of Beethoven, Op. 15, Argerich, despite talk that she is slowing down, is fully her playful self, and a bit of sampling anywhere that soloist and orchestra are both active should convince you of the joy that comes from hearing a soloist and conductor who have done this often enough to have a sixth sense of what's coming from the other, and to act on that knowledge on the fly. This is an unusually strong performance of this concerto, actually Beethoven's second, that catches its brashness and its sense of breaking the mold at every turn. But there's an even better aspect to the album: it's one of just a few documents recording the collaboration between Ozawa and Japan's Mito Chamber Orchestra, an organization he helped found, for which he recruited the musicians, and which he has continued to conduct even as his high-flying international career has continued. The group does not have the pristine sound one may associate with Japanese groups, and that may be all to the good: it is brisk, fresh, and, in Ozawa's hands, a bit brusque. It also has a fabulous sense of ensemble in the Beethoven Symphony No. 1 in C major, Op. 21, which you may find even more compelling than the concerto: the tension in the opening movement from the very first unexpected subdominant harmony reflects the implications of that opening better than other recordings out there. A real find, and a little landmark in Japanese music-making. © TiVo
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Symfonische muziek - Verschenen op 25 april 2000 | Warner Classics International

Hi-Res Onderscheidingen Hi-Res Audio
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Symfonische muziek - Verschenen op 13 maart 2020 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
The Orchester Wiener Akademie and its conductor Martin Haselböck continue the "Resound Beethoven" series, performed on period instruments and scrupulously respecting the orchestral layouts of 200 years ago. Volume 8, the last volume of the series, is devoted to two emblematic works, both of them dedicated jointly to Prince Franz Joseph Maximilian Lobkowitz and Count Andreas Kirillovich Razumovsky: Symphonies Nos. 5 and 6. Each of these symphonies has a name attached to it. While the Fifth Symphony is sometimes called the ‘Fate’ Symphony for more or less determined reasons, Beethoven himself named ‘Pastoral’ the Sixth, thus pursuing the venerable tradition of the musical pastorale while conferring a new dimension on it. The Orchester Wiener Akademie recorded these two works in the Landhaus Saal of the Niederösterreich Palais, Beethoven’s favourite concert venue. Between 1819 and 1827, all his nine symphonies were performed there at the ‘Concerts spirituels’ founded by Franz Gebauer, and it was in this same palace that the Austrian Revolution of 1848 began. © Alpha Classics
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Symfonieën - Verschenen op 21 september 2018 | Wiener Symphoniker

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonieën - Verschenen op 17 november 2017 | Orfeo

Hi-Res Booklet Onderscheidingen Diapason d'or
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Symfonieën - Verschenen op 19 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Symfonieën - Verschenen op 25 september 2020 | Berlin Philharmonic Orchestra

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Symfonische muziek - Verschenen op 12 september 2006 | LSO Live

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Symfonieën - Verschenen op 11 januari 2019 | Decca Music Group Ltd.

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Symfonieën - Verschenen op 18 juni 2021 | CAvi-music

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Tempo, accentuation, phrasing, or structural architecture are not the first thing that strikes the listener when he listens to Arthur Schoonderwoerd’s performances of classical orchestral music for the first time. Instead, the first thing we can notice is that the music sounds different. The orchestra is unusually small. You might want to judge whether this is good or not, but that will not truly help you deal with the phenomenon in itself. Apart from the winds – in the usual line-up as called for in the score – the string section is barely larger than a string quartet. It is pointless to dispute whether this is preferable to a large orchestra. More significant is the striking effect this has on the senses. If you want to do justice to Schoonderwoerd’s interpretation concept, it is best to start by focusing on what you are hearing. © CAvi-Music
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Symfonische muziek - Verschenen op 11 april 2006 | LSO Live

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Symfonische muziek - Verschenen op 13 juni 2006 | LSO Live

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Symfonieën - Verschenen op 22 maart 2019 | Deutsche Grammophon (DG)

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Symfonische muziek - Verschenen op 13 februari 2017 | Gustavo Dudamel

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Symfonieën - Verschenen op 2 oktober 2015 | Gustavo Dudamel

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Symfonische muziek - Verschenen op 13 februari 2017 | Gustavo Dudamel

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Symfonische muziek - Verschenen op 31 oktober 2006 | LSO Live

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Symfonische muziek - Verschenen op 10 juli 2006 | LSO Live

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