Albums

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Symfonische muziek - Verschenen op 29 maart 2019 | LeRockPsicophonique

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Symfonische muziek - Verschenen op 13 juni 2019 | Last Mill

Hi-Res
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Symfonieën - Verschenen op 30 juni 2017 | Accentus Music

Hi-Res Booklet Onderscheidingen Exceptional sound - Preis der deutschen Schallplattenkritik
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Symfonische muziek - Verschenen op 10 september 2012 | naïve classique

Hi-Res Onderscheidingen 5 de Diapason - Hi-Res Audio
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Symfonieën - Verschenen op 5 april 2019 | BR-Klassik

Hi-Res Booklet
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Balletten - Verschenen op 2 november 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Balletten - Verschenen op 27 januari 2015 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or
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Balletten - Verschenen op 1 maart 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
In this fascinating recording the legendary Neeme Järvi explores two lesser-known French ballets by Sauguet and Ibert, complemented by the Ballet Suite from Massenet’s opera Hérodiade. Sauguet studied composition with Canteloube and Koechlin. He wrote in a variety of genres, notably for radio and for film, but his ballet scores – more than twenty of them – were central to his output. Les Forains (‘The Showfolk’) was first performed at the Théâtre des Champs-Élysées in March 1945. The cast was led by the work’s brilliant young choreographer, Roland Petit, and conducted by André Cluytens. Sauget’s wide-ranging influences, notably the orchestration of Richard Strauss as well as the works of Satie and les Six, give his work a flowing, openly melodic style that is immediately appealing and full of wit and charm. Following the success of Les Forains, and the formal establishment in October 1945 of Les Ballets des Champs-Élysées, Roland Petit and Boris Kochno devised a number of new ballets for the company. One of these was Ibert’s Les Amours de Jupiter, premiered on 9 March 1946 with a cast led by Petit himself as Jupiter. © Chandos
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Symfonische muziek - Verschenen op 16 maart 2018 | CAvi-music

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 3 juni 2016 | BR-Klassik

Hi-Res Booklet Onderscheidingen Choc de Classica
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Symfonieën - Verschenen op 26 februari 2016 | Universal Music Group International

Hi-Res Onderscheidingen 5 de Diapason - 4F de Télérama
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Symfonische muziek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
The premiere of Mahler’s Third Symphony took place in June 1902 in Krefeld (not far from Düsseldorf), but it was indeed the Gürzenich Orchestra of Cologne which gave that first performance... greeted with acclaim – this was not always the composer’s experience with his masterpieces. Originally conceived as a hymn to Nature, in which the inert chaos of the opening movement is gradually left behind, the work calls for enormous forces (large orchestra, women’s choir, boys’ choir, and contralto soloist) and at each hearing leaves an unforgettable impression on the audience. Such was the case in October 2018, when François-Xavier Roth led the esteemed successors of the work’s first interpreters in this latest Mahler adventure. © harmonia mundi
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Symfonische muziek - Verschenen op 2 februari 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Record of the Month - Le Choix de France Musique - 5 étoiles de Classica
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Symfonische muziek - Verschenen op 16 februari 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason
No, this is not a re-edit, but really a brand new recording – January 2017 – made by the WDR Symphony Orchestra Cologne and Marek Janowski. In addition to the vigorous and explosive Symphonic Metamorphosis of Themes by Carl Maria von Weber, the theme in question stemming from Schiller’s version of Gozzi’s Turandot, the recording also features the rarer – and much less “fun” – Nobilissima visione suite. In the initial eponymous ballet from which the suite is derived, Hindemith depicted in musical tones a few episodes of the life of Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi. The last movement depicts, provided such a text can even be depicted, the Canticle of the Sun; Hindemith turns it into an immense and intense passacaglia that instead of actually “telling” the Canticle, manages to convey its sheer grandeur. The album closes on another splendour, Konzertmusik for Brass and String Orchestra, Op. 50 from 1930, as ordered by Serge Koussevitzky and the Boston Orchestra. In the great polyphonic tradition, the composer “opposes” groups, in this case the brass – 4 trumpets, 4 horns, 3 trombones, 1 tuba – and the strings (for which the partition requires the largest possible headcount), resulting in a fantastic musical, contrapuntal and architectural richness, not to mention a touch of humour in the race between both ensembles in the second part, as the brass play a rather quirky waltz with jazzy accents and the strings a much more “serious” style is adopted. For anyone barely familiar with Hindemith, these two latest works are a must-have, and more than likely a true revelation! © SM/Qobuz
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Symfonieën - Verschenen op 3 november 2017 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Symfonische muziek - Verschenen op 12 oktober 2018 | CAvi-music

Hi-Res Booklet
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Symfonische muziek - Verschenen op 1 april 2016 | BR-Klassik

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
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Symfonische muziek - Verschenen op 8 januari 2016 | Mariinsky

Hi-Res Booklet
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Symfonische muziek - Verschenen op 30 september 2016 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 6 november 2015 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik