Albums

6879 albums gesorteerd op Date: from newest to oldest en gefilterd op Symfonische muziek

Symfonische muziek - Verschenen op 14 juli 2019 | Radchenko Alexander

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Symfonische muziek - Verschenen op 7 juli 2019 | Nadav Cohen

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Symfonische muziek - Verschenen op 3 juli 2019 | RevOla

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Symfonische muziek - Verschenen op 3 juli 2019 | RevOla

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Symfonische muziek - Verschenen op 3 juli 2019 | RevOla

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Symfonische muziek - Verschenen op 3 juli 2019 | Warner Classics

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Symfonische muziek - Verschenen op 3 juli 2019 | Warner Classics

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Symfonische muziek - Verschenen op 2 juli 2019 | RevOla

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Symfonische muziek - Verschenen op 30 juni 2019 | Klaviermusik.at

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Symfonieën - Verschenen op 28 juni 2019 | Deutsche Grammophon (DG)

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Symfonische muziek - Verschenen op 28 juni 2019 | Little River Music

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Symfonische muziek - Verschenen op 26 juni 2019 | Český rozhlas

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Balletten - Verschenen op 1 juni 2019 | MetodoVadim

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Symfonische muziek - Verschenen op 16 juni 2019 | Dean Clerc

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Symfonische muziek - Verschenen op 13 juni 2019 | Last Mill

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Symfonische muziek - Verschenen op 12 juni 2019 | Versus Creative

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Symfonische muziek - Verschenen op 8 juni 2019 | Klaviermusik.at

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Soundtrack - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or
What a pleasure it is to return to Riccardo Chailly, at the head of the Filarmonica della Scala, with a collection on Rota (1911-1979) and more particularly his songs written for the great films of Fellini such as Amarcord, Huit et Demi, and La Dolce Vita! Before him, another Riccardo, Muti, had dedicated, in the 1990s, two albums with Sony Classical to the film scores of the Italian composer – with one collection on his non-cinematographic corpus. Whether Rota’s music was for cinema or the concert hall was of little importance as he rolled out, to the likes of Bernard Herrmann in the United States, a style that was true to himself where one feels his genius and prowess for evoking ambiance mixed with an incredible dexterity for the most diverse genres, as can be heard in Suite taken here from La Dolce Vita. The beginning (O Venezia, Venaga, Venusia) of the following Il Casanova di Federico Fellini, in which the chiming of the pendulum evokes the tragic destiny of the character and the harmonization of somber colors creates a sea-like atmosphere, remains without a doubt one of the most striking tracks on the album. This ambiance returns in the final part, this time all the more mind-blowing (The Dancing Doll). Often influences from the East, of Chostakovitch and Khachaturian (Il Duca di Württenberg), can be heard along with more meridian styles inherited from Italian symphonists from the end of the 19th century and the beginning of the 20th century. A passionate album not to be missed. © Pierre-Yves Lascar/Qobuz
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Symfonische muziek - Verschenen op 7 juni 2019 | NoMadMusic

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