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Symfonische muziek - Verschenen op 9 oktober 2012 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica - Exceptional sound - Hi-Res Audio
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Symfonische muziek - Verschenen op 27 juli 2010 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - The Qobuz Ideal Discography - Exceptional sound
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Symfonische muziek - Verschenen op 2 oktober 2012 | SDG

Hi-Res Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Exceptional sound
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Symfonische muziek - Verschenen op 1 maart 2011 | Naxos

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio - La Clef RESMUSICA
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Symfonische muziek - Verschenen op 1 maart 2015 | Solstice

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Hi-Res Audio
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Balletten - Verschenen op 3 april 2013 | Paraty Productions

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Hi-Res Audio
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Symfonische muziek - Verschenen op 18 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
A new aesthetic calls for new forms: such is the challenge the composer set for himself in the two works presented here. In Les Nuits d’été, Berlioz pioneered, well before Mahler and Ravel, a song cycle for voice and orchestra. In Harold in Italy, scored for large orchestra and solo viola, he experimented with the symphonic genre. These period-instrument performances by Les Siècles, led by François-Xavier Roth, with violist Tabea Zimmermann, also feature Stéphane Degout in the vocal cycle, heard here in the composer’s own version for baritone. File under: out of the ordinary. © harmonia mundi
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Symfonieën - Verschenen op 10 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte
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Symfonische muziek - Verschenen op 7 december 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
The originality of this recording (which presents works that are, in fact, rather common) comes from the orchestra Les Siècles playing on periodic instruments, in this case from the period in which Debussy wrote these masterpieces. This is particularly relevant for woodwinds and brass, whose mechanisms and sounds around 1900 were very different - more incisive perhaps, and undoubtedly more differentiated - which for music like Debussy's offers a real plus in the orchestral balance. Moreover, the number of strings remains reasonable, this way the woodwind is never swallowed up as it often is with large international orchestras. The listener will be able to hear this music as Debussy heard it, or at least how he would have liked to have heard it because in his time orchestras and conductors did not always have a clear understanding of his style or the infinite colours on his palette. © SM/Qobuz
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Symfonische muziek - Verschenen op 13 april 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
Recording Ravel's music on period instruments is the kind of thing that might raise a smile... until you realise just how much the production of instruments has changed in less than a hundred years: it's the return of catgut strings, skin drum heads, the French basson (and not the German system bassoon which is used across all the world's orchestras today), shaper tips, trumpets and trombones of French manufacture. At the head of his orchestra Les Siècles, François-Xavier Roth gives a new, orthodox, historically-informed version of Ma Mère l’oye (complete ballet), the Tombeau de Couperin and Shéhérazade, the long-neglected "ouverture de féérie" [Fairy Overture] which is pure Ravel. This return to the roots is clearly easier and more straightforwardly authentic for this period of music history, because, unlike earlier works, we possess recordings which date back to the 1920s, and even earlier, which can tell us about the style, the colours, the phrasing and the tempo. But it isn't enough just to have all this historical information to hand to make something interesting. What makes this record thrilling is that all the musicians in the Siècles are excellent, and François-Xavier Roth is a talented artist himself, who knows this music inside out. At which point, his complete recording of Stravinsky's Firebird has already struck us with its quality. This rediscovery of Ravel resounds with clarity and finesse; it is a feast of well-defined timbres which cuts against the "beautiful sound" which prevails in orchestras around the world today. © François Hudry/Qobuz
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Symfonische muziek - Verschenen op 7 februari 2011 | Warner Classics International

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Hi-Res Audio
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Symfonieën - Verschenen op 20 april 2018 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
Pärt's four symphonies stretch across a period of 45 years, from 1964 and 1966 respectively for the first two, 1971 for the third, and 2008 for the fourth. His first steps into the works of the symphony were still marked by dodecaphonism, although Pärt would not resist the gradual appearance of tonal poles in his work and "accidental" encounters between consonant notes and the harmonies that resulted; but the discourse remains very much linked to modernist principles, while exploring older forms of prelude and fugue, or indeed polyphony. With the Second, Pärt's avant-gardist period came to an end. From the 1970s, Pärt would completely revise his language, and come to concentrate on religious and medieval music, in such a way that his Third Symphony throws out dodecaphonism and all its theories, developing in their place a tonal, melodic, modal idiom (the old ecclesiastical styles, in fact). And within this personal revolution, Pärt would take a step into "tintinnabulum", which formed the basis of the Fourth Symphony, written for strings, harp and percussion: a wide world of meditation, stunning, unreal, intangible, and fundamentally tonal, in which the movements from one phenomenon to another move immensely slowly, allowing the listener to savour every moment. © SM/Qobuz
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Symfonische muziek - Verschenen op 2 januari 2012 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Symfonieën - Verschenen op 6 mei 2014 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or
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Symfonische muziek - Verschenen op 2 augustus 2011 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or / Arte
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Symfonieën - Verschenen op 10 maart 2014 | harmonia mundi

Hi-Res Booklets Onderscheidingen Choc de Classica - Hi-Res Audio
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Symfonische muziek - Verschenen op 15 juli 2013 | naïve classique

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Hi-Res Audio
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Symfonische muziek - Verschenen op 1 oktober 2000 | Warner Classics International

Hi-Res Booklet Onderscheidingen Gramophone Record of the Year - Hi-Res Audio
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Balletten - Verschenen op 28 januari 2013 | Claves Records

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Symfonische muziek - Verschenen op 4 oktober 2011 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio