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Symfonische muziek - Verschenen op 24 augustus 2010 | Chandos

Booklet Onderscheidingen 4 étoiles de Classica
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Symfonische muziek - Verschenen op 28 september 2010 | CPO

Booklet Onderscheidingen 4 étoiles de Classica
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Symfonische muziek - Verschenen op 1 september 2011 | Sony Classical

Onderscheidingen 4 étoiles de Classica
CD€ 11,49

Symfonische muziek - Verschenen op 1 november 2011 | London Philharmonic Orchestra

Booklet Onderscheidingen 4 étoiles de Classica
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Symfonische muziek - Verschenen op 20 maart 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Exceptional sound - Hi-Res Audio
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Symfonische muziek - Verschenen op 1 mei 2012 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4 étoiles de Classica - La Clef du mois RESMUSICA
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Toneelmuziek - Verschenen op 6 november 2012 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Hi-Res Audio
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Symfonische muziek - Verschenen op 25 augustus 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
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Balletten - Verschenen op 5 december 2014 | RCA Red Seal

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 6 januari 2015 | CPO

Booklet Onderscheidingen 4 étoiles de Classica
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Symfonische muziek - Verschenen op 1 maart 2015 | Solstice

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Hi-Res Audio
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CD€ 10,99

Symfonische muziek - Verschenen op 6 november 2015 | Coviello Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Symfonieën - Verschenen op 20 januari 2017 | Sony Classical

Onderscheidingen Gramophone Editor's Choice - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Balletten - Verschenen op 17 maart 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Award - Gramophone Editor's Choice - 4 étoiles de Classica
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Symfonieën - Verschenen op 29 september 2017 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
Gustav Mahler and the Munich Philharmonic share a very special connection. As a composer he sustainably linked the 19th century Austro-German tradition and the modernism of the early 20th century. The world premiere of his Symphony No. 4 took place under his baton on 25 November 1901 in Munich’s Großen Kaim-Saal with the then called Kaim-Orchester, present day Munich Philharmonic. His works have been a substantial part of the Munich Philharmonic’s core repertoire ever since and the orchestra has excelled on many occasions. After the MPHIL release of Mahler’s Symphony No. 2 in September 2016 now follows the release of the Symphony No. 4 with which the orchestra’s history is so closely intertwined. The live concert recording released on this album took place at the Philharmonie im Gasteig in Munich, the orchestra’s home, with Salzburg soprano Genia Kuehmeier. Valery Gergiev has paid the Austro-German repertoire particular attention throughout his career, which ignited a lasting fascination for Gustav Mahler. Over recent decades he has continued to explore the Austro-German repertoire, garnering adulation, especially for his interpretations of Wagner, Strauss, Mahler and Bruckner – music that is at the very heart of the Munich Philharmonic’s repertoire. © Warner Classics
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Symfonische muziek - Verschenen op 27 oktober 2017 | ECM

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
Don't be fooled by the album cover: the music recorded here is NOT Maderna, but Frescobaldi, Gabrieli and a few other composers from the same era, only orchestrated by Maderna. Among these late Renaissance and baroque works, as re-written, can be found, as a kind of pillar whose meaning in the album rather defies comprehension, the Sequenza XII by Berio which was initially conceived for a guitar solo and transcribed by the composer for guitar and chamber orchestra under the name of Chemins V. The whole work is about orchestrations, re-editions, translations from other eras. When it comes to Maderna and other old composers, the interest is neither musicological nor historical, as the orchestrations were done in the 20th Century, with 20th-Century orchestral techniques. Maderna's work, dating from the 1950s to the 1970s, bears witness to the widespread interest in masters from the past, with new editions, exhumations, rediscoveries; and Monteverdi was played without overmuch concern for period instruments - even if Hindemith, for example, tried to perform L’Orfeo with what old instruments he was able to gather... Seen from this point of view, the Maderna orchestrations are almost recompositions, although without ever betraying or travestying the manuscript, as Stravinsky did with Pergolese: it sticks, for example, to a "baroque" orchestra from our times, without instruments which did not exist at the time. A truly interesting recording. © SM/Qobuz
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Symfonische muziek - Verschenen op 1 november 2017 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
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Symfonische muziek - Verschenen op 25 mei 2018 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
It's true, we admit: no-one is really waiting for a new recording of Stravinsky's Firebird – even of the 1945 Suite, which is more rarely performed than the rather hackneyed one of 1919. But what's original about this album from the Orchestre National d’Ile-de-France is rather the rare work by Milhaud: La Bien-Aimée, a ballet from 1928 which had the considerable misfortune of being first performed at the same concert as Ravel's Boléro – which, of course, eclipsed everyone and everything else. But this Bien-Aimée is not without its charms; it is in fact a series of orchestrations of Liszt and Schubert, with one piece for pianola! Yes, the pianola, the mechanical piano which doesn't play quite as "automatically" as all that, given that the human musician decides the tempo, the dynamics and the balances themselves. The difficulty of course lies in perfectly synchronising the pianola and the orchestra: but here, it is pulled off perfectly. Milhaud's orchestrations of this music by Liszt and Schubert are a lot of fun, and Milhaud enjoys a few flashes of genius, and on occasion an unlikely orchestral hodgepodge with neither head nor tail but which, oddly, hits the mark, if in a somewhat slapstick manner. One to discover! © SM/Qobuz