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Piano solo - Verschenen op 23 november 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Piano solo - Verschenen op 5 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 5 mei 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Piano solo - Verschenen op 22 augustus 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - 4 étoiles Classica
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Piano solo - Verschenen op 24 maart 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Uitzonderlijke Geluidsopnamen
Fazil Say, who made his debut on this label with a very, very well-received work on Mozart’s Complete Piano Sonatas, is now turning his attention to Chopin, but a more confidential side of Chopin, much less virtuoso, the Chopin Nocturnes, the almost complete work of which he recorded in the Mozarteum Salzburg in March 2016. An “almost complete work” because the Nocturne in C-Sharp minor Op. 71/1 is missing, most likely due to CD running time restrictions as the total exceeded the limit by just a handful of seconds… Regardless the interpretation is dazzling and almost symphonic, taking these Nocturnes out of the hyper-romantic state of torpor they are so frequently plunged in by musicians. In addition to Chopin’s music, a few of Say’s short-lived grunts can also be heard who, much like Gould (albeit to a lesser extent), sometimes enjoys humming in the background. © SM/Qobuz
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Piano solo - Verschenen op 6 april 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Uitzonderlijke Geluidsopnamen - 5 étoiles de Classica
The remarkable Turkish pianist Fazıl Say (born 1970) here offers us a suitably remarkable album, recorded in 2016 in the Great Hall of the Salzburg Mozarteum and given over to the Premier Livre of Debussy's Préludes – 1910 – which he sets up in against the six Gnossiennes by Satie (1890 for the first three, 1897 for the latter three) and to the pieces which made him famous, the Gymnopédies of 1888. It's quite stunning to hear these works and to reflect on the fact that Satie's works actually come before Debussy's Préludes – by almost two decades, in fact. It is hardly surprising the Satie has been thought a real avant-gardist both in his day and by minimalists today. Considering how different these two were, it was natural that they should have been friends, especially given Debussy's tendency towards jealousy of his contemporaries... But it is impossible to be jealous of a kind, bubbly soul like Satie. Say brings immense tenderness to these two opposite poles – poles so far removed that they almost join back up. © SM/Qobuz
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Piano solo - Verschenen op 14 september 2018 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
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Piano solo - Verschenen op 26 januari 2018 | NoMadMusic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 étoiles de Classica
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Piano solo - Verschenen op 23 oktober 2015 | Paraty Productions

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 21 oktober 2016 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 4 étoiles Classica
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Piano solo - Verschenen op 2 november 2018 | ECM New Series

Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
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Piano solo - Verschenen op 1 januari 2010 | Arion

Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique - 9 de Répertoire
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Piano solo - Verschenen op 6 oktober 2017 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
Sophisticated colourist and cerebral virtuoso though he is, Nelson Goerner nevertheless brings out the moments of weakness, the hesitations, the lightning passions in the labyrinth of Chopin’, wrote Diapason on the release of the Preludes in 2015 (Diapason d’Or, Choc de Classica). ‘Serenity’, ‘balance’, ‘clarity’, ‘phrasing’ are the key words that recur in reviews of the discs and concerts of the Argentine pianist, whose fifth solo release on Alpha this is. His latest venture is a complete recording of the Nocturnes, a highpoint of Chopinesque poetry. These twenty-one miniatures accompanied Chopin over a good part of his life, for he composed them between 1827 and 1848. They are tributes to Italian bel canto, expressing reveries but also complexity of feeling and a profundity that far transcends their apparent simplicity. Nelson Goerner’s feeling for melody and tempo works wonders in these pieces, which he recorded in the ideal surroundings of the Salle de Musique of La Chaux de Fonds (Switzerland). © Alpha
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Piano solo - Verschenen op 21 oktober 2013 | Warner Classics International

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Piano solo - Verschenen op 17 oktober 2014 | Sony Music Labels Inc.

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Piano solo - Verschenen op 23 maart 2015 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Piano solo - Verschenen op 14 september 2018 | Sony Music Labels Inc.

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Piano solo - Verschenen op 6 januari 2015 | Timpani

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Piano solo - Verschenen op 3 maart 2017 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik