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CD€ 29,99

Symfonische muziek - Verschenen op 2 oktober 2008 | Phoenix Edition

Onderscheidingen 4 étoiles du Monde de la Musique - Exceptional sound
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CD€ 23,96

Ouvertures - Verschenen op 16 november 2018 | PentaTone

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional sound
From the moment they were performed, Gioachino Rossini’s overtures have enjoyed the status of colourful, elegant orchestral showpieces. With their sweet cantilene, their rich harmonies, their brilliant orchestration, and their powerful and exciting rhythmic drive, these overtures encapsulate all that was modern, exhilarating and electrifying in Rossini’s music, yet maintain their freshness and attraction to modern audiences. This album features a collection of Rossini overtures, taken from less well-known operas such as La Scala di seta, Tancredi, La gazza ladra, Matilde di Shabran and Semiramide, as well as from the classic comic operas L’italiana in Algeri and Il barbiere di Siviglia, concluding with the preludes to Rossini’s French operas Le siège de Corinthe and Guillaume Tell, in which the composer explored musical Romanticism. The overtures are performed by the Orchestra del Teatro Comunale di Bologna, which has played a seminal role in the Rossini renaissance of the last three decades. The orchestra is led by its Musical Director Michele Mariotti. Being born in Rossini’s native town Pesaro, Mariotti cherishes a life-long affinity with the city’s most famous son, and is commonly considered as one of the outstanding Rossini conductors of his age. He frequently works with the world’s most prestigious opera houses. © Pentatone
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CD€ 19,99

Symfonieën - Verschenen op 6 april 2018 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Exceptional sound
CD€ 18,99

Symfonische muziek - Verschenen op 5 maart 2012 | Sony Classical

Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional sound
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CD€ 17,49

Symfonische muziek - Verschenen op 10 augustus 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - Exceptional sound - 5 étoiles de Classica
If Leonard Bernstein was one of the greatest conductors from the second half of the 20th Century, his interpretation job never outshone his composer one. But the durable and worldwide success of West Side Story has often irritated him, as it left in the shadowed the rest of his abundant and varied catalog. Antonio Pappano has had the good idea to gather the three symphonies from Bernstein in a single album recorded in several concerts in Rome with his Orchestra dell'Accademia Nazionale di Santa Cecilia, which reaches under his baton an international dimension. Bernstein had a special relation with this institution that he has frequently conducted. Jeremiah, Bernstein’s first symphony, dates from 1944. Bernstein was 26 and wrote it the same year as his first ballet for Broadway, Fancy Free.He blends genres in a way that is now typical of him, disturbing many timorous music lovers who don’t understand that this dichotomy is the result of his genius. This first symphony sung in Hebrew denounces the horror of the Holocaust in Europe. 1949 is the year of The Age of Anxiety, his strange second symphony inspired by a long and difficult poem by W. H. Auden. Rarely played because of his difficult solo piano section that few interprets possess in their repertoire, this symphony is a succession of “themes and variations”. If the beginning flirts with the European Art music, notably from Prokofiev, it ends in a syncopated sentimentalism in the style of the great Hollywood movies. The excellent pianist Beatrice Rana (who has recorded for Warner Classics a very exciting Second Concerto by Prokofiev with the same conductor, as well as, more recently, the most talked-about Goldberg Variations by J. S. Bach) is here a brilliant and convinced performer of the work. Written in 1963 and dedicated to President Kennedy, Kaddish, his third symphony, is probably the most personal work of this trilogy. Heterogeneous as is all Bernstein music, it goes together with a text written by him that caused a scandal because of his iconoclastic arrogance, as Bernstein is giving advice to God to better rule mankind… Unsatisfied with his text, the composer did several revisions of his work to give it the form that is mostly used today. © François Hudry/Qobuz
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Symfonische muziek - Verschenen op 5 januari 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound
This much awaited recording offers keenly idiomatic performances of the most famous works by Grieg, played by the composer’s own orchestra, the Bergen Philharmonic, and its Chief Conductor, Edward Gardner. The drama and passion of such favourite pieces as the incidental music to Peer Gynt and the Piano Concerto are superbly captured in surround-sound with exemplary Chandos sound quality. Unlike most existing recordings, offering only the orchestral suites, this disc presents numerous extra excerpts from Peer Gynt, which follow the sequence of Henrik Ibsen‘s dramatic poem, including sections for the unique Norwegian "Hardanger Fiddle". Having collaborated with the orchestra on several occasions, Jean-Efflam Bavouzet is the soloist in the Piano Concerto, a piece that stands out as a shining example of a single great thought captured and expressed in music. The power of this conception is evident throughout the concerto in the pianist’s faithful, yet highly romantic interpretation. © Chandos
CD€ 14,99

Symfonische muziek - Verschenen op 1 november 2011 | Glossa

Booklet Onderscheidingen 5 de Diapason - Diamant d'Opéra Magazine - Choc de Classica - Exceptional sound
CD€ 14,99

Symfonische muziek - Verschenen op 1 mei 2010 | Tudor

Onderscheidingen Choc de Classica - Exceptional sound
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Symfonische muziek - Verschenen op 2 februari 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound
In addition to Prokofiev’s two violin concertos – whose ample discography is brilliantly enriched by this interpretation of Georgian violinist Lisa Batiashvili and the excellent conductor Yannick Nézet-Seguin –, the album also features three treats from Prokofiev arranged by Tamás Batiashvili, the father of the aforementioned Lisa and a renowned teacher in his country. These are rewritings for solo violin and orchestra of the Dance Of The Knights from Romeo and Juliet, the Grand Waltz from Cinderella and the nefarious and quirky Grand March from The Love For Three Oranges. Batiashvili – the father – streamlines the message, allowing the solo violin to showcase its full power in moments that were bloated in the original partition, particularly in the rather bulky Dance Of The Knights which, losing some of its imposing weight, gained lyricism in return. As for the two concertos, they benefit greatly from the reasonably sized Chamber Orchestra of Europe, as it perfectly lets Prokofiev’s writing shine through. © SM/Qobuz
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CD€ 11,49

Symfonieën - Verschenen op 9 november 2018 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional sound - 5 Sterne Fono Forum Klassik
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CD€ 11,49

Symfonische muziek - Verschenen op 20 maart 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Exceptional sound - Hi-Res Audio
CD€ 11,49

Symfonische muziek - Verschenen op 23 september 2008 | harmonia mundi

Onderscheidingen Exceptional sound
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Symfonische muziek - Verschenen op 3 juni 2016 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound - 5 Sterne Fono Forum Klassik
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CD€ 9,99

Symfonieën - Verschenen op 9 november 2018 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional sound
What a curious and charming piece of work the First Symphony by Witold Lutosławski is! Written in 1947, it is still borrowing from Stravinski, Bartók, Prokofiev and clearly Roussel, and yet it display the composer's own personal ideas, and his flawless skill in orchestration. But he had not yet made the dodecaphonic style his own, nor the principle of randomness which would be found later in 1961's Jeux vénitiens (Venetian Games). In his case, randomness refers to musicians or groups of musicians having the freedom to play their different parts when they feel like it, or when the conductor gives them a cue. But for sure, this piece's formal framework is still constrained: every performance will shed a different light on it, but it is still the same work. The album finishes with the Fourth Symphony, the composer's last, written between 1988 and 1991, performed in 1993 with Lutosławski himself conducting before his death a few months later. In this work he makes a clear return to his harmonic and melodic ideas, which at times approach Mahler or Bartók, even though the discourse remains decidedly modern. The contrast between the First Symphony, Jeux vénitiens and the Fourth Symphony could not be more spectacular, and it gives a brilliant picture of the evolution of a musical genius who embraced a wide range of influences, constantly adapting them to his own style. © SM/Qobuz
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Symfonische muziek - Verschenen op 27 juli 2010 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - The Qobuz Ideal Discography - Exceptional sound
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CD€ 9,99

Symfonische muziek - Verschenen op 9 oktober 2012 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica - Exceptional sound - Hi-Res Audio
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CD€ 9,99

Symfonische muziek - Verschenen op 7 februari 2012 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Exceptional sound
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CD€ 9,99

Symfonische muziek - Verschenen op 2 oktober 2012 | SDG

Hi-Res Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Exceptional sound
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CD€ 9,99

Symfonische muziek - Verschenen op 28 juli 2009 | BIS

Hi-Res Booklet Onderscheidingen Exceptional sound
CD€ 9,99

Symfonische muziek - Verschenen op 16 februari 2010 | CSO Resound

Booklet Onderscheidingen 4F de Télérama - Choc de Classica - Exceptional sound