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202 albums gesorteerd op Date: from oldest to newest en gefilterd op Symfonische muziek en Sinds 1 jaar
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Symfonische muziek - Verschenen op 4 oktober 2018 | ORF SHOP

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Symfonische muziek - Verschenen op 4 oktober 2018 | Fonó Budai Zeneház

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Symfonische muziek - Verschenen op 5 oktober 2018 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
Sir Andrew Davis returns to his exploration of Holst’s orchestral works with the brilliant BBC Philharmonic, a series initiated almost ten years ago by the late Richard Hickox, then taken over by another expert in British repertoire. This selection of orchestral works by Holst provides a remarkable overview of his career, ranging from such early works as A Winder Idyll – composed in 1897 when he was still studying at the Royal College of Music – to the Scherzo of a symphony on which he was working towards the end of his life. None of the music recorded here was published in his lifetime, and the Scherzo – rarely heard though it is – is the only work to have entered the repertoire. A Moorside Suite, originally written for brass band, is featured here in the composer's rarely heard arrangement for strings. The young British cellist Guy Johnston is the soloist in Invocation, one of Holst’s most significant works, calling for a subtle balance of virtuosity and expressive qualities. © Chandos
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Symfonische muziek - Verschenen op 5 oktober 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
To commemorate the centenary of Parry’s death, Rumon Gamba and the BBC National Orchestra of Wales offer this rare album of major works never recorded before, at the centre of which stands the original version of Symphony No. 4. These works highlight Parry’s skills as an orchestrator to supreme effect, the music full of attractive thematic invention, the scores wonderfully expansive, the canvas more intellectual, the many ideas more bold and passionate. The works prove to be a much severer challenge for the musicians but are here masterfully tackled thanks to both orchestra and conductor’s experience performing forgotten or unpublished British repertoire. The Suite moderne was written for the Three Choirs Festival. Despite its popularity, the work remained unpublished at Parry’s death and is performed here in a new edition by Jeremy Dibble. The album is completed by Parry’s one and only ballet score, Proserpine. A triptych in miniature, the colourful score is full of great delicacy. © Chandos

Symfonische muziek - Verschenen op 5 oktober 2018 | ICA Classics

Booklet Onderscheidingen Diapason d'or - Choc de Classica
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Symfonieën - Verschenen op 5 oktober 2018 | LSO Live

Hi-Res Booklet Onderscheidingen 5 de Diapason
Composed against a cataclysmic backdrop of Stalinist oppression and the Second World War, Shostakovich's Eighth Symphony is a deeply affecting poem of suffering. The composer described it as 'an attempt to reflect the terrible tragedy of war', and it contains some of the most terrifying music he ever wrote. Here, Gianandrea Noseda conducts the London Symphony Orchestra with intensity and understanding, allowing the music to tell its own story as it travels from darkness into light, yearning more for peace than for victory. One of the leading conductors of his generation, Gianandrea Noseda holds several high-profile international positions in addition to his role as Principal Guest Conductor of the London Symphony Orchestra, including Music Director of the National Symphony Orchestra in Washington DC. His previous releases on LSO Live include acclaimed interpretations of the Verdi Requiem and Britten War Requiem, and this recording follows the digital release of Shostakovich: Symphony No 5, which will receive a full release in October 2019 coupled with the composer's First Symphony. © harmonia mundi
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Symfonische muziek - Verschenen op 5 oktober 2018 | SKANI

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Symfonische muziek - Verschenen op 5 oktober 2018 | Coviello Classics

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Symfonische muziek - Verschenen op 11 oktober 2018 | Pangal Music

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Symfonische muziek - Verschenen op 12 oktober 2018 | CAvi-music

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Symfonische muziek - Verschenen op 12 oktober 2018 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 12 oktober 2018 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 12 oktober 2018 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 12 oktober 2018 | hat[now]ART

Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 12 oktober 2018 | NoMadMusic

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Symfonische muziek - Verschenen op 19 oktober 2018 | Aparté

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Symfonieën - Verschenen op 19 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 19 oktober 2018 | Nar Classical

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Symfonische muziek - Verschenen op 20 oktober 2018 | Laura Gatz

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Symfonieën - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
With Symphony No.6 in A Minor "Tragic" written in 1904 (the title, for once, is not a publisher's gimmick, but was indeed given by Mahler in the programme for the first performance in Vienna in 1906), Mahler almost returns to the classical symphony format; we find more voices in the score (a technique that he had already used in No. 5) and a four-movement structure (whereas No. 5 was articulated in five movements thrown into three "parts", with the absence of a programme or philosophical content). Admittedly, the orchestra remains huge, with four woodwinds, eight horns, and six trumpets, not to mention an impressive arsenal of percussion instruments including alpine bells, hammer and xylophone, which he never used elsewhere; in this respect, Mahler contributed to putting an end to the late romantic trend of gigantic works for titanic orchestras. It must be said that the last movement, which lasts at least half an hour, is of a truly tragic expression with its indelible darkness. This frightened the critics, who found the work somewhat bloated. It is therefore up to the conductor to make the score as transparent as possible, the contrapuntal lines readable and the orchestral colours perceptible through the orchestral immensity. Equipped with his MusicAeterna, Teorod Currentzis embarks on the adventure. © SM/Qobuz