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Symfonische muziek - Verschenen op 14 november 2014 | Suite Classics

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Symfonische muziek - Verschenen op 22 juni 2018 | harmonia mundi

Hi-Res Booklet
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Symfonische muziek - Verschenen op 31 augustus 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
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Symfonische muziek - Verschenen op 16 februari 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason
No, this is not a re-edit, but really a brand new recording – January 2017 – made by the WDR Symphony Orchestra Cologne and Marek Janowski. In addition to the vigorous and explosive Symphonic Metamorphosis of Themes by Carl Maria von Weber, the theme in question stemming from Schiller’s version of Gozzi’s Turandot, the recording also features the rarer – and much less “fun” – Nobilissima visione suite. In the initial eponymous ballet from which the suite is derived, Hindemith depicted in musical tones a few episodes of the life of Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi. The last movement depicts, provided such a text can even be depicted, the Canticle of the Sun; Hindemith turns it into an immense and intense passacaglia that instead of actually “telling” the Canticle, manages to convey its sheer grandeur. The album closes on another splendour, Konzertmusik for Brass and String Orchestra, Op. 50 from 1930, as ordered by Serge Koussevitzky and the Boston Orchestra. In the great polyphonic tradition, the composer “opposes” groups, in this case the brass – 4 trumpets, 4 horns, 3 trombones, 1 tuba – and the strings (for which the partition requires the largest possible headcount), resulting in a fantastic musical, contrapuntal and architectural richness, not to mention a touch of humour in the race between both ensembles in the second part, as the brass play a rather quirky waltz with jazzy accents and the strings a much more “serious” style is adopted. For anyone barely familiar with Hindemith, these two latest works are a must-have, and more than likely a true revelation! © SM/Qobuz
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Symfonische muziek - Verschenen op 8 januari 2016 | Coviello Classics

Hi-Res Booklet
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Symfonische muziek - Verschenen op 16 maart 2018 | CAvi-music

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 9 december 2011 | Sony Classical

Hi-Res Onderscheidingen 5 de Diapason
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Symfonieën - Verschenen op 13 januari 2017 | Sony Classical

Hi-Res Onderscheidingen 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 30 augustus 2019 | NoMadMusic

Hi-Res Booklet
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Symfonische muziek - Verschenen op 9 december 2011 | Sony Classical

Hi-Res Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 16 april 2012 | Sony Classical

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Symfonische muziek - Verschenen op 9 december 2011 | Sony Classical

Hi-Res Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 9 december 2011 | Sony Classical

Hi-Res Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 15 juni 2018 | RUBICON

Hi-Res Booklet
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Symfonische muziek - Verschenen op 13 april 2018 | Mariinsky

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The second volume in a series of compilations exploring the jewels of Russian classical music as performed by the country’s greatest musical institution. Russian Classics Vol. 2 includes some of the most recognisable and well-loved pieces that Russian music has to offer, including Tchaikovsky’s delicate Waltz of the Flowers, the brooding opening to Tchaikovsky’s Fourth Symphony and the Great Gate of Kiev from Mussorgsky’s Pictures at an Exhibition.
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Symfonische muziek - Verschenen op 9 december 2011 | Sony Classical

Hi-Res Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 6 november 2015 | Coviello Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Symfonische muziek - Verschenen op 23 oktober 2015 | Coviello Classics

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Symfonische muziek - Verschenen op 14 maart 2014 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 24 november 2017 | audite Musikproduktion

Hi-Res Booklet
Volume 12 of the LUCERNE FESTIVAL editionpresents a sensational archive discovery: a live recording of the Manfred Overture from the 1953 festival, until recently presumed lost, and now released for the very first time. In 1953, Furtwängler also conducted two of his all-time favourites, Beethoven's Eroica and Schumann's Fourth Symphonies. Until now, these exciting interpretations were only available in technically flawed recordings made by enthusiasts. For this edition, the newly rediscovered original tapes from the archives of the SRF Swiss Radio and Television were made available. Wilhelm Furtwängler, invited to Lucerne for the first time in 1944, was one of the defining artists of the LUCERNE FESTIVAL's first decades. From 1947, he performed in Lucerne each summer (with the exception of 1952, when he had to cancel due to illness) until his final concert in August 1954, a few months before his death (recording also available in the "Historic Performances" series: audite 95.641). In total, Furtwängler conducted eighteen of the festival's concerts, sixteen of which with the Swiss Festival Orchestra who also played on 26 August 1953. Furtwängler's motto was to be "faithful to the spirit" rather than "faithful to each note". This Lucerne recording demonstrates his methodical approach, especially by means of a precisely calculated tempo architecture: Furtwängler's seemingly arbitrary tempo modifications hold structural significance, dynamising the musical form. Illustrated with numerous photos from the festival's archive, the 32-page booklet in three languages discusses this approach, whilst also referring to other famous recordings, such as Furtwängler's studio recording of Schumann's Fourth Symphony with the Berlin Philharmonic, made only a few months earlier. © Audite