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Piano solo - Verschenen op 1 januari 2010 | Arion

Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique - 9 de Répertoire
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Piano solo - Verschenen op 13 oktober 2017 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 23 februari 2018 | Fuga Libera

Hi-Res Booklet Onderscheidingen 5 de Diapason
For his fourth release on the Fuga Libera label, the pianist and fortepianist Piet Kuijken, professor at the Royal Conservatory of Brussels and the Antwerp Conservatory, presents a programme of music by Ludwig van Beethoven. The starting point of this double album is an artistic approach that is both pedagogical and musical: the first part contains pieces such as the Sonate Pathétique and the Sonata op.110 performed on a historical piano (a Tomkison original from 1808), while the second invites you to compare this with pieces of the same magnitude – the Appassionata Sonata and the imposing op.111, amongst others – played on a modern piano. A text written by the eminent musician invites you to follow the artist’s approach, within the same type of repertory when faced with these two different instruments. A sensitive and interesting album to help you discover all the different facets of this artist! © Fuga Libera/Outhere
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Piano solo - Verschenen op 21 oktober 2013 | Warner Classics International

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Piano solo - Verschenen op 6 januari 2015 | Timpani

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Piano solo - Verschenen op 7 oktober 2014 | ACOUSENCE Classics

Hi-Res Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 4 september 2012 | Northern Flowers

Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 29 maart 2019 | Supraphon a.s.

Hi-Res Onderscheidingen 5 de Diapason
The very first complete recording of Viktor Kalabis’s piano works, as well as the previous album of his three sonatas, have come to fruition upon the initiative and owing to the relentless enthusiasm of the world-renowned harpsichordist Zuzana Růžičková, the composer’s wife and a keen promoter of his oeuvre. Of major importance was the selection of the pianist – one possessing superlative technical skills and having a profound understanding of the structure of Kalabis’s music. As Ivo Kahánek put it: “Kalabis was one of the composers who don’t restrict their ideas by the traditional laws of the piano technique, hence his music is now and then extremely difficult to perform.” Even though Kalabis drew inspiration from the music of other 20th-century masters, he soon arrived at his own, singular and unique musical idiom, which is already palpable in his early opuses. The album maps more than half a century of Kalabis’s work, from the post-war Sonata No. 1 to the masterful miniatures dating from the very end of the millennium. Following the critically acclaimed recordings of his symphonic and concert pieces (Choc de Classica, Gramophone Editor’s Choice), and of the three sonatas, the present album opens yet another window into Viktor Kalabis’s fascinating musical world. © Supraphon
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Piano solo - Verschenen op 2 november 2018 | ECM New Series

Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
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Piano solo - Verschenen op 23 november 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Piano solo - Verschenen op 1 februari 2019 | Nonesuch

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 6 april 2018 | Decca

Hi-Res Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 5 mei 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Piano solo - Verschenen op 5 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 6 april 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Uitzonderlijke Geluidsopnamen - 5 étoiles de Classica
The remarkable Turkish pianist Fazıl Say (born 1970) here offers us a suitably remarkable album, recorded in 2016 in the Great Hall of the Salzburg Mozarteum and given over to the Premier Livre of Debussy's Préludes – 1910 – which he sets up in against the six Gnossiennes by Satie (1890 for the first three, 1897 for the latter three) and to the pieces which made him famous, the Gymnopédies of 1888. It's quite stunning to hear these works and to reflect on the fact that Satie's works actually come before Debussy's Préludes – by almost two decades, in fact. It is hardly surprising the Satie has been thought a real avant-gardist both in his day and by minimalists today. Considering how different these two were, it was natural that they should have been friends, especially given Debussy's tendency towards jealousy of his contemporaries... But it is impossible to be jealous of a kind, bubbly soul like Satie. Say brings immense tenderness to these two opposite poles – poles so far removed that they almost join back up. © SM/Qobuz
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Piano solo - Verschenen op 30 november 2018 | Wergo

Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 28 januari 2014 | Aeon

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Piano solo - Verschenen op 14 januari 2014 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Hi-Res Audio
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Piano solo - Verschenen op 13 april 2015 | Solstice

Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica